Alas! I have finally, finally, FINALLY made the Jasika Blazer by Closet Core Patterns, the sewing pattern that Heather Lou so generously named after me! Spoiler alert: I LOVE ITTTTTT! SO DEEEEEEPLY!!!!!!! Now you might be saying to yourself, wow, this pattern came out about a year ago-ish, why did it take so long for her to make it? And that is an EXCELLENT question! Readers, buckle up, this is a long blog post lol!
I was so stoked when the pattern was finally released that I bought my fabric for it before I even had an actual copy of the pattern in my hands. Even though I don’t normally shop at Mood (and don’t plan on doing so ever again after their appropriation of Masai culture for their most recent fabric print release), I knew they would probably have the best selection of wool fabrics suitable for this project, so I scoured their website and narrowed down all the options til I came up with something I loved- a sky blue and white windowpane check wool suiting. It was expensive (having a pattern named after you seems like a great time to splurge on a beautiful fabric!) and clean and crispy and springtime-y , perfect for the season, and I ordered enough to make myself a pair of matching pants. When it arrived in the mail shortly afterwards, it was just as stunning in person, but it had a much looser weave than I anticipated and I immediately wondered if it would be the right kind of weight for a tailored jacket…but I put the doubt out of my mind and waited for the pattern and additional blazer materials kit (which Heather sells in her shop) to arrive.
Life got busy and I found myself putting the blazer off because I wanted to give it my full attention, not squeeze it in between a bunch of other projects I was trying to get done. And then my work life changed dramatically when I found out I was going to be spending much of my next year in Vancouver, so the blazer got pushed back indefinitely. On one of my weekends back in LA, I pulled out the pattern and cut out all the pattern pieces (heads up, folks, there are a LOT of them!), gathered my fabric and notions and carted everything back to Vancouver with me so I could work on the project in my apartment up there, but I quickly realized this was not the smartest decision. The Jasika Blazer is a beautiful tailored jacket with lots of pressing and tweaking and special techniques required in the construction process, so sewing it away from home without all my special tools handy made no sense (I didn’t bring my tailor’s ham or clapper with me to Vancouver cause they were too cumbersome and weren’t necessary for most of my projects, but it would have been a grave mistake to try and make the blazer without them).
All of this is to say that the blue windowpane fabric sat untouched in a closet in my vancouver apartment for about nine months til I moved back down to LA. By this time it was February and I had just come out of my Curated Closet/Palette Color stupor. By the time I pulled out that beautiful windowpane fabric again, finally ready to tackle the project, I realized….oh my god, I didn’t want to use the fabric anymore! I still thought it was beautiful of course, but I had learned that baby blue is just not in my color palette and doesn’t make me shine the way so many other colors, like oranges, browns, yellows and greens do. That’s not to say I won’t ever wear the color- I can totally make blue work when it is used as an accent for my seasonal colors, but I just didn’t feel excited about sewing a complicated, time-consuming garment in something that wasn’t smack dab in the middle of my palette, something I could get tons of wear out of with everything in my wardrobe. So the project went on hiatus yet again…
Sometime in early February of 2020, before all the proverbial shit hit the fan, I found myself in Michael Levine’s (the only LA fabric store I frequented in the past few years which has had to permanently shut it’s doors thanks to coronavirus, RIP!) looking for a specific type of fabric for some project or another, and I came across the most remarkable tweed I had seen in recent memory. It was a remnant bolt from some designer’s collection, and it immediately caught my eye because it was so stunning.
It is mostly golden yellow and dark brown, but there are tiny flecks of pretty much every other color in there as well- reds, blues, blacks, grays, greens. It’s so brilliant that it’s almost hard to decide what the main color is- in certain lights it looks green, in others it looks like a muted gold. Whatever it is, it’s very obviously in my color palette so I brought a yard and a half home with me, thinking it would make a great pair of wide legged trousers. A couple of weeks later I was hit by a bolt of sewing inspo and I ran to my craft room to see if there was enough of this fabric to make the Jasika blazer with- I had suddenly realized that it was the most perfect, plushy wool for the blazer, and thankfully I had enough fabric to make it happen!
The beginning of my blazer making timed out pretty perfectly with the coronavirus quarantine so I suddenly had LOTS of time to dedicate to this project. Even so, I decided to take my time with it, to divide it up into little bite sized chunks so I wouldn’t get overwhelmed by working on the same project for such a long time. I gave myself little palette cleansers in between some of the bigger steps, for example, I cut my muslin out first and made some small fit adjustments to the paper pattern pieces, then I worked on pottery for a couple days. Next I cut out all the main pieces out of my fabric and attached the interfacings, then I worked on a less complicated sewing pattern. It was fun to divide it up this way, as it gave me something to look forward to while ensuring that I didn’t get bored or saturated by the project (which only became important because of the weird atmosphere of staying at home for so many
weeks months seasons?? in a row).
