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The White Kiki Party

All my posts are being shared out of order because I made several things over the summer months but was too lazy to photograph any of them until recently, so now I am trying to balance them out with things I am currently making and I am getting all turned around. But it’s okay! Please bear with me as I trudge through these clothing makes in the most (un)timely fashion!

To catch you up, Claire and I went to the wedding of our good friend Lawrence in Hawaii this summer, and it was our first time on the island of Oahu, which we were very much looking forward to exploring, but Claire started getting sick days before our departure and by the time we landed she had what turned out to be a full blown ear infection that was slowly making its way to her sinuses and throat. It was ROUGH for Claire, she was in a LOT of pain and discomfort, but thankfully we didn’t have much planned outside of the wedding events so she could be miserable in peace. Luckily, our airbnb was a 3 minute walk to a practically private beach, so I still had a lovely time hanging out with the sand and sun while I took breaks from looking after Claire.

The day before the wedding there was a “White Party” on Waikiki that all the wedding guests were invited to, but the name of the party was changed to the “White-kiki Party” at Claire’s urging, LOL. We were of course all invited to show up in white attire, and I had one dress in my closet that would have worked for the event but decided to make something new for it because…WHY NOT? Claire also needed something white to wear for the party and she settled on a Kalle shirtdress with popover placket in a terrific white linen fabric from Joanns. Claire is mostly a jeans and t-shirt kind of gal but my goodness she LOVES her housedresses, and she wanted something that felt comfortable and looked clean and classic to wear to this event. I opted for something a little more dolled up (surprise!) but still comfortable and breezy for the warm island weather.

When The Fabric Store closed in LA over the summer I got my hands on as much fabric as I could, which is why my stash is bigger than it has ever been before (a big stash is not my happy place, but I also can’t turn down good fabric that’s free or deeply discounted, so I have committed myself to not buying any more for the rest of the year so I can work through what I have…although I might need to amend that to next year after going through Mimi’s fabric giveaway pile yesterday lol). One of the cuts I ended up taking home with me was a white poly with animal stripes embossed across it. Because the whole print is white, it doesn’t really read as animal print (which I am not really into) but it gives the fabric a bit of depth and a texture, and I decided to pair it up with McCalls 7778, a jumpsuit/dress with options for different straps and closures. It’s a very simple garment to make with princess seams at the bodice, and I only needed to make some minor adjustments to it (surprise! it was too big right out the envelope!) to get the fit just right.

I actually had a bit more trouble with the legs of the jumpsuit than anything else because the crotch was just too high which gave me dreaded camel toe! It was a simple fix though- I sewed about 1/2″ past my seam allowance at the bottom of the crotch curve, grading to the regular seam allowance at the front and back waist, and now they are much better than they were, although if I made this pattern again (which I doubt I will), I would absolutely adjust the crotch areas on both front and back pattern pieces to give myself more room for my seat. As it stands, the crotch is still a bit too high for my preference, and you can see the fabric hugging my shape in the butt area more than you should for a flowy, gathered waist, culotte-style garment.

I also had to adjust the bodice pieces (which was to be expected) to make them smaller- it gaped out at the top of the bodice and was too loose under the arms, so I brought the seams in in these areas on both outing and lining of the bodice and it fit better. I pulled a real rookie move when I absentmindedly used my pink chalk pen to mark all my notches and circles on this white fabric, which of course showed through to the other side and wouldn’t rub off when I tried to remove them. I have other marking tools like Frission pens and invisible markers, I just use the chalk so often that I didn’t even consider how it would work on this white transparent fabric! Thankfully when I completed the garment, I threw it in the wash immediately and it wiped out every trace of the pink chalk.

Again, this was a super easy make- no pockets included, which I would have loved to add myself but I didn’t have quite enough fabric leftover after my pieces were cut out, and on top of that, the white poly is a little bit sheer and having pockets underneath it would have made them show through in a way that I am sure I would have been unhappy with. As a whole I feel pretty meh about this project. It came out fine and I was happy to wear it to the White-Kiki party, but there just isn’t anything all that special about it. The fit is nothing spectacular and the silhouette is definitely cute, but maybe paired with this fabric, which isn’t all that dynamic, it just landed a little flat for me. It’s not even the solid color that makes it feel boring, because I think this would have looked even nicer in a plain white linen. But I also think it would look cool in a statement fabric where the print takes centerstage. I’ve worn this garment several times and I always get lots of lovely compliments on it which are appreciated, but it’s just not my favorite make.

Now before I move on, I want to say just a little bit about my shoes! I didn’t wear these to the White Kiki party because I hadn’t made them yet, and I have a ‘no heels in Hawaii’ rule anyways, but I think they look really good with this jumpsuit so I figured I would do a 2-for-1 since I always neglect to do full blog posts for my shoe makes here (gotta get better at that)! These are the first pair of shoes I made from a pointy toe high heeled last I found at Saderma several months ago. Finding lasts is always tricky because once you find a pair in your size, you wont know if they actually fit your foot well until you make them, so there is always a little risk involved, and unlike clothing, you can try them on for fit throughout the making process to ensure you are on the right track. I have had a few pairs of lasts that seemed like they would work great for me but ended up being too big or too small, so I really lucked out with this pair!

I got the “snakeskin” leather (it’s just embossed) from The Fabric Store quite a while ago and was excited to make this style shoe with them once I got my hands on these lasts. High heeled slingbacks have been a little tougher to find in RTW than I anticipated so I figured I might as well give them a try, and I think these came out great. One thing I want to do on my next pair of heeled slingbacks is to use elastic at the buckle. If you have a pair of slingbacks, take a look at where the buckle is attached to the leather- there is likely to be a small strip of elastic connected to the buckle and leather which allows your foot to move around in the shoe without feeling too constricted and allows the strap to move with your foot. These heels are totally fine without the elastic because I am able to put holes for the buckle wherever I want them, but ideally the strap just adds a touch of comfort to wearing a shoe with a strap and it helps keep that strap in place.

I am still working on getting my heel completely attached and flush to the bottom of the shoe and this is my most successful pair yet, although I do have room for improvement. I seem to always choose a slightly-too-thick leather to cover my heels with which makes getting the top of the heel flat very difficult, but these came out pretty okay, and I like the contrast of the purple lining leather peeking out of the inside and bottom of the shoe. And they are comfortable! Well, about as comfortable as wearing 3 inch heels gets, hahah. But you know how when you buy new heels (if you wear them), they tend to take a little time to break in and form to your foot? Well my memade heels so far are not like that- they are softer than RTW shoes and feel pretty much the same the first time you wear them as the 2nd and the 10th, which is pretty cool. Still have a lot of distance to cover with shoemaking but I can definitely see that I am on a steady incline UP!

