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#OperationDIYRedCarpet

Jary_back

It’s been a few years since I was a series regular on a TV show, which brought the responsibility of attending lots of promotional and red carpet events as part of the job. Initially they were fun and exciting, but it didn’t take long for the red carpet to feel like a chore, namely because of the unspoken “rule” that as a celebrity you shouldn’t be photographed twice in the same outfit. I think the sentiment of this “rule” is that you want the public to view you as current, busy, and omnipresent, and if every photo the paparazzi snaps of you is in a new outfit (even if it’s in the course of the same day), the idea that you are an “it” celebrity is easy to maintain. Of course this idea is super antiquated and indulgent, but it also sets up an unrealistic and unhealthy goal for regular fashion-loving folk; if the celebrities they constantly see in the media are wearing new duds in every single tv appearance and photo spread, then they too must make sure their closet is packed with as many items as possible so that they don’t have to recycle looks. I have seen major celebrities in magazines be lauded for wearing the same article of clothing at more than one function (“Wow! She paired the same jacket with a different pair of shoes to make it look new!”) as if they had made some ground breaking, unprecedented choice, and I have also seen gossip articles criticizing people in the public eye for wearing the same dress or pair of shoes more than a few times. It’s like you can’t win for trying!

At the time, I accepted the “rule” without too much complaint and I spent my free time standing in line at flash sample sales, “shopping” at gifting suites, and utilizing the coupons that many expensive brands extended to the clients of PR reps so that they could get easy advertising for their clothing. I knew it was a racket, but who was I to challenge the status quo? After all, I was still trying to figure out how to keep my lips from sticking to my teeth after 5 straight minutes of smiling on the carpet! (I know the answer is vaseline, but honestly the thought of that makes me gag).

Eventually my work took me to Canada where the red carpet events were few and far between and I had a chance to think more critically about my own shopping habits. I have always loved clothes and shopping, but I knew that I needed to forge a better relationship with these things that fell more in line with my growing conscientiousness about the effects that clothing manufacturing has on the environment and human lives. Shortly thereafter I started making some of my own clothes, which was exciting and fun, but eventually I started getting invited to red carpet events again once we were settled back in the states. The anxiety of finding something nice to wear to these last minute invitations was high because I had already developed a distaste for buying new RTW clothing. My other option was to to try making red carpet-worthy dresses for myself, but I didn’t have much experience sewing finer materials or complicated pieces. But then I realized that this, of course, was something I could remedy with practice! I started collecting patterns for long dresses and cocktail attire and experimenting with more luxurious textiles like silk. It was weird to spend so much time making clothing that didn’t get worn immediately and instead just sat in a dark closet, so I decided to motivate myself by give my undertaking a name: Operation DIY Red Carpet. It served as a reminder that there was a method to my madness and that I would thank myself later.

valerievonsobel_functionSure enough, about three months after I made Vogue 8827, I was invited to a fancy dinner where I was finally able to wear it for the first time.

Me and lance headed off to the American Black Film Festival Awards! Vogue dress can't remember the number!

A photo posted by Jasika Nicole (@jasikaistrycurious) on

I wore that dress again about two years later to attend the BET Movie Awards with my friend Lance (above), and my good friend Mary looked stunning in it when we attended the Lamda Legal Awards together last weekend (below).

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The navy floral maxi dress (Vogue 8827) is a Very Easy Vogue design, and, like it’s namesake, it was very easy to construct because it doesn’t require much fitting to accommodate it’s loose shape. The most complicated part of the make was working with all those yards of material. I love how well this pattern works with the silk fabric, which was purchased from The Fabric Store a few years ago- the large, bold print serves the maxi style so well!

 

Me and Brittani at Transparent Season 2 Premiere!

Me and Brittani at Transparent Season 2 Premiere!

Several months after I made Vogue 1102 over a year ago, my friend Brittani invited me to be her date to the Transparent Season 2 Premiere, and this is the same dress I wore to the event with Mary. The yellow dress (Vogue 1102) is an absolute joy, mainly because the fabric is SO superb, but the design is also really easy to wear because of the high waistline (you can eat food without worrying about your dress restricting your stomach).

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It has a full, flowy skirt that you can only see well when there is a lot of twirling being done- fortunately I am BIG into twirling. Also from The Fabric Store, the fabric is a supple, soft charmeuse. I had never worked with this kind of fabric before and the learning curve was VERY steep- it shows every single pucker and nip so hand stitching the inside of the bodice was a bit of a nightmare. But I successfully created a thin smooth hem at the bottom and that was my biggest concern. I knew this pattern would probably fit poorly in the bodice so I made a muslin first and then made fitting adjustments (everything was mostly too big but some pieces needed to be totally re-drafted).

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I have a few more pieces in my Operation DIY Red Carpet vault, some that I have worn and some that I haven’t, and I hope I have time to share them on the blog soon.

Got to meet Daniel Franzese at Lamda Legal Awards, who I love so much!

Got to meet Daniel Franzese at Lamda Legal Awards, who I love so much!

So far, making my own garments to wear to big events has been easy to do because I have the time to spend and the events have been so spread out. But if I find myself on a 16 hour-a-day schedule with an abundance of invites any time soon, making all my clothing probably won’t be sustainable for very long. But I guess I will cross that bridge when I come to it; for now, I am happy with the pace that I am creating things, and thrilled that I have found some satisfaction in recycling some of my favorite looks. I am certainly not a big enough celebrity that anyone is very interested in how often I wear an article of clothing, but I think it’s the principle that makes a big difference. As I have written before, empowerment is the biggest gift that being a maker has given me: at the beginning of my career I was too intimidated to oppose the standards that had been set in place, but now I feel confident in using my voice- and my better judgement- to stand up to what feels important, even if I am the only one who is paying attention.