I love sewalongs for complicated or new-to-me projects so was SUPER excited to be able to have my hand held through each step of the blazer process by watching the class that accompanies the Blazer pattern. Heather Lou and her team put together a BEAUTIFUL, professional class series that guides you through each step of the construction process, from discussions about what fabric to use to the differences between interfacings to why we need sleeve heads. But I want to ensure you that the class isn’t necessary to make the blazer. As always, Close Core Patterns has excellent instructions with very clear images and descriptions of each step, and I relied mostly on them to get through the blazer, but I liked having additional visuals to ensure I was doing everything correctly. I also learned a lot just by listening to Heather talk about the process and share interesting tidbits of information along the way. I got in the habit of watching the next lesson over breakfast or lunch before I went downstairs to sew, and then implementing what I learned in my work that day (although occasionally the laptop had to come downstairs with me so I could watch it in time with what I was doing). In short, the class isn’t necessary to make the jacket, but it takes out any guesswork you might have about certain steps that might be unfamiliar to you, and if you generally like to follow sewalongs, the video is definitely going to add a lot of ease to your experience of making the blazer.
As far as fitting goes, I graded the hips out to a size larger (I think I made a 4 in the bust/waist and went up to a 6 in the hip) but once I made my muslin, I realized I had miscalculated the ease somehow. I’m not entirely sure how this happened since the pattern clearly states the finished measurements on the envelope, but I guess I wasn’t paying enough attention or just misjudged how much hip ease I would need. Either way, the muslin fit like a dream through the shoulders, bust and waist, and viewing from the front, the hips looked like they fit great, too, but the back told a different story; the vent was splayed open about a 1 1/4″. I evenly distributed that 1 1/4″ across the hip areas of the front, side and back on my pattern pieces and then transferred that additional width to the lining pieces as well. I shortened the sleeves about an inch or so (customary adjustment for me) but didn’t need to take any length out of the body- CCP tends to be proportional on me in this arena.
The adjustments I made were all great but I could probably use a teeny tiny bit of extra room in the underarms. I had no issues at all with my muslin, but of course my muslin didn’t have the sleeve heads, horsehair, interfacing and lining attached, and it wasn’t made out of thick wool. I did use my shoulder pads in the muslin fitting, but it still wasn’t a great approximation for how the arms would ultimately fit. The shoulders are perfect on me, I just wish there was a little more room for my arm to move around and feel comfortable in the underarm area, but I think it’s just a matter of personal preference for me personally because…ummm….well, I like to do impromptu dances and kicks at a moment’s notice, lol. The fit is definitely wearable and most importantly it doesn’t cut into my underarms at all, it’s just something I will probably make a tiny change to the next time I make it. After an in-prpgress try-on, I went inside the jacket and trimmed off the teeniest bit more from the seam allowance (you’re instructed to trim no less than 3/8″ in this area), and it seems to be a little bit looser now that I have worn it a couple times.
I chose a fairly bold leather for the elbow patches on this jacket, which I love- it’s a vintage-y 70’s green that looked out of place in my wardrobe before my closet curation and now matches everything. Ironically, this is where I got snagged the most while making this jacket- I have no idea how, and I am embarrassed to admit this (I blame Covid-19), but I sewed the sleeves on backwards, ugggggghhhh!!!!! Obviously this has happened to all of us at some point in our sewing career, but these sleeves are actually drafted to be slightly curved to follow the natural line of the elbow and arm as it moves towards the front of the body, so I feel like I should have known better. Regardless, when I first tried the jacket on to see how the sleeves fit, the elbow patches were on the fronts of my forearms (LOL) and my immediate assumption was that I had accidentally put the patches on in the wrong place. It wasn’t until I had unpicked them, sewn them onto the proper sides of the sleeves and tried the jacket on again that I realized the entire sleeve was set in backwards, and I hadn’t needed to take the patches off at all. UGGGGGHHHH again. So I unpicked the sleeves from the armholes and opened the inside seam of the sleeve so that I could lay the sleeve flat to re-sew the elbow patch on again. Re-sewed the sleeves right ways, tried it on again. Claire was visiting me in the craft room and said “those elbow patches look kind of low”. I gave her a foul look but she was right, somehow I had sewn them on so low that they looked almost like wrist patches, UGGGHHHHHH for the third time! So off they came again, and this time I trimmed them down a little on all sides because 1. I thought they were a little big proportionally on my jacket (the patch is drafted to be one size fits all), and 2. they had holes from my sewing machine needle on the edges from sewing them so many times. Although I think I could probably have sewn them a little more towards the center of where my elbow rests, you can imagine how uninterested I was in sewing them a 4th time so we are going to act like they are perfectly and exquisitely placed now, lol!