Okay, so back to the wedding…

you can’t take me anywhere.

Claire ended up being too sick to come to the Whitekiki party so me and my friend Kelly went together, and we BOTH happened to be wearing white jumpsuits, and we got to rock them while I drove the WHITE Jeep we rented for the trip! We were SOOOOO STYLISH! And the party was a blast! After some food and mingling with all the other guests, our little corner of the park was set up into different stations where we each got to learn from a local a little about Hawaiian culture and how to participate in a traditional luau. Me and Kelly’s favorite station was of course the hula, and we learned the song “Pearly Shells” while dancing to the music Lawrence’s friends played on their ukuleles. The night was beyond magical as the sun set over the ocean and our voices floated above us- the only thing missing was Claire! But I sent her lots of videos and pictures and she was at least able to make it to the actual wedding the next day.

Thanks for being my date, Kelly, and thanks Lawrence and Q for such a fun party!

Madewell Inspired Jumpsuit

Heather Lou of ClosetCasePatterns posted a selfie a few months back wearing a version of the above jumpsuit that I immediately fell in love with (although I am realizing more and more lately that I sometimes might not be in love with a garment so much as in love with a garment on someone who looks amazing in it, if that makes any sense). Anyways, I did a little research and found the jumpsuit on Madewell’s website and decided that I could reasonably make it for myself with a bit of pattern hacking. Although Madewell is a really great clothing brand in terms of transparency with their customers and sustainability, I must admit that buying RTW does not provide even a fraction of the thrill for me that it once did. I much prefer making my own and figuring out ways that I can recreate a garment myself based on what I see online and in stores, and I am sure that much of this stems from the fact that I can GUARANTEE you that this jumpsuit would look awful on me right off the hanger.

I pinned images of the jumpsuit to my pinterest page and set out to find a sewing pattern that could easily accommodate the main style lines of the jumpsuit. In the midst of doing this research, my Dad was in town and we went to the mall to buy him some sneakers. I rarely go to malls nowadays so I had forgotten that there was a Madewell store there, and once we walked by it, I figured we could hop inside so I could see the jumpsuit in person and get a better understanding of the garment’s construction. The store was small and it didn’t take me long to see that the jumpsuit I was looking for was “so last season” lol and had now been replaced by late summer/early fall garments. We were about to walk out when a different jumpsuit caught my eye. It was a similar idea to the original one I was looking for, but, dare I say…even better suited to my tastes and body!

The waist was cinched with elastic at the back and drawstring ties at the front, the legs were wide and cropped (which is my favorite pants style right now), and it had nice big buttons on the front and top stitching all over. I didn’t bother trying the jumpsuit on because I didn’t want to base my make off of the fit of an existing garment (which would most likely have been ill-fitting)- I would rather start from scratch and just incorporate the design elements into a fresh look inspired by the RTW garment. I decide to use McCalls 7330 to base my make from, but it took a lot of adjusting and hacking to get it exactly how I wanted it.

This pattern comes in Small/Medium/Large and I graded from a small at bust and waist to a medium at the hips (but later end up taking the pattern in significantly at the waist and high hip so the grading out wasn’t necessary). Major hacks/changes to the pattern included:

  • adding width to the legs and cropping the length (I based the shape of the pants legs off my Persephone Pants)
  • using View F of the pattern with 2 piece collar and extending the length of the collar so that Iit could accommodate…
  • …an extended front button band (because I wanted my button band to be wide like the inspo jumpsuit)
  • reshaping the bodice front piece and adding a facing that extended from the bodice fronts down to the crotch (I based these design elements off of my Republique du Chiffon Domonique jumpsuit that I haven’t yet blogged about)
  • using the shape of the front pants pockets from View A but making them wider and longer to look more like the inspo jumpsuit
  • omitting the waistband, and adding that length back to the bodice and pants (which I ended up taking out, but more on that later)
  • adding a casing to the inside of the back waistband (to house the elastic) and the outside of the front waistbands (to house the drawstrings) on either side of the bodice opening
  • adding drawstrings for the front waist

Seems fairly simple now that I am writing it all out but everything felt much less straight-forward while I was making it. I made the majority of these changes to the bedsheet muslin I sewed up first, and once I was happy with how it was looking (or could look with a few more tweaks), I cut out my fashion fabric. Now a word about my fabric: I bought about a yard and a quarter quite a while ago while on a trip to Joann’s looking for twill fabric to make some more CCF Sasha trousers. A good stretch twill isn’t always something I stumble on when shopping at my main squeeze fabric stores so when I saw the pretty salmon color of this fabric I immediately put it in my cart. Of course when I saw the Madewell jumpsuit in a similarly colored fabric, I decided to take fabric inspo from it, but I didn’t have enough yardage.

I cut a little swatch of my already-washed twill from my stash and brought it with me to Joann’s, hoping I could find it again, and I did! I bought another yard of it, took it home and washed it. Then I pulled out my two separate yardages to start cutting and…the two pieces were from different dye lots. L O L, immediately followed by an EYEROLL. The difference between them was very subtle, Claire couldn’t see it all, but of COURSE I could. I decided to cut out the pants from one of the pieces of fabric and the top and sleeves from the other, so that at least the fabric would all look the same among the separate halves, and I cut the bodice pocket out of the pants fabric to try and pull it all together. Now that it’s complete, Claire says she still can’t see the color difference, meanwhile the garment looks practically color-blocked to me, haha.

 

The main changes I made to the garment all seemed to work really well, but perhaps because of the difference in textile from muslin to fashion fabric, there were still some issues. The salmon twill version was still too long in the torso, even though I had already chopped off about 2 inches from the pants and bodice. Thankfully my top and bottom pieces were still basted together at this point so I was able to take them apart and chop off even more from the bodice, but the completed version is still about 3/4″ too long for me, so if and when I make it again I will try and address that. The crotch also ended up being too long and sagging down in a weird way between my legs so I brought the bottom of the crotch up at least 1/2″ more, too. Honestly, the weight of this twill is a little heavier than I would like it to be (it’s also heavier than the inspo jumpsuit) and I am really looking forward to making this again in maybe a linen or cotton blend fabric that makes it a bit airier and lighter.