Ode to Oona

https://www.instagram.com/p/BD1mBH4RF5O/?taken-by=jasikaistrycurious

One of my favorite online fabric stores, LAFinch Fabrics, has this sneaky habit of filling your orders with extra doo-dads, including but not limited to a fistful of swatches from their inventory, tied up in a little bow. I love this for obvious reasons; being able to touch a piece of fabric gives me so much more of an idea of how it will sew up as opposed to just seeing it on a screen. And that’s how I ended up with this multi-colored animal inspired rayon, a fabric I would never, NEVER have bought after simply seeing a photo of it. I’m staunchly against animal prints in my own wardrobe, but not because I have any moral or aesthetic issues against them. For me, it’s like the color red-  I think it looks great on every single person except me. I’m just not a RED personality, you know? Bright orange? Sure. But not red. And in this same vein, I am not really an animal print person either. So when I saw a rectangle of this bold rayon peeking out of my fistful of new swatches, I didn’t give it a second glance. That is, not until my fingers gently grazed the material while fishing around for one of the other pieces in the stack. OH MY GOD. Is this for real?, I thought. So supple! So soft! So stable, yet flowy! It felt kind of creamy, if cream could be a fabric. It was absolutely dreamy. But the print simply wasn’t my favorite. I liked the colors. I like the graphic aspect of it. But purple and blue tinted (zebra? tiger? leopard?) print?! Come on! That’s not me! It took me a week of hemming and hawing before I finally asked myself “what would Oona do?”

Oona (aka Marcy), the sewing community’s favorite advocate for brightly printed/boldly colored/funkily designed textiles; Oona, who doesn’t shy away from dazzle or flash; Oona, who wouldn’t think twice about snatching up a fabric like this because she probably doesn’t impose arbitrary boundaries for herself on what she should or should not wear. I think everyone in the online sewing community has been inspired by Oona’s makes at some point in their lives, because even if she is wearing something you wouldn’t have considered making for yourself, her beauty and style are undeniable, and apparently limitless. So there, I had my answer. Oona would say yes, so I was going to give it a try, too.

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My yes came shortly before my birthday, and although I had no plans to make myself anything to celebrate my new year, when it arrived in the mail (with a whole new fistful of swatches to drool over, of course), I was suddenly inspired to use it for something special. I had two days before my birthday and no idea what to make with this beautiful fabric, which is generally not the best equation for me and a successful make, but I forged ahead anyways. Eventually I settled on a hack of my favorite vintage jumpsuit pattern, vintage Simplicity 5503, and the Southport Dress by True Bias. Both patterns are (mostly) TnTs for me; I have made each pattern twice, hacking the neckline into one of Gertie’s designs for one of the jumpsuits and sticking to the original design for the others. I was excited to put these two looks together- I love the casual look and comfortable feeling of the jumpsuit’s flexible waist and roomy legs, and I love the relaxed yet streamlined design of the bodice of the dress.

gertie_neckline

vintage simplicity jumpsuit in one of my fav fabrics I have ever seen from The Fabric Store (the print is various sizes of flocks of birds!)

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Southport Dress by True Bias, which gets worn A LOT.

For my mash up, I nixed the elastic band in favor of the Southport’s drawstring detail, and I used snaps instead of buttons for the bodice.

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Since there were no waistline darts to accommodate, it required only a little bit of fudging to make the width of the jumpsuit’s bottom match up to the dress’s top, and I ended up shortening the bodice in the back about 2 inches to take in some of the fabric that was pooling at my lower back (this was not an adjustment I ever needed to make for the Southport dress in the past, so it was definitely a result of using pants for the bottom instead of a skirt).

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All in all an easy make, and it was done in plenty of time for my birthday, even though I didn’t end up wearing it on the actual day- I was in (memade) sweatpants eating pie and hanging out with my two BFFs to ring in my new year, and I am NOT complaining!

dance

Now that the make is done and I have had some time to ruminate a bit on all my last-minute decision making, I have come to some conclusions. Number one: this fabric was wasted on this jumpsuit. I think it looks fantastic, and honestly, whenever I wear it I feel like Blanche from the Golden Girls, but I think that using this fabric for anything other than a swooshy, drapey, flowy garment was just silly. It deserves to be a dress, something with simple lines and a full skirt so that I could have maximized all the properties that drew me to it in the first place. This pattern hack was meant for something with a little more stability and weight to it, and those properties aren’t the things that make this textile so incredible.

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Which brings me to number two: I am SO glad that I listened to my inner Oona and I bought this fabric! At first I kept thinking, it’s just not very me, but the truth is that if I am wearing it and liking it, then that’s as me as it gets. The me of today might not be the exact same me of last year or even yesterday, but that’s why so many of us sew, right? To express whatever version of ourselves that seems to be chirping the loudest at the time. Sometimes we go through phases where we are really into knits, or prints, or pastels, or skirts, or skin tight, or super loose. But those phases don’t make us any less of ourselves- rather, they are proof that we are undefinable, ever evolving, capable of variance. When I look through my closet, it kind of feels like I am flipping through the pages of a diary; I know where I was, what was going on and how I was feeling with every single memade garment inside. And when I come across this jumpsuit, even though it’s the only animal print hanging amongst it’s brothers and sisters, it looks perfectly at home. It reminds me that my style can change, that even if I take risks, the things I make are still a good representation of who I am.

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Thanks to all the Oonas out there continuing to provide inspiration!

Tutti Fruiti, Aw Tessuti!

I have known about Tessuti patterns for a while now, but for some reason I have always passed them by. Their designs always seemed styled for an older, more conservative wearer, and they also seemed better suited for other bodies to pull off, bodies that were perhaps leggier or less stocky or more willowy than my own. Unfortunately most of us have hangups about our physiques, and mine is wishing that I was taller- although if I was, I am sure that I would focus on some other thing about my body that I wished was different. THAT’S THE PATRIARCHY FOR YOU.

Ahem.