After the elbow patches the rest of the jacket came together quickly…or, wait, that’s not true. I got stuck and stumped a couple more times, again, through no fault of the pattern, but because my brain needed more breaks than I was giving it. I sewed the lining together and took it out twice because I thought I had put it together wrong; the lining of course has different right and left sides to match up with the different sides of the back vent, and I kept convincing myself it was incorrect. It wasn’t. LE SIIIIGHHHHH. Eventually (after a long break!) I got my shit together, sewed my correctly pieced lining to the outer jacket, and birthed it. Ahhhh, sweet satisfaction! A lot of people feel squeamish about sharing their coat birthing videos with the public but I personally LOVE it, and I was very excited to share the experience of bringing my beautiful new blazer into the world on instagram! (will make this a highlight on my instagram cause yall just LOVE coat birthing videos! lol)
This wool was absolutely MADE for this pattern- it’s so thick and plush and the stitching just sinks into the surface of the fabric. I truly think that one of the reasons this jacket looks so stunning is because it’s such a good match of fabric and pattern. Like, I’m a decent seamstress, but this thing looks damn near PERFECT- any flaws or wonky stitch work is totally covered up by the thick wool fabric, and I am NOT mad about it! And now that this jacket is done, I can see what a pain my thin, slightly airy window pane check wool suiting would have been to make in this pattern. Initially I was disappointed in how long it took me to finish this blazer (it’s such an honor to have a pattern named after you, who in their right mind would wait so long??) but now I am ridiculously happy that I didn’t push myself into the project before I was ready because I know I wouldn’t have come out with such a pristine, stunning garment. Whether it was the sewing gods intervening, my own sixth sense being stimulated, or just a coincidence of the universe, this blazer wanted to be born into the world in a perfectly suitable textile that was in my color palette, created at a time when I had plenty of physical and mental energy to give to it. I am so thankful! Failures are an important part of the creative process, but I don’t think I would have been able to handle a big loss like this blazer during quarantine, so I feel very lucky to have it turn out such a success!
As you can see, there are several more memade garments included in this blog post, and I am just going to briefly chat about them since I don’t want this blog post to turn into a whole novel.
The Jenny Shorts are another CCP make that I sewed in some stunning bull denim from Blackbird Fabrics. I have made the Jenny Overalls before and used the bottoms from the pattern to hack onto other bodices, but this was my first time making the shorts and I absolutely LOVE them. Great coverage, comfortable, interesting details I love the warm color and the weight and feel of the denim was so fun to sew- very stable and substantial for bottomweight but not super stiff and rough like a lot of woven denim tends to be.
The button up shirting fabric is gifted from The Fabric Store – I made this garment from Butterick 5526 a while ago but was never happy with the photos I took of it. Lladybird raved about this pattern on her blog forever ago which is why I bought the pattern (I wouldn’t have thought twice about it if it weren’t for her) and she is right- it’s a terrific design! The version I made has princess seams and 3/4 sleeves and it fits like a dream- I made no mods and was able to make the size I actually fit into and it’s so lovely. It fits my petite frame so nicely but doesn’t feel too tight anywhere, and I absolutely plan on making more, as soon as I feel inspired to make dress up clothes again. I have worn regular clothes pretty much every day of quarantine (yes, even bras! What can I say, I have comfortable soft bras that I love wearing!) but have kept it quite casual- I can’t remember the last time I dressed up for anything other than blog photos or putting myself on tape for an audition. Anyways, white is not in my color palette, but I think this shirt works if I’m wearing with other colors from my palette, and I can definitely get away with it in summer time when my skin is a deeper shade of brown.
Next we have the yellow Alphonse Trousers seen in the photos towards the beginning of the post which has been my favorite pattern discovery of the past several months. I am a huge fan of the high waist, loose fit in the hips and thighs, and tapered ankles of the pattern, and it’s relatively quick make since they fit me right out of the envelope. I made them in silk velvet here and in a stunning drapey tweed here and these yellow ones are made of a super soft. almost velvety cotton from The Fabric Store.
Lastly are the green slides seen in the top photos which I made from the same leather as my elbow patches, because again, IT’S IN MY PALETTE! They were a super simple make, but when I tell you that I wear them about 5 days out of the week because they go with EVERYTHIIIIING! I actually plan on making another pair of slides in an orange color to fully round out my summer slides game, and then I should be set (and hopefully wont wear the green ones into the ground any time soon)!
Whew that is a LOT of makes! Thanks for the pictures, Claire!
And thank you again Heather Lou for including me in your illustrious line-up of makers to name your patterns after. I truly could not be more honored by the recognition, or more impressed by the pattern! Your team continues to push the sewing community to challenge themselves and tackle exciting projects like these, and my personal sewing skills have grown so much thanks to your designs! Sending fist bumps and shimmies to you all in Montreal!