Another thing I am a little on the fence about is this collar, and I think it also has to do with the weight of my fabric- it feels and looks more like a jacket because it’s so thick and sticks out a bit from the body. The design of it is cute, but I think that for this fabric I should have made a one-piece fold down collar instead of the two-piece collar (the RTW jumpsuit is a one-piece). But in a lighter weight fabric, the collar would have looked just like a nice button up shirt collar and would have probably laid down much more neatly. As it stands, the collar looks a bit like it’s making a statement, and I’m not mad about it- although it’s not what I was initially going for, I do think it’s cute and very much in line with the grandma-chic vibes that the rest of the garment gives.

Overall, I am really happy with this make and impressed with how it came out- I have rubbed off RTW clothes before but never have I started from scratch with the design of a RTW garment and tried to turn an existing pattern into a replica of it. It was really fun, and I would definitely do it again!

 

Thankfully there is a pattern out in the world for pretty much everything you could possibly find in a storefront window, so that makes the job easier- and I know there are at least a couple of instagramming sewists out there who are dedicated to matching patterns with RTW garments (I keep forgetting their handles but I definitely need to follow them). Still, I felt like this was a very challenging project that I learned a lot from, and it has inspired me to keep testing the limits of my knowledge and learning more. And the BEST part? I just got asked to be a pattern tester for a new pattern that is practically the spitting image of the original yellow Madewell jumpsuit that I first took inspiration from. So it looks like I’m gonna be able to have my cake and eat it, too!

 

The $34 Dress

A couple of years ago Claire took me on a surprise weekend trip for our anniversary to a small town in southern California a few hours away from us in Los Angeles. The town was quaint and pretty- it had one main street running through town that was home to a few restaurants, a couple of bars, an ice cream shop, and a surprising number of antiques stores. Since it isn’t always safe for us to eat out (Claire has dietary restrictions and can get sick from cross contamination), we ended up spending much of our time in town visiting the thrift stores and antique shops, looking for nothing in particular. It was fun because, unlike LA where everything minutely vintage or mid-century mod gets a hefty price tag slapped on it to make money off the stylish Angelinos with disposable incomes, the items were mostly moderately priced. They still weren’t as cheap as they would be in, say, a vintage shop in Alabama, but they were reasonable!

Since we aren’t collectors of anything in particular, we decided to hone in on sewing supplies, asking each shop owner if they could point us in the direction of their buttons and needlework items, and we found tiny stashes of some pretty marvelous finds. I took photos of them at the time and I definitely shared them on instagram but I am too lazy to go back into my feed and hunt them down! At one point we came upon a vintage clothing store that looked very well curated and tidy, so we stepped inside and ended up spending an hour roaming it’s collection of clothing. We tried on stuff for fun, I ooohed and ahhhed over the collection of 80’s heels, and I rifled through all the accessories. We were about to leave when I commented on  the dress in the window that had caught my eye when we were walking into the store. I didn’t want to bother the salesperson to go through all the trouble of pulling the dress down, but Claire coached me through it (you wanna talk about an everyday cheerleader? Claire is IT)!

I went into the tiny bathroom that was also being used as a storage room and changing room and I slipped the dress on over my head. I could not BELIEVE how perfectly it fit me. There wasn’t even a mirror inside the bathroom but I could tell immediately by the way it felt that it must look glorious. I knew I was right by the look on Claire’s face as I walked out of the bathroom. “Oh my god, honey!”, she said. “WOW!”. The lady tending to the store said that tons of people had come into the shop just to try this dress on but it had never fit anyone before. When I got to a mirror, I marveled at my luck- vintage clothes don’t often fit me so well right off the hanger, but this looked like it was made for me. The tag on the dress said $34, and it was labeled as “30’s/40’s”.

I knew that it probably wasn’t a dress I would ever actually wear. It was made of what looked like a cotton and linen blend, and it had held up very well over the past 8 (!!!!!) decades, but the fabric was very worn in some places and stained in others. Amazingly, the entire thing was handmade- the seams inside were raw, but each seam had been edge stitched on the outside to reinforce it, so there were no holes or tears anywhere to be seen. I am really not a fan of wearing the color red and I also thought that the print, although beautiful, took away from the gorgeous pleats and draping of the design, so my immediate instinct was to buy the dress and then make a pattern out of it, using a fabric that suited my tastes better…and that is exactly what I ended up doing- a full 2 years later, lol!

Initially I considered trying to rub the pattern off without taking the actual garment apart, something I have done in the past with simpler designs, but there were too many details that I was afraid I would miss if I didn’t fully deconstruct the dress, and I also wanted to know more about how it was put together. There were certain techniques implemented that I had not seen before, like the side button closure used in lieu of a zipper (which I ended up not being able to do with my own remake of this dress, but more on that later).

Taking the seams apart was more painstaking than I anticipated because of the aforementioned edgestitching over almost every single seam of the garment, but I managed to get it done over a couple of episodes of something unmemorable on Netflix. Once I took apart all my pieces I ironed them flat and used chalk to try and mark all the foldlines of the pleats in the bodice, sleeves and skirt. The chalk didn’t hold up too well, but thankfully the decades-old fold lines were pretty embedded in the pattern pieces and I was able to still see them pretty easily. After ripping out all the seams, I was left with sleeves, a front collar, back collar and back neck facing, a bodice front cut into two pieces, a bodice back cut on the fold, button bands, two skirt fronts that I decided to cut on the fold, a skirt back, a belt, and the tiny bindings used for the side opening of the dress. I then placed each pattern piece over translucent paper and traced them, making sure to mark the stitch line and add 5/8″ seam allowance. This part was also painstaking because the stitch line and the edgestitch lines were hard to tell apart, so I guesstimated when necessary and tried to true all my paper pieces once I had them all plotted out (I didn’t do a very good job of this, but I did well enough that I am wearing a finished dress in these photos that isn’t falling off my body, lol).

Cutting this dress out from the narrow 2 yards of mint green raw silk I have had in my stash for over a year was very challenging. I was terrified that I wouldn’t have enough room for all the pieces but I forged ahead because I was so determined that this was the fabric that needed to be paired with this design (and I am very glad I was so headstrong because I think the end result is pretty stunning). Ultimately I had to puzzle piece everything together very carefully and shorten the sleeves by a couple of inches to make enough room for everything else, but I DID IT!

 

This dress came together fairly easily, and the most fun part was seeing the large, oddly shaped pattern pieces for the bodice accordion together to make the most beautiful pleated bodice I have ever sewn. Raw silk behaves very differently than the manageable cotton/linen that the original dress is made of, so of course the finished product also looks very different- they are almost like two different dresses. I love sewing with raw silk- it’s unlike anything I have ever worked with, but it doesn’t press super well and it has a lot of body and cushy-ness to it, so the pleats didn’t like to stay put as I was constructing the bodice and I had to reposition them a lot. I also learned that I prefer to make pleats based on ironing the folds down rather than based on pinning notches together, so it took me a lot of time to get everything just right since I was essentially creating the construction order as I went along. I realized that there is only one set of actual darts in this dress- everything else is a pleat folded into a triangular dart shape, which gives the dress a lot more ease and comfort, and is probably why I fell so in love with it when I first tried it on.