So anyways, even though I had never bought their patterns, I do follow Tessuti’s awesome instagram account where they share lots of gorgeous fabrics sold in their store, along with photos of their fully constructed patterns. Recently they came out with a new design called the Annie Dress, and I could no longer convince myself that these were patterns that wouldn’t work on my body. The Annie Dress is flowy, with a beautiful bodice overlay option, and the detail of the familiar Tessuti pocket, whose shape is stitched on the outside of many of their garments. I liked that the dress, while long, was paired with a slimming shape on top to keep it from swallowing up more petite figures. But just to be on the safe side, I shortened my dress a tad on the bottom so that it hit above my ankles, and I gave it a slightly more curved hemline.

anniedress

I really love how this dress came out. I used an opaque lightweight cotton from The Fabric Store for the main part of the dress, and a small cut of white cotton lace that I got as a thoughtful extra from lafinchfabrics on an order I had received many months back. Lafinchfabrics likes to stick extra notions and bonus pieces in some of their packages as a thank you to their customers, and it has definitely kept me coming back time and time again. When I saw this pretty white lace in the box with my other fabric items, I had no idea what I would make with it because my experience with lace is limited to stretch fabrics which I use for lingerie. But even though this pretty stuff sat in my fabric drawer for a while, it did NOT get konmaried in the big purge, and it ended up being the perfect detail for the Annie Dress!

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I enjoyed making this garment almost as much as I enjoy wearing it. Tessuti patterns have very clear instructions that aren’t fussy at all, and they have introduced me to a lot of interesting new techniques, like the use of Vilene paper (which after this make I opted not to use again, but I like having the option) and creating thick, flat strips of bias for the hems and edges of the garment- and they don’t make you iron folds onto your tape, hallelujah! The construction methods are simple and easy to follow, and they have a particular way of inserting pockets which creates a very smooth line that I love. I also appreciate that the pattern pieces are hand drawn and handwritten- something about that little detail feels sweet and familiar, and serves as a reminder that a real live artist is behind the design, helping me bring the garment to life.

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The wearability of this dress is fantastic- it’s comfortable enough to walk the dog in but has enough thoughtful design elements to feel appropriate in virtually any setting.

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After the success of this pattern, I immediately bought more of their designs- the Ruby Top/Dress combo, their long line cardigan, and their Demi Pant. Of the two of these pieces that I have made, I am pretty happy with how they came out.

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My biggest mistake with the Ruby Top was to use silk fabric. The striped mint green textile (also a purchase from The Fabric Store) is stunning, soft and supple, but I just really hate working with silk, and usually when I hate something it’s because I am not very good at it. I have since read about all kinds of tricks used for working with slippery fabrics, like Lladybird’s suggestion of using a spray-on stabilizer on the fabric before cutting out pattern pieces, but I haven’t had a chance to try it out yet. Anyways, not only was I forced to use a difficult fabric for this pattern, but I also bought a cut of fabric that was technically too small for the pattern, so I had to fudge the pieces  a lot, and ultimately the blouse had to be cut shorter than necessary to stretch my yardage as far as possible. This was the least fun project I have sewn in a long time thanks to my fabric choice, but the instructions for the top were clear, simple and easy to follow. My armhole binding looks dreadful, as the instructions require you to stitch in the ditch after folding the binding to the inside and the silk was just too unstable and would not stay in place for me.

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But the button closure detail in the back came out surprisingly good despite my finnicky fabric, and I don’t think that any of the terrible looking parts of my construction are very obvious to anyone but me.

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When I make this again (in an easy-to-sew, law-abiding cotton!) I will probably adjust the armholes a bit in the front so that they don’t curve in as much; the design creates a pretty line along my arms and shoulders but all my brastraps sit further out on my chest than what this shirt is designed for, meaning that I am constantly having to push my straps in so that they don’t keep peeking out of the blouse. But that should be a simple adjustment.

The Demi Pant is the other pattern I made from Tessuti’s arsenal of designs, and it has been a struggle not to wear them every single day.

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Since the fit is so relaxed and loose, the pants are wearable even on the hottest LA days, and my fabric choice, a linen+rayon blend, is perfect for keeping the sun off my skin while still being breathable. I was afraid that the silhouette as designed would look huge on me so I cut out a decent amount of width in the pant legs starting from the top of the thighs and tapering in to the ankles, making sure that the openings at the bottom would still be wide enough for my feet to go through. In adjusting the width of the legs, I ended up cutting out so much of the ankle pattern pieces that I couldn’t really follow the design lines for the pleats at the bottom.

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After several attempts to recreate the original notches and lines, I ended up just constructing the pants as written and, once pieced together, I created my own pleat lines for the ankles which worked out beautifully. I think the shape looks great, and I love the pockets and the super comfortable elasticized waist. These pants give me the comfort of wearing sweatpants without the reality of wearing sweatpants. That is not to shame anybody who wears sweatpants- I LOVE sweatpants! I wear them all the time when it’s cold outside and I don’t plan on leaving the house. But this demi pant is a perfect way to feel comfortable and still look like I put a little bit of effort in, and that might be my favorite kind of pattern!

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Side Boob DON’T into a Maxi DO

I don’t want to bore anyone with my tales of woe regarding Burda Patterns, because I know it’s not a solitary camp of one. I’ve read your blog posts about your love/hate relationship with them; I relate to how easily you fell for their dazzle and glam and gorgeous designs, and how disappointed you were when you read the instructions and realized that they were severely lacking…that they were missing some steps…that they might have even been missing some pattern pieces (true story). I have vowed off and on over the past few years to never buy another Burda pattern again, yet I have a collection of at least 20 unmade Burda PDFs in a folder on my computer, just waiting for me to feel weak and desperate enough to take another plunge into that dark abyss. Despite my issues with Burda, I find them to be a source of endless inspiration, and I have seen far too many beautiful makes by seamsters way more patient than I to write them off completely. But they get a lot of side-eye from me. So. Much. Side. Eye.