After finally getting the bodice pleats uniform and neat looking, I moved onto the button bands and realized that I should have constructed them differently than in the original dress, only because my fabric was so thick and made those seams a lot bulkier than they needed to be. I easily could have omitted the band and simply added length to the front center of the bodice and folded it in on itself, applying some interfacing to the inside piece. To make up for the bulk, I graded the seams to make them as flat as possible, and although it’s a bit thick there, it’s not visually noticeable.

The pleats on both the bodice and skirt are sewn down for several inches to ensure they hold their place and stay looking nice and neat, a technique I have applied to other garments in the past and appreciated seeing on this vintage item. After sewing the back skirt darts and front skirt pleats, I basted the bodice and skirt together and tried it on to see how it was looking, and it! was! GLORIOUSSSSS!!!!! I decided at this point to use a side zipper on my dress in place of the tiny snap band that the original dress was sewn with. I love how the the hidden snap closure looks on the red dress and it seemed relatively easy to replicate, but I could tell that my cush-y, ravel-y raw silk was going to be a huge pain when working with all these fiddly bits and I was worried I would not be able to get the bulky seams to lay very flat. Using a zipper allowed me to get away with just serging the raw edges instead of having to enclose them with binding, and I’m okay with that, although a future iteration of this dress might feature the cute snap enclosure.

I did decide to bring in the side seams a tiny bit more at the waist, and now that the dress is complete I realize I could have brought it in maybe even another one inch in total- I could stand for it to be a tiny bit more snug. Thankfully the attached belt kind of eases in that extra fabric around my waist without the dress seeming like it’s too big, and I can alter the pattern pieces a bit the next time I make this dress. I am SO glad that I ended up having enough fabric to squeeze out the belt! Of course I had to puzzle piece some of my scraps together to make it happen, but I did it! One of my favorite things in sewing is when I manage to use up almost my entire yardage with barely any scraps leftover. I always try and get the bare minimum of yardage required for a garment, which of course can bite me in the ass when I make a mistake or miscalculate how my pieces need to be laid out for max efficiency, but when it works out well and I have only a tiny handful of pieces to throw into the fabric recycling bin? There is nothing better!

Now that I am finished, I am super impressed with how this dress came out, and I am glad to be reminded at how fun and rewarding deconstructed pattern making can be. With the difference between my fabric choice and the original garment, this dress could have easily come out ill-fitting or missing that special something that attracted me to the dress in the first place, but I love everything about it- how it looks, how it feels on, and how it feels in the thicker, softer fabric. One thing I really like about this dress is how it works so well with a slip underneath it. I don’t wear slips very often because they are often not a necessity for the garments I make, but this mint raw silk likes to get a little clingy to skin and undergarments, so having a simple, slippery garment underneath it makes it flow right over my body and lay perfectly. Which puts it even more firmly in the “vintage” category since I equate so much of women’s vintage wear with beautiful slips, undergarments and stockings.

I will most definitely be making this dress again- I can see it in a slippery charmeuse or a satin, or this rust colored crepe I bought several yards of right before the LA location of The Fabric Store closed, and I think it would be really cool to cinch the waist in even more so that it doesn’t need the belt and to make it tea or floor length. So glamorous! In all my years of sewing I have never once wanted to start a business within the realms of the hobby, but making this dress was the first time I considered it, albeit briefly- I love the idea of finding beloved, well-designed vintage garments, deconstructing them to create a pattern, and then grading and selling the design to make it available to sewists the world over. Not that it’s something I could or would actually do – making patterns is a LOT of work (bless all you indie designers out there who are making it look so easy), and things get a little tricky when working with the intellectual property of others when you can’t get their permission/attribute work to them because the information is missing or unavailable), but it still feels nice to be inspired in such a new way with this old hobby of mine!

 

 

 

 

A Pinterest-Worthy Sundress in Striped Linen

When I shared this inspiration photo from Pinterest on my instagram account, lots of people commented that they had the exact same pin saved on their board, but the funny thing is that it was one of those recommended pins they stick on your page that doesn’t come from anyone that you actually follow.

This is a pin I had saved even earlier of a similarly designed dress:

For some reason Pinterest was peddling this dress hardcore to it’s users who found inspiration in light and airy women’s garments, but I couldn’t blame them. Look at this thing! The design of the dress itself is pretty plain- just a sleeveless fitted short bodice with a gathered skirt attached- but the brilliant use of the stripes added so much dimension and visual interest to the garment that it was hard to ignore. I love it when simple designs are paired with dynamic prints- it makes it look like much more work went into it than it did. Although I was reminded in the making of my own replica of this dress that matching stripes, though not as intense as matching plaid, does indeed require a considerable amount of work and attention, attention that I was unfortunately lacking at the time, but more on that later.

I saw this striped linen at The Fabric Store in LA several months ago and grabbed the bolt straight away- sometimes stripes can look kind of boring to me, so this print with it’s different sizes of stripes was much more my speed, plus the color combination was so killer! Those washed-out subtle hues with just a pop of color in that lime green really spoke to me- they instantly reminded me of summer, and I knew right away that I wanted to try and emulate one of these pinterest pins that I had saved on my board so long ago. I did not have a pattern in mind for this design, but I didn’t feel too worried about that. I figured it wouldn’t be too much trouble to draft/hack something I had in my pattern arsenal already- again, nothing was particularly dynamic about the garment- so as long as I had a comparable bodice piece somewhere, I could stick a gathered skirt and panel piece to the bottom and call it a day. But after I shared that instagram post with the inspiration dress, I got a couple suggestions for McCalls 7774 (thanks, Carlos!), which turned out to be the spitting image of the pinterest dress, meaning much less work for me!

 

This was an incredibly easy and quick dress to put together except for matching the stripes, and my biggest mistake was starting this dress when I had a friend over who was working on her own project. I get side tracked too easily when talking and laughing and having fun and I should have known better than to start this dress, which required quite a bit more attention than a non-directional fabric would have. Ah well, you live and you learn! I did a decent job matching up the stripes for the front bodice, which I cut out into two pieces instead of on the fold to accommodate the V, but I didn’t even consider paying extra attention to the darts on the bodice so that they would line up perfectly on either side, and as a result…they don’t! Ha! But it actually took me a couple wears to even notice that, so it must not be too obvious (and if it is, I don’t care, cause I love this dress, warts and all). Noted, diagonal bodice with darts, noted.

The only structural changes I made to the pattern pieces were to add an extra tiny dart at the bust since the armholes were gaping out just a tiny bit and to take out about 1/2″ of vertical ease in the front and back bodice pieces, since Big 4’s bodices tend to be pretty large on me. The fit is terrific now, and I love that it looks fitted onto my torso but feels very loose and relaxed- this comes from having a waistband that is a couple inches higher than my waist, so it doesn’t cut into my stomach, and I use the adjustments for that Vogue culottes pattern I make all the time- I shortened the bodice so that it rises higher on my abdomen. The armholes are wide but not so much that my bra peaks out and it gives me a lot of range of movement. The bodice is fully lined but not with self fabric (I used a solid colored linen fabric on the inside that was covered in dye spots after I washed it with another cut of fabric- DON’T YOU JUST HATE WHEN THAT HAPPENS?!) and it closes in the back with a zipper, which is where my stripes look less impressive than in the front. I took that zipper out like 4 times to try and get it perfectly lined up, but in the end I lost steam and decided it was close enough.

This pattern was actually a little disappointing in that it shows a dress on the envelope package with the same design as my pinterest pin (diagonal stripes in the bodice, vertical stripes in the skirt and horizontal stripes in the panel of fabric at the very bottom) yet it doesn’t include specific instructions for creating that exact dress. For example, the bodice has two grainlines you can follow, either the one that is straight across or the one on the bias, which you would use for the diagonal look. But in the instructions there was no reminder to not cut on the fold or to add seam allowance if you were creating the latter garment. In my hanging-out-with-a-friend-haze, I recognized this on some level and made sure to cut my bodice pieces out properly, but I didn’t pay attention to the bottom panel piece with the stripes that run horizontally. The pattern piece has you lay it out and cut it on the fold, meaning that the print will run in the same direction as the skirt piece, but that is not what I wanted- I wanted the stripes on my bottom panel piece to run crosswise, opposite the stripes of the skirt of the dress. Of course, by the time I realized this, it was too late- my panel pieces were already cut the wrong way! I was so frustrated with myself. That horizontal panel at the bottom just MADE the whole dress for me, and of course I didn’t have extra fabric to work with because I generally get the bare minimum of yardage so that very little goes to waste! Sigh.

To remedy this issue, I had to piece together cuts of fabric running horizontally, which means that the panel doesn’t have the same run of stripes all the way around the dress. But I managed to get the front panel pieces running in the same direction at center front, which keeps it looking generally cohesive from head on. I have gotten tons of compliments on this dress so it doesn’t look like my not-quite-perfectly lines up bodice diagonals or bottom panel stripes are taking anything away from the general look of this dress.

I have worn this dress SO much this summer! It is so easy to throw on because it’s made of linen and therefore it’s comfortable to wear during our awfully dry southern california heat, but it also looks really stylish because of the gorgeous color combination of the stripes and the three different ways the stripes are put together: STRIPE PLAY!

I have been playing around a lot with stripes lately, which has made me appreciate this classic print in new ways! A couple months after making this awesome dress I saw that Blackbird Fabrics was carrying this really pretty striped linen that I immediately wanted to make up into another, more casual Kalle shirtdress (my first Kalle shirtdress is in silk, which I love, but is definitely more dressed up than casual), and it also came out pretty great.

I cut out one front with the stripes traveling on one grainline and the other front on the opposite grainline, then I cut the back and back yoke out on the same grainline as the left front, then I cut one pocket to match the front it’s attached to and the other pocket on the diagonal. There was no method to my stripe direction madness, I just went with my instinct, and I absolutely love how it turned out. Such a simple dress and a simple fabric made more dynamic by playing around with the layout. At this point I don’t know if I am ever going to be able to cut out stripes all in one direction again!

Striped Wrap Jumpsuit

This project is brought to you by a domino-effect of inspiration via instagram (which is my FAVORITE kind)! I initially saw Katie’s (of What Katie Sews) absolutely fantastic wrap jumpsuit that she posted about on her blog here and fell in love. I love the shape! I love the fabric! I love the design! Wrap jumpsuits aren’t really a big thing right now, but they should be- I have been on a jumpsuit kick the past couple of months that is unreal (you’ll see the fruits of that obsession here on the blog soon), so every time I see a new version of one I get super excited. I have never before seen a design quite like Katie’s jumpsuit, though, and according to her blog post she got her idea from a garment made by Threadsnips.

Catherine sewed up a very cool vintage jumpsuit pattern that wrapped around the waist with ties and suggested that other sewist’s could recreate this design fairly easily by using a simple jumpsuit pattern and altering a couple of the lines of the pattern pieces, which is what Katie did to great success. Katie used a Butterick pattern she had in her stash for adapting hers, but I didn’t have anything in my arsenal that would work well for this hack so I took Catherine’s advice and just used the free In the Folds jumpsuit pattern from Peppermint Magazine. I am not gonna meticulously share all the details of what I did to adjust the pattern since both Katie and Catherine did the hard work of it already, WITH pictures (bless y’all!), so check out their blog posts to get the very simple details of exactly how to hack the pattern.

I will share the general details of what I did though! First I adjusted the shoulder seam of the jumpsuit pattern because I knew I wanted a kimono sleeve and not sleeveless, as the In the Folds jumpsuit is drafted. I basically moved the width of the dart of the front of the jumpsuit to change the angle of the shoulder seam so that it was raised higher, and I added several inches to the length of the seam to make it jut out from my arm. I drew in the pattern line for the rest of the sleeve (I basically just mimicked the line of Katie’s Butterick jumpsuit sleeve) and connected it to the side seam of the body of the jumpsuit, copying the same lines for the back piece. I adjusted the side seams of the jumpsuit pattern to make it a little closer fitting since some of the images I saw of the pattern in a google search seemed like it had an awful lot of ease in the waist and hip area.

After sewing up a muslin in some old bedsheets and improperly adjusting the length (I overestimated how much shorter the jumpsuit should be in the bodice and ended up making it WAY too short, so I added all but about a quarter inch of the length back when I moved on to my fashion fabric), I used a gorgeous cut of linen from The Fabric Store for my wearable garment. I have been SO into stripes lately (particularly stripe play!) and thankfully TFS has stocked a ton of really beautiful pieces to choose from. Plus, Los Angeles weather means I can get away with wearing this wonderfully breezy fabric for quite a while longer.