A few years ago when I was getting into sewing a lot and I hadn’t yet discovered that Burda patterns were an accurate depiction of my own personal hell, I  chose a gorgeous long dress pattern with a beautiful open back and lovely cap sleeves called the Open Back Dress 03/2013 #111.

Open Back Dress 03/2013 #111

The look was feminine and flirty and romantic, or at least that’s how the styling for the model was on the accompanying photo. When I pieced together my 100 sheets of printed paper and finally got to cutting the pattern out, I noticed that the skirt pattern required about half a mile of material at the waistline which was supposed to be gathered. I was worried that all this fabric would create unnecessary bulk at my waist and swallow me up, so I cut the skirt pattern down to half  it’s size in a gradual A-Line, and I felt proud of myself for catching this design flaw. This should have been a red flag right here, but instead of examining all the other parts of the dress to make sure they would work for me, I just kept going.

Finished dress. Note the angle of the camera so you DON'T see the side boobage.

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Construction was a nightmare: when I finally sewed all the bodice pieces together and tried it on, it gaped at the sides, but also needed way more coverage for all the side boob that I was showing (and I don’t even have that much boob in the first place). The front of the bodice seemed to float away from my body instead of laying down properly against my bust and I thought that carefully sewing bra cups into it would give it some shape but it didn’t at all- it just made it feel bulky.

side boob

The bodice was so ill fitting that it pulled the skirt up in the back at the waist, so the bottom of my skirt drifted up higher behind me than in front. I was so excited about actually finishing this garment that I was in denial about how poor the fit was, and I even wore it out a few times. It was quite an ordeal though- in order to get the bodice to stay put I had to line my whole torso with stay tape so that the dress wouldn’t shift around and expose anything.

why ride up

I guess the design of the dress was dramatic enough that no one really noticed how wrong it was on me (I still got plenty of compliments) but I was never comfortable in it, and once summer was over, it went into storage and I forgot about it…until this year, when I begrudgingly hung it back up in my closet when it got warm again. I don’t know anyone else with my exact body size and shape, otherwise I would have given it away. My other options were to trash it or donate it, and I didn’t want to do either. Even though the fit left much to be desired, I really loved the fabric. I wanted a large print to balance out the length, and I found this sort of interesting cotton floral fabric at The Fabric Store that met my criteria, but it wasn’t bowling me over…until I turned the fabric over and saw that it had this hazy, worn, vintage look to the underside of it. This was one of the first times I thought outside of the box in terms of design choices on a garment, so saying goodbye to it felt weirdly sad.

fabric detailJust a few days ago, as I pushed this dress to the side of my closet for the umpteenth time and cursed it for taking up so much space, I had a thought- the bodice was awful, yes, but the skirt? The skirt was actually pretty great- it was the perfect maxi length to wear with flats, it was easy to wear and comfortable, and the fabric, as I said, was really cool. I decided that I would NOT throw the dress into my goodwill pile where it would most likely get sent to the dump anyways, and instead I would lop off the bodice and add a waistband and a button.

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Perfection!

Speaking of dumps, the bodice of this dress has NOT been thrown in the garbage yet, because I have not given up on this Burda design. I am keeping it in hopes of redrafting the bodice pattern into something that will actually work on my frame. All it needs is for the front piece to be extended on the sides to cover up that side boob and for the back bottom pieces of the bodice to be cut longer so that they follow the natural waistline instead of riding up. By the way, I am not a stark opponent of the side boob; like most design elements, side boob has it’s time and place. Like at a red carpet event with styled hair and lipstick and heels. But side boob does not (for me at least), belong on a dress meant to be worn to picnics and flea markets.

 

2.3For all my criticism of the fashion industry, I know am not blameless in the act of being wasteful and greedy for fashion’s sake. I still spend time and money on making things that are virtually unwearable, and if I can’t gift those end results to anyone, into the garbage they will go. This happens less often the better I get at sewing, but some things are simply un-salvageable, and I REALLY hate throwing yards of fabric into the garbage. It felt really great to take this dress, a garment that I was sure I would eventually throw away, and instead recycle it into another wearable version of itself. I would love to be able to do this with every single one of my failed makes, but that’s not realistic. I can at least attempt to salvage my disasters, though; if only a handful of them turn out as successfully as this one did, I could count myself lucky.

Viva la refashion!

#MeMadeMay level= unlocked

At the beginning of #MeMadeMay2015 I had high hopes to post here on my blog every single day what I wore and where the pattern came from, but those hopes were crushed on Day 2 when my laziness got the better of me. I decided it would be a lot easier and more efficient on my end to just do a master post of everything I memade and mewore with a few details for each one (I posted everyday on tumblr but not everyone follows me there). Presenting, my first foray into the MeMade hashtag!!!

vintage jumper

Day 1: vintage jumper

I already posted about this little guy here, but to recap, this a 70’s (I think?)  vintage pattern for a romper made of knit fabric.

Day 2: Southport Maxi Dress by True Bias

Day 2: Southport Maxi Dress by True Bias

LOOOVE this Southport Maxi dress pattern, and just finished making another one in a peach polka dot cotton. Straightforward and simple, easy-to-understand directions, but the pattern is based off of a C CUP!!! My boobs are nowhere near a C cup, so when I sewed up the bodice and  tried it on for fit, it was so saggy and loose around my entire torso that I was afraid I was gonna have to take the whole thing apart and re-cut the pieces from my fabric. Thankfully I was able to make adjustments without altering the darts and the side seams- I just cut off the widths of the bodice center fronts and moved the button bands over to accommodate. I love the pockets in this dress, and I love the drape of the rayon challis I used in this version and would recommend that fabric over the 100% cotton I used for my second make, which is beautiful but more crisp looking and less flowy.