Initially I wanted to play around with the direction of the stripes (like one half of the jumpsuit in horizontal and the other in vertical), but my yardage wasn’t quite wide enough to accomodate proper pattern placement, so I stuck with the vertical stripes all the way around the garment and I’m actually really happy it turned out this way. The stripes of this yardage are already pretty dynamic, so adding even more drama to it might have put it into clown territory? I mean, I still love the idea of the directional stripes for a jumpsuit like this, but maybe if the stripes are all one color/size/pattern it will have a more subdued overall look. I’m sure my original vision is still somewhere in my future!

Anyways, after I sewed up my linen, I drafted facings for 1. the front neckline all the way down through the added triangular piece of the wrap to the crotch seam, 2. the back neckline, and 3. the sleeves. My original plan was to just use bias binding for the edges but I didn’t have very much striped fabric leftover and I also realized I should have something a bit more stable for the neckline since it is such a long seam line (also, after sewing this garment up, I know that for next time I need to STAY STITCH THOSE FRONT NECKLINE EDGES, because that fabric stretched waaaay out in the process of sewing everything else up). I used some white scrap linen I had for the facings and I interfaced them all, sliding the ends of the ties between the fabric and facing on each triangular edge before edgestitching them closed.

After drafting and sewing up the facings, the actual construction of the garment was SO FAST AND EASY. I left a hole opposite the edge of one side of my wrap for the waist tie to get pulled through, under stitched all my facings, I edgestitched the wrap onto the opposite pant leg a few inches past the crotch line to keep it closed. Since the front opens up to a wrap style, the back zipper is unnecessary, but it also means that the front wrap wants to splay open a bit, so I added a snap at front center to keep the wrap closed and I also added some bra strap snaps at the shoulder seams- I think there is a more technical term for this, but basically I created a loop inside the garment for the bra straps to be hooked onto which helps keep the shoulder seams in place.

I am CRAZY about this jumpsuit: it’s comfortable, summery, fun, and I have never seen anything quite like it in a store before. I am dying to make it in a solid, slightly more supple fabric for the fall- maybe like a crepe rayon or even a printed satin-y silk. I might try to add some pockets to my next one, and I might also try and adjust the angle of the neckline so the garment won’t want to fall open as much (hopefully negating the need for the bra strap snaps!). And longer waist ties for more drama! But all in all, this make was exceptionally quick and satisfying to make, and it’s technically not summer anymore but I should be able to get a few good wears out of this before the weather gets too cool. I am so very thankful for other sewists sharing their hacks, tips and makes with the community, (thanks, Katie and Catherine!) and thankful to Claire for taking these bright, pretty pictures!

(outtake)

When Morgan Met Ginger: Mom Jeans FTW

Mom jeans might have a bad wrap. Obviously I blame it on misogyny- I see a connection between women’s supposed declining sexuality as they age and the tendency of our culture to look at mothers as selfless, sexless beings meant only to serve as nurturing figures for others without needs of their own. Believe me, I laughed at that SNL sketch as much as everyone else did and I still think it’s brilliant, but I am also curious about redefining what the concept of Mom jeans mean to me, which is something you can thankfully do when you make your own clothes.

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Historically, Mom jeans are designed with a high waist for a snug fit that accentuates the wearer’s figure, coupled with slim legs that are comfortably loose through the knee and calf. On paper, those qualities seem like a lovely combination, but in reality, when paired with those excruciatingly tiny and awkwardly placed back pockets, the look isn’t flattering at all- it’s unsexy, fussy, matronly. While relaxing in my Morgan jeans several weeks ago, I had a thought. I love my masculine-of-center Girlfriend/Boyfriend jeans because they are comfortable and the construction is really marvelous, but they have definitely been relegated for wear only on my most relaxed and casual days; I feel cute in them, but I don’t feel sexy. My Gingers, however, mostly get worn when I am getting dressed up and I am, as we refer to it in my household, “tryna look cute”. I wondered, Is there a middle ground? Is there a way to meld these two different jeans patterns into a look that feels every bit as comfortable and effortless as the Morgan, but with that figure flattering silhouette that my Gingers offer? Was I essentially trying to create a modern Mom jean? Could I take my knowledge of perfect pocket size and placement and push the Mom jean out of “so gross” territory and into the “so cute” realm?

Well, the only way to find out was to try(curious! ba dum ching!)

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On my last trip to LA I grabbed my adjusted Ginger and Morgan patterns and brought them back with me to Savannah, then I marched myself up to my favorite brick n mortar fabric store outside of LA. It’s called Fabrika and it’s amazing; it’s an independently owned shop just down the street from my apartment downtown and, though small, it packs a big bunch. They have a lovely selection of quilting cotton and apparel fabrics, and every time I go there to pick up a random notion or tool I need, I feel sure that they are going to say “Oh, sorry, we don’t carry that”, but lo and behold, they will inevitably pull the item out of some magic hat they keep hidden in the store. I LOVE having my sewing needs met so close to home where I can literally walk out my door and get whatever it is I need within moments. Anyways, I had glimpsed this exceptionally cool denim on a previous trip to the store and knew immediately that it was perfect for my Mom jeans. The denim is bleached and SO soft, it almost feels like a brushed cotton, and although it has a nice and stable medium-weight to it, when you manipulate it in your hand it gives like tissue but bounces back without wrinkling. There is a teensy tiny amount of stretch in this denim, but not enough to accommodate the stretch necessary for skinny jeans, and I wonder if some of the stretch comes from the denim being so incredibly soft that it ends up being more flexible than an un-washed raw denim. The color of this denim is so pretty to me- it makes me think of the beach- but the hand of the denim is what ultimately won me over.

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Now, for the pattern hack!

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This was a lot trickier than I thought it would be, and since I have no pattern designing background, I was kind of just making wild guesses as to how to meld these patterns into one. The realization of what a complicated project this would be came when I pulled out my back leg pattern pieces and placed them on top of each other to see where I could try and blend in the lines. Apparently there would be no such thing- the Ginger is made for a stretch denim and the Morgans are made for denim with no stretch, so, while it was interesting to see how the pattern lines accounted for the difference in fabric type, it was also overwhelming to figure out where to begin to mesh them into one. In all honesty, my approach wasn’t at all scientific- I just moved forward blindly. I figured that if nothing else, I would learn something in the process.

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I relied more heavily on the Morgan Jeans pattern for general shape, but I added length (about 1.5- 2 inches) to the rise so that they would be more high waisted. I added length to the zipper pieces as well, since my waist-to-hip ratio makes it difficult to pull jeans over my hips (adding more zipper length allows the pants to open up lower and gives more room for my butt to get into them). I split the difference between the waist and hip widths of the Morgan and Ginger pattern pieces because I wanted my Mom jeans to be very fitted in the waist and hip area but since I wasn’t using a stretch denim there wouldn’t be a lot of give. I purchased a jeans zipper with wider zipper tape than I am used to and I didn’t realize how much it would affect the fly when using the Closet Case File’s method of creating a zipper fly. As a result, my zipper bulges a bit at the front, but I totally understand what I can do in the future to avoid such an issue (aside from making sure I have a zipper with the standard amount of tape on each side). I added a tiny bit of extra width at the calves of the legs so that the jeans would skim my body the whole way down and not hug my thick calves (the calf area of my Morgans are about 1 cm tighter than I would like). I made a pocket stay for these jeans which entails sewing the whole pocket piece so that it is anchored to either side of the zip fly, and I LOVE it- it keeps your pockets from sliding out the tops of your pocket openings, and it also gives you a nice/tight/snug fit around your hips, which I prefer.

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The most trouble I had with making these jeans were figuring out the yoke pieces in the back. I actually completed these jeans in their entirety (sans jeans button, but more on that later) and wore them around for a day before realizing I needed to do some more work on the back pieces to get the right fit. After my first day of wear, the back yoke pieces stretched out and got really bulge-y and gave me this weird bubble-butt effect that puffed up at the seams.

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For my Ginger skinny jeans make, I had to redraft the yoke and waistband pieces to accommodate the big difference between my waist and hip measurements- the new pattern pieces I use now have a much deeper curve, but the seams smooth out with the stretch denim since the garment is essentially made with negative ease. I tried to make these same yoke and waistband adjustments to my Mom jeans, but they don’t translate the same to denim with no stretch. So after my first wear, I unpicked all my top stitching at the back yoke and back center seam pieces, cut out the curve of the yokes so that the lines were straighter, then re-sewed the whole thing. It worked like a charm, although I could probably stand to take out even more of the curve on a future pair.

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A few others changes to make on my next pair of Mom jeans: I will probably take the seams in at the sides and back center pieces just a bit to create an even snugger fit- since my denim has no spandex, they stretch out over the course of wearing them, and if they started out a bit tighter, there might be less space for them to get bigger. I love the look and fit at the thigh and legs- they just graze my body and then drop straight down to the ankle which is a look I have always coveted in the traditional “boyfriend” jean but never been able to find for myself in RTW. I will keep those parts the same, but I will make an adjustment to the crotch area at the top of the thigh on my next pair.

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As you can see in the pictures, the crotch area is a big baggy and has some weird folds and lines that start at the bottom of the zip fly. Initially I thought that maybe the rise was too long, but now I think I can fix the issue by shortening the crotch. The bulge honestly doesn’t bother me too much though, and even less now that I got so many compliments on them these jeans at the Whole Foods! The other thing I love about this make is the back pockets- they are the perfect size and they keep the jeans from looking dated. I used the pockets from my Morgans but raised them higher to accommodate the new rise of my higher waist.

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These jeans look so unique to me, which is why I think they stand out enough to get compliments from strangers- they almost look like they are thrifted, because the color and texture of this denim is so vintage, but the silhouette, at least on me, feels new and modern. I think my lack of a jeans button makes them look really fresh, too- I brought a jeans button to Savannah with me but without a proper hammer and piece of wood, I couldn’t get the pieces to fit together and I accidentally busted the nail part that goes inside the button.

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The first day that I wore these jeans I just used a giant safety pin that my friend had on hand to keep them closed and it worked fine except that it took me 5 minutes to get in and out of the pants every time I had to pee. Instead of hunting down another jeans button, I skipped over to Fabrika again and found a nice peach colored button instead (that also reminded me of the beach) that I sewed onto the front of my jeans and I love the way it looks. I also skipped the rivets that normally get applied to jeans and I went without the belt loops, too. Initially this was because I was being evacuated from Savannah for Hurricane Matthew and I wanted desperately to bring my new pair of jeans with me to Atlanta, but I only had like, 30 minutes to pack, and no time to make the belt loops. After wearing the jeans for a day around ATL though, I decided that the belt loops were unnecessary and that I liked the stream-lined look of the pants without the extra fixings, so I will keep them this way- no promises on future iterations of this hack, though!

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Sending lots of thanks to Sadie Stratton, one of my co-stars on Underground, who helped me get some quick shots of these jeans in the courtyard outside her hotel! I hate asking people (who aren’t Claire) to take photos of me in my makes but she was so sweet about it and got some great shots with a very professional flare shining through in the background! Thanks, boo!

 

 

Turia Dungarees, aka Stripey Overalls

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I made these overalls a couple of months ago when I was in the middle of a jeans-making blackout, and they came out SO much better than I anticipated. I knew construction would be a breeze, having made several pairs of jeans by this point (I have yet to write a post on the latest Morgan Jeans pattern by Closet Case Files– but I have made them, they are wonderful, and they will show up here soon!) but I was afraid that the fit on these overalls would be tricky to get just right, never mind the fact that there may or may not be an age appropriate cut off for wearing overalls in the first place. 

OK, wait. The fashion gatekeepers of our culture says that women of a certain age/build/type/look should not be seen wearing certain items during certain times of the year/season/position of Mercury, and obviously that is such bullshit, because no one, no matter their gender, body type or age, should be shamed for wearing what makes them feel happy (unless we are talking about cultural appropriation, of course, which is ANOTHER DISCUSSION ENTIRELY). That said, it’s still hard to erase those “rules” from our minds because we are force fed them all the time across all forms of media- they are ingrained in our thoughts and they affect the way we perceive others. Whether someone’s skirt is deemed “too short” or “too long” because of their age, the lines drawn are complicated but they are there, and they always seem to be tied in with what society considers to be sexy. I don’t think there is an easy solution to any of this; I, too, feel uncomfortable when I see young kids and disproportionate numbers of women vs. men being sexualized in media, but I also know that their sexuality would not be as much of an issue if they weren’t being prayed upon in the first place. What would our world even look like if rape and molestation were not issues that we had to constantly fight against, if we didn’t have to tell kids (and adult female-presenting individuals for that matter) to be careful what they wore so that they wouldn’t be targeted by others who wanted to harm them? At what age is it okay for a person to present themselves in a way that feels comfortable for them? At what point should other people’s discomfort be pushed to the side to allow an individual the full extent of their self- expression? How much does sexuality play a part in what we wear and how we wear it, and who should determine when we are “too” young/old/skinny/fat/disabled, etc. to experiment with how we present ourselves to the world?