 

Day 3: Knit Sweetheart Top and A-line skirt from Gertie Sews Vintage Casual

Day 3: Knit Sweetheart Top and A-line skirt from Gertie Sews Vintage Casual

A lot of my favorite makes come from Gertie patterns, as seen in this post. This is the Sweetheart Top made of knit fabric from www.girlcharlee.com coupled with Gertie’s A-line skirt in a beautiful wool herringbone that you unfortunately can’t see very well in this picture. Both patterns are from the book Gertie Sews Vintage Casual. The skirt has an okay fit for me- her circle skirt is wonderful and fits my figure beautifully, but I think that because the A-line skirt has less material in the hip area, it causes wrinkles and gaps between my waist and hip area in the back. It’s probably not noticeable to anyone but me, but I don’t get as much wear out of the skirt for that reason. The Sweetheart top is a simple make on a serger (I once made three of these tops in one day) with a wide neckline that gathers in the middle front.

Day 4: knitted sweater- Portland Tweed Curved Front Cardigan by Pam Allen

Day 4: knitted sweater- Portland Tweed Curved Front Cardigan by Pam Allen

I called this my Unflappable Darling sweater, and details for this make are on my ravelry project page here. I fell in love with Pam Allen’s patterns after I began knitting sweaters, but before I was good at making alterations to fit my size (I usually have to size down and use smaller needles cause my guage is fairly loose). I love this sweater but it’s hard to pair it with many things in my closet. It’s got a tent-like shape to it, and has a tendency to swallow me up, so it doesn’t get as much wear as I would like. The yarn I used for it is a really bizarre-feeling cotton blend with a unique smell that reminds me of hay. If I made this again I would make it much smaller, and with a softer, fluffier (less barn-smelling) yarn.

 

Day 5: Espresso Leggings by Cake Patterns

Day 5: Espresso Leggings by Cake Patterns

I was excited to learn about the Cake Patterns company when I started researching more indie designers, and I was intrigued by the unique way in which they have you put together the pattern pieces. There is a large page of numbered dots and symbols that represent different widths and lengths for your body, and you connect them all together to create an adjusted pattern for your specific size. I feel like this would be a great pattern for someone who was brand new to sewing, but for me it ended up being really confusing and frustrating, and at one point I just wished that it was less innovative and more familiar like other patterns I was used to- I would have been able to put it together much more quickly. The instructions were very different from any pattern I had made before, and not in a good way- they use a lot of symbols instead of words, so I had to keep going back and figuring out what each little drawing was supposed to mean. On top of that, this leggings pattern suggests that you use a 2-way stretch knit like ponte, but when I made them up in that fabric, they wouldn’t even stretch wide enough to go over my thighs (and yes, I cut the pattern out with the stretch going width-wise). Not sure if there was something off about the knit I chose or what, but it was a high quality fabric that I had used with great success before, so I was very disappointed that it didn’t work for this project. I eventually bought another knit with 4 way stretch (seen in the photo) and it worked fine.  I also bought one of their dress patterns to make for my sister-in-law for Christmas, but I was so confused by the bizarre, multi-step directions that I threw the entire thing (including the fabric!) in the trash halfway through construction. I would not buy one of their patterns again, but I have seen that a lot of people have had positive experience with their Cake Patterns, so maybe it’s just me.

Day 6: Tri-Cable Stitch Jumper by Susan Crawford

Day 6: Tri-Cable Stitch Jumper by Susan Crawford

This sweater pattern comes from Susan Crawford’s book A Stitch in Time Vol. 2 and is the kind of book that I would want to own and display even if I wasn’t an avid knitter. The photos and styling are remarkable and the patterns are beautiful, but the coolest thing about the book is that it includes a copy of the original vintage knitting pattern so you can compare the original styling and photos and instructions to the updated versions. I should have gone further down in my needle size for this pattern because it is just a little bit bigger than I would like, but all in all this came out beautifully and I love wearing it.

 

 

 

 

Day 7: Pencil Skirt in Stretch Knit from Gertie Sews Vintage Casual

Day 7: Pencil Skirt in Stretch Knit from Gertie Sews Vintage Casual

This Comfiest Pencil Skirt made of a stretch knit material comes from a pattern in one of Gertie’s books and has become a real winner in my closet. It gives that wonderful curvy silhouette without the usual confining quality that pencil skirts tend to have.  I ended up adding two darts to the back of my skirt to keep the excess fabric between my smallish waist and wide-ish hips from bunching up and it worked like a dream without taking away from the simple pattern of the skirt.

Day 8: Summer Dress pattern from Gertie Sews Vintage Casual

Day 8: Summer Dress pattern from Gertie Sews Vintage Casual

This is my Bitch You Guessed It Dress which you can read more about in this blog post.

Day 9: Ohhh Lulu Ginger Body Suit

Day 9: Ohhh Lulu Ginger Body Suit

OhhhLuluSews is a pattern company that operates from an etsy shop, and the designs are pretty, feminine and vintage inspired. The Ginger Body Suit doesn’t seem to be in the store anymore, but it is a one- piece pattern with a different adjustment marks to turn it into a two-piece and the option to use swimsuit lycra to turn it into a bathing suit, which I did here. Love the fit after I fiddled with the waist and bottoms for a while, and love the way the pieces are put together which gave me the freedom to make some unique design decisions.

Day 10: Vintage romper pattern

Day 10: Vintage romper pattern

This vintage romper comes from Simplicity Pattern 5503 which I bought a while ago on etsy. It’s kind of amazing- very comfortable and easy to make with an elasticized waist, although the front detail has never laid flat for me- not sure if that’s because of the material I used or what. The fabric was a gift from someone I used to date many years ago who went to Nigeria to visit family and brought me back this gorgeous African wax print. It accompanied me on moves to different apartments and different cities and eventually different states for over a decade til I was finally inspired to use it on this pattern. It was totally worth the wait.

Day 11: GInger Jeans pattern by Closet Case Files

Day 11: GInger Jeans pattern by Closet Case Files

These are my awesome and amazing skinny jeans from Closet Case Files’ Ginger Jeans Pattern. Can’t say enough good about the pattern (wasn’t prepared for my very first attempt at jeans to be so successful!). More details on the process here on my blog.

Day 12: Moneta dress by Colette Patterns

Day 12: Moneta dress by Colette Patterns

I am clearly a sucker for good design and good marketing, because no matter how many times I tell myself to stop buying Colette Patterns because the fit is always waaaay wrong for my body, I can’t seem to shake the habit. I thought that this Moneta dress and the Mabel skirt pattern (not shown) which I bought at the same time were gonna be big successes since they’re made for knit fabric, which is more forgiving in terms of fit issues. Not so. The skirt came out so poorly that I didn’t even make an attempt to try and re-draft it to work for myself, and the bodice of this dress was so awful that I had to re-cut it and make a lot of adjustments to make it smaller since it gaped like crazy at the armholes and was just generally gigantic (I already made the smallest size available). LOVE Colette designs and aesthetic, but I just have to learn to let them go.

 

Day 13: Ohhh Lulu Vintage style bra

Day 13: Ohhh Lulu Vintage style bra

Ohhh Lulu’s Lili Bra is a vintage bra pattern that uses wovens cut on the bias instead of stretch fabric, and it was a really fun make, as referenced here. It’s not the perfect bra pattern for me because it has this weird gapping effect in the nipple area (those puckers in the middle of the cups are filled with air, not actual boob) and I am sure I could adjust the pattern a bit to accommodate less space, but I haven’t yet. Still love this bra tho.

Day 14: Minimalist Cardigan

Day 14: Minimalist Cardigan

I call this my ‘Favorite Sweater’ Sweater because I wear it A LOT. It’s like my housecoat. Details for the Minimalist Cardigan are here and I am also in the middle of making one for Claire right now cause she has coveted it ever since I finished it in Vancouver. Moss stitch is so gorgeous, no matter how simple the pattern is.

Day 15: Nettie dress by Closet Case Files and Therapi sweater by Stefanie Japel

Day 15: Nettie dress by Closet Case Files and Therapi sweater by Stefanie Japel

Two makes in one! The sweater is Therapi by Stefani Japel and the dress is the Nettie pattern by Closet Case Files. The sweater took me 1,000 years to make, because, unlike the Minimalist cardigan, it actually is the size of a house robe, and it’s almost completely in Waffle Stitch, which isn’t very complicated, but it takes way more time than say, stockinette stitch. The dress is a body con dress that took me a little time to get right, only because knits are all so different and some have more stretch and others have less. This dress was at the beginning of my foray into learning more about knits, and this was the second version I made after the first one came out beautifully but encased my torso like a sausage because it was too tight due to the ponte fabric I chose. This black knit with the elephants adorning it is a 4 way stretch with a bit more give than ponte and came out so great… except the fabric started fading immediately after I pre-washed it.

 

Day 16: Pin-up Sweater from Gertie Sews Vintage Casual

Day 16: Pin-up Sweater from Gertie Sews Vintage Casual

Another Pin-up sweater by Gertie, in this really terrific crocheted stretch fabric that reminds me of everything awesome about Grandmas, cause up close the fabric looks like a huge doily.

Day 17: 40's Style Sleevelss Blouse and Pencil Skirt from Gertie's Book for Better Sewing and Gertie Sews Vintage Casual and Gertie

Day 17: 40’s Style Sleevelss Blouse and Pencil Skirt from Gertie’s Book for Better Sewing and Gertie Sews Vintage Casual and Gertie

Another two-fer: Pencil skirt by Gertie (from her first book Gertie’s Book For Better Sewing) and 40’s Style Blouse from her second book, Gertie Sews Vintage Casual. Used a stretch woven for the skirt which was an excellent choice- gives hold and shape without feeling like I can’t breathe. I made this skirt years ago so I don’t remember the details but I am pretty sure it was a straight make that didn’t require any adjustments, which kind of blew my mind- it was the first time I wore a pencil skirt that actually fit my body and didn’t pucker, gape and wrinkle all over the hips.

Day 18: Watson Long-line Bra by Cloth Habit

Day 18: Watson Long-line Bra by Cloth Habit

Cloth Habit’s long line Watson bra which I have given so much praise in this blog post.

Day 19: Harem Jumper (pattern by me)

Day 19: Harem Jumper (pattern by me)

I made this pattern which I based off of a Rachel Roy jumpsuit that I own and love to wear. The jumpsuit is made of a silky rayon material and is clearly meant for fancy occasions- I’ve worn it to a red carpet event and a couple of performances. I love the shape so much that I wanted to recreate it using a more wearable material. I bought some ponte knit fabric and, with some rough eyeballing and rougher measuring, I drew out a pattern for it and cut it out. It’s got a slightly different bodice than the original, and I added straps to this one to make sure it was more secure. My biggest obstacle was inserting the zipper onto a stretchy fabric, which I had never done before (with good reason). When closed, the zipper bunched and zigzagged, but I read online that using a stabilizer underneath the zipper tape would help, and it worked like a charm. I am dying to make this again in a 4 way stretch knit.

 

Day 20: Vintage High Waist Shorts

Day 20: Vintage High Waist Shorts

These shorts are the second pair I have made from  vintage shorts pattern Simplicity 7688. The first pair, which I am actually wearing as I type this, are made of a mint green linen and they are on the verge of falling apart because I didn’t know that I needed to finish the edges of this type of fabric  with either a serger or bias tape. As a result, the edges have frayed to the stitched seam lines in some places. I have tried repeatedly to save them with patches places on the inside of the shorts, bias tape to encase the raw edges, and double lines of stitching. They aren’t long for this world but I can’t bear to let them go because they are my favorite! This paisley pair is a close second, but the brushed cotton bags out a bit after wearing them too many times between washings.