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I am in my mid-thirties now and I know that the overalls look is not super popular with adults in my age bracket, but I feel AMAZING in them (they are my current favorite thing in my closet)! So, like others have been doing for decades, I am challenging the notion that there are things that are and are not age “appropriate”. The way we feel about ourselves when we quiet the judgemental voices in our heads should trump everyone else’s opinions, right? I am urging all of us to start unpacking the junk that society has been feeding us since we were little kids so that we can discover what tastes are influenced by our actual opinions and what tastes have simply been learned and undisputed. Here, I’ll start:

A Random Selection of Jasika’a Actual Opinions:

  1. lace is sexy
  2. Granties™ (aka granny panties) are also sexy
  3. these overalls are sexy
  4. I am not too old to be wearing these overalls
  5. you are not too old to be wearing these overalls

I have a lot of work to do. Like, I still can’t decide if I don’t like wearing shoes with ankle straps because I think they don’t look good on me or because every time I see a shoe advertisement, the strap is wrapped around a leggy woman with a 5 inch ankle circumference and I know I can’t ever compete with that. Dismantling the patriarchy one tiny tentacle at a time is such hard work! And at the rate I’m going, I will be feeling 100% satisfied with myself by the time I am 90 years old. But better late than never, right?

Dismantling the Patriarchy One Awkward Photo At A Time

Dismantling the Patriarchy One Awkward Photo At A Time

OK, some details about these sexy-alls! I did a lot of research prior to making them because the blogger world had lots of good tips and suggestions. Like

  • angling the back straps a bit so that they reach over your shoulders in a more natural and comfortable way without gaping.
  • omitting one of the side zippers since only one was needed to get them off and on.
  • doing a little surgery on the back pockets, which, from looking at a lot of pics online seemed like they were drafted much too small for this jelly and also placed a bit too high on the butt. I subbed the back pockets from the aforementioned Morgan Jeans pattern and lowered the placement of them substantially (it took me three tries to get them right but it was worth all the unpicking).
  • I graded the sizing from waist to hip and they felt a little bit snug at first but after several wears they have loosened up beautifully.

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My denim is a navy and cream striped, sturdy fabric from The Fabric Store, rivets are leftover from my Ginger Jeans kits, and my overall buckles are a cheap but efficient purchase from Joann’s. I topstitched in gold thread and I love the vaguely nautical look that this gives the overalls. I made a couple of mistakes in the process of this marathon-make (the bulk of these overalls were finished in a day), like accidentally punching a rivet hole in the middle of my front pocket (oooooops!) and incorrectly tracing the pattern piece for the back strap holder so that I had to add more pieces to make it wide enough to hold the straps. For this reason I have way more bulk and topstitching lines in the back pieces, but you can’t tell just from looking at them, and it doesn’t affect the fit as far as I can tell.

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My favorite thing about this make is the slim fit of the legs combined with the traditional look of the overalls. I wore different versions of overalls throughout middle school, high school and college, and they were always huge and baggy on me, which was fine at the time, but I have outgrown that look. These feel a bit more sophisticated while still being playful and fun and comfortable, and Renee thinks they look awesome 🙂 Actually, let me take a second to say thanks Renee, for inspiring this little feminist rant of mine! We had a short dialogue about overalls over IG and how old (or young) most people are who wear them, and she got me interested in breaking down my thoughts on the topic and articulating my own views on the matter! By the way, I am LOVING having sewing friends that I have met in real life, I finally feel like I am a legit member of the online sewing community!

*waves to my east coast homies*

*begs Marcy to come taste my dehydrator snacks*

(that is not a euphemism, I swear!)

 

Living a Try Curious Lifestyle

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It dawned on me recently that my interest in creating things was big enough to merit it’s own little world here on my website. Technically this site is supposed to put me in the ranks of modern actors who update their pages with information on upcoming performances and showcases and classes and resumes, but if I am honest, I have never felt quite “in the ranks” of modernity with my job anyways. My life as an actor is, in my opinion, the least interesting thing about me; I am not the most talented person in my field, and there are plenty of people with my job who are much more well known than I am. But what does make me special is my fascination with creating things with my hands, the incredible amount of patience I have with myself, my trust that there is little in this world that I cannot accomplish. So I (re)introduce to you TRY CURIOUS BLOG, a space dedicated to sharing in the delights of living a try curious lifestyle! I have Claire to thank for this fantastic title, which seems at once fitting and silly and inspiring, while giving a nice little nod to my own queer identity. So far my life in creative curiosity has acquainted me with power tools, shoes lasts, boom mics, vintage sewing machines, onigiri molds and bentonite clay, and I feel a thrill every time I have another opportunity to expand my world. The older I get, the more enthusiasm I have for the process as opposed to the final product, and this has diversified my artistic endeavors tremendously. Thanks so much for being a reader of this blog and for showing your support with comments and likes.

Here’s to living a Try Curious lifestyle together 😉

#MeMadeMay Pledge- Day 1

Day1_pattern#MeMadeMay is a pledge by sewing/crocheting/knitting enthusiasts to wear something handmade for each day of the month of May. I have never participated in this event before, maybe because I wasn’t sure if I had enough handmade items to don, or maybe because I wasn’t sure if my makes were worthy enough. But I have since poo-poo’ed  my past doubts and decided to take the plunge and join the hashtag. If nothing else, it will remind me to get better use out of some of the things I have made that I rarely wear, and remind me of the makes I have enjoyed so much that I want to make them again. I am going to try and blog for each outfit, but I may have to combine a few posts into one when I am not around my computer to do a one-a-day.

Day1_view2 Here is one of my favorite-est simple garments I have ever made- I like that it was super quick to sew up, but it doesn’t give that frumpy silhouette that a lot of “easy-to-make” garments tend to offer. It’s made of a lightweight knit material and it has an elasticized waist, so you just pull it up or down to get it and out of it. The con to this is having to be all the way naked when you sit down to use the bathroom; the pro is that it’s loose and non-fussy, since you don’t have a zipper.What I don’t like about this jumper is the bias tape used to make the neckline and the straps. When I make this again (and I plan on doing it sooner than later cause it’s the most perfect for this hot weather we are about to be bombarded with), I will nix the bias tape and just cut the bodice pattern with extra seam allowance so that I can turn the edges under and make straps from the self fabric. The bias tape tends to pucker a bit and hang down under the arms, and it’s just not as sophisticated looking as this jumper has the potential to be. That said, this garment is so easy to wear- it works for hanging out around the house or wearing as a beach cover-up or dressing up a little with sandals.