Day 21: Vintage romper pattern

Day 21: Vintage romper pattern

This is a second version of the 80’s romper in the African Wax Print fabric, but I used a different type of material for this project and I hacked the strap and neckline-edging from a different pattern, so the end result looks (and feels) super different. I made a belt for this one, too, and the look just seems little more pulled together and fancy than the other one, which I wear more casually. You can’t tell, but the fabric is printed with flocks of birds all over it.

Day 22: Hannah dress by Schnittchen

Day 22: Hannah dress by Schnittchen

Hannah dress by Schnittchen, seen here!

Day 23: Vogue Vintage re-issue

Day 23: Vogue Vintage re-issue

Ohhh, how I absolutely LOVE wearing this dress! It’s stunning! Simplicity 1777, 1940’s Retro reprint, and truly unique in it’s bib detailing coupled with this amazing rayon challis I found on fabric.com. It’s one of my favorite pieces to dress up in.

Day 24: Vogue Maxi dress

Day 24: Vogue Maxi dress

Vogue 8827, as blogged about here.

Day 25: Vogue culottes jumper

Day 25: Vogue culottes jumper

I have been meaning to finish my post on this garment for so long-it’s  queued up and written and everything, just waiting to take some nice pics to accompany it. Anyways, I call it my JNCO’s Birthday Jumpsuit, but in actuality it’s a culottes romper, which required a fair amount of adjusting to make work for me. It’s made out of a double gauze by a company called Cotton & Steele, who has really gorgeous fabrics drawn by a team of super talented women artists, and I love love love this outfit and I need to make it again (and probably again). When I redrafted everything, I forgot to fix the pockets and make them longer to meet the new higher waistline, so they are SUPER short and everytime I put my hands in them I want to laugh and cry at the same time.

Day 26: Ginger Jeans (again) and Knit Sweetheart Top

Day 26: Ginger Jeans (again) and Knit Sweetheart Top

Ginger Jeans again! This time paired with a Knit Sweetheart Top by Gertie, adorned with a million mustaches. (This is a faux action shot, btw, which I feel like I must declare before I start getting comments from people warning me that I am using my power tools incorrectly).

Day 27: Carolyn Pajama bottoms by Closet Case Files

Day 27: Carolyn Pajama bottoms by Closet Case Files

Carolyn Pajamas (sans top) by Closet Case Files.  Easy make with lovely little details. I made mine out of rayon challis and after a few washings they started to look like worn bedsheets, in a GOOD way.

Day 28: Cap Sleeve Lattice Top by Purl Soho

Day 28: Cap Sleev Lattice Top by Purl Soho

This is the first sweater I ever knitted in California territory. Details here!

Day 29: Vogue dress

Day 29: Vogue dress

And this is the first dress that I ever made for myself after I learned how to sew in my Costume Design class in college. I have no idea what the pattern was (I think it might have been Vogue?), but it was such a success that it inspired me to keep going, even though I took a significant break from sewing after I moved to NYC. It fit great (still does) and was made out of a linen from JoAnn’s Fabrics which has held up surprisingly well over the past 14 years.

 

Day 30: Marianne Dress by Christine Haynes

Day 30: Marianne Dress by Christine Haynes

I hurried to finish this dress up in time to attend Autostraddle camp this year. It’s the Marianne Dress by Christine Haynes and it’s a very simple make made with knit fabric that includes a really cute sleeve detail on the cuff of the sleeve.

Day 31: fingerknitted necklace (no pattern, just fingerknitted!)

Day 31: fingerknitted necklace (no pattern, just fingerknitted!)

I MA(Y)DE IT! 31 Days!!!! Here I am wearing my vintage shorts pattern again from a previous day with the addition of my fingerknitted neck accoutrement! Fingerknittin’ Good is one of the craft classes I taught at camp and it was a big success! It’s easy to learn and easy to do if you have fairly good use of the fingers on your hands. It doesn’t require any materials or tools other than the yarn, and when you use a bulky skein, you can create something beautiful in a short amount of time. Fingerknitting doesn’t require a pattern or anything, just the actual activity of repeating the steps over and over again, and there are plenty of tutorials on the internet that can show you how to do it in no time. This ended up being a fantastic camp activity because even the campers who insisted they were absolutely terrible with their hands were able to create a gorgeous length of fingerknitted rope by the end of the hour.

 

And that’s it- my first memademay is complete! I have to admit that when it was all over I felt equal parts relieved and sad. Halfway through the month it had become exhausting to dress up in something memade every day, only because I don’t have a regular job to go to every morning. So unless I have an event or an audition or am meeting up with friends, I just putter around my craft room all day making stuff til Claire gets home from work, and hanging out in my craft room doesn’t require me to wear anything special. My wardrobe for most days (after I run or do yoga) is whatever is clean and at the top of my drawer, which usually ends up being a pair of shorts and a t shirt, or a breezy house dress if it’s hot outside, and I usually wear that for a few days in a row til it’s time to put it in the laundry bin. For much of May, I missed the ease of throwing on whatever clothes were laying around. But on June 1st, I realized I had become so accustomed to being thoughtful about what I was going to wear that I felt like something was missing. No more “Hey Claire- will you take my MeMade picture?” No more triple-sharing photos to instagram and tumblr and facebook. No more recalling little details about what I was doing and how I was feeling when I made the garment. Of course I will still share my new makes when they are finished, but the exciting part of committing myself to a month-long project will be absent…til next year at least. Thanks to everyone who offered encouraging words of support during the month, and thanks to all the other bloggers and sewers who participated by sharing their own makes. Y’all are so inspiring and I look forward to every single new project you create!

#MeMadeMay Pledge- Day 1

Day1_pattern#MeMadeMay is a pledge by sewing/crocheting/knitting enthusiasts to wear something handmade for each day of the month of May. I have never participated in this event before, maybe because I wasn’t sure if I had enough handmade items to don, or maybe because I wasn’t sure if my makes were worthy enough. But I have since poo-poo’ed  my past doubts and decided to take the plunge and join the hashtag. If nothing else, it will remind me to get better use out of some of the things I have made that I rarely wear, and remind me of the makes I have enjoyed so much that I want to make them again. I am going to try and blog for each outfit, but I may have to combine a few posts into one when I am not around my computer to do a one-a-day.

Day1_view2 Here is one of my favorite-est simple garments I have ever made- I like that it was super quick to sew up, but it doesn’t give that frumpy silhouette that a lot of “easy-to-make” garments tend to offer. It’s made of a lightweight knit material and it has an elasticized waist, so you just pull it up or down to get it and out of it. The con to this is having to be all the way naked when you sit down to use the bathroom; the pro is that it’s loose and non-fussy, since you don’t have a zipper.What I don’t like about this jumper is the bias tape used to make the neckline and the straps. When I make this again (and I plan on doing it sooner than later cause it’s the most perfect for this hot weather we are about to be bombarded with), I will nix the bias tape and just cut the bodice pattern with extra seam allowance so that I can turn the edges under and make straps from the self fabric. The bias tape tends to pucker a bit and hang down under the arms, and it’s just not as sophisticated looking as this jumper has the potential to be. That said, this garment is so easy to wear- it works for hanging out around the house or wearing as a beach cover-up or dressing up a little with sandals.

Maxi to Midi

photo 1After the success of the maxi I made from McCalls 7121 (as blogged about in this post), I knew I needed to make this again in a print that was a little more summery and more casual looking, and with a few alterations that would make this a perfect summer dress. WHOA DOGGIE, this make did NOT disappoint! I made this dress, start to finish, in 3 hours and 15 minutes last Sunday afternoon. I feel like I have been unwittingly training for a speed sewing competition (where I am the only competitor), getting faster and faster at simple projects. I love it because, unlike when I am intentionally trying to sew something up quickly, I am not rushing and making silly mistakes. Instead, I am getting more proficient at tasks through lots of practice, and therefore completing things more quickly. THIS IS AN AWESOME THING TO ME.

photo 4

Anyways, here are the changes I made from the first version of this make:

  • altered the bodice pattern to trim the extra room off the original fit
  • gave it a curved neckline instead of angled
  • cut the front bodice on the fold instead of in two separate pieces
  • made a lining out of the same material so that I could wear the dress without a bra (the double material in the bodice gives it a bit more support and a lot more opaque-ness)
  • cut the skirt pieces with more flare and a few more inches of width at the bottom of the skirt, and I also cut it out for midi-length. I NEVER wear midi-length skirts or dresses cause I have always been convinced that they were unflattering on my short frame, so I am trying to get over it. And so far I am loving the length!
  • lastly, I made a little tie-belt to go with this dress like I did for the last one, cause I just love belts that are made out of the garment material.photo 2

I saw the fabric on girlcharlee.com and was immediately in love- I love the mint green in it (it’s my favorite color to wear) and I love the summery flowers and that it has a kind of faded, gray look to it. But mostly I love the drape of the fabric- it’s lightweight and perfect for hot summers, and it doesn’t feel too heavy or full at the midi-length. I am already imagining whipping this dress up again in another summery knit fabric, because, like the Schnittchen Hannah, I am nervous I am going to wear it out before long. But isn’t that the sign of a great garment, one that you wear so much it comes apart at the seams and you keep fixing it over and over again to keep it wearable? If even HALF of my makes get this kind of wear, I will be way ahead of the curve.

(Please forgive the dark photos- I took pics with my phone instead of making Claire put on her photographer pants!)

To Pimp A Butterfly in Knit Crepe

To Pimp A Butterfly

Kendrick’s new album came out in the middle of me making a dress and was on repeat long enough to finish that project and complete an entirely new dress. The album is called, as you can probably gather, To Pimp A Butterfly. If I am being honest, I wanted to call the first dress my “This. Dick. Ain’t. Free!” Muumuu and my second one the “Every N*gga Is A Star” Maxi, but I was afraid it would alienate my already barely existent readership, so I made what feels like a pretty decent compromise.

 

 

The Hannah Pattern

The first dress, here on out referred to as the muumuu, is from a German indie designer company called Schnittchen. When the pattern arrived, I opened it up to find a large sheet of pattern pieces and one page of instructions written only in German. FYI I don’t read or speak German. After tooling around on their site, I found that they provide an online version of their instructions written in English, which was great. And they were fine until it was time to construct the sleeves. The dress pattern and design are very simple and could probably be put together without step-by-step instructions, but the sleeve construction is unique (very pretty, but not as straight forward as set-in sleeves), and without thorough details or pictures to go off of (no line drawings or photos accompany the instructions), I was stumped for about 10 minutes trying to figure it out. There was a sew-along posted for this dress (which is called Hannah, by the way), but it was all in German, too. Fortunately there were pictures included, so I just stared at them until it started to make sense to me.

three piece sleeve construction

three piece sleeve construction

It took, like, 15 additional minutes. But it was cool cause Kendrick was in the background. The most confusing part of the sleeve is that there are two pattern pieces for the same thing (piece number 5, referred to as the “ruffle”). One pattern piece says “uncreased” and the other doesn’t; both pieces are of very similar (though not exact) shapes, but printed out on the paper in opposite directions. I still can’t figure out which one I was supposed to use or in what important way they were different from one another, so I just kind of eenie-meenie-miny-moed it, chose one, put the sleeve’s three pieces together and figured out how they should be attached to the dress. Pretty sure I did it the right way cause they ended up looking great, and all the edges and notches met and hit at the right places. But I definitely think they should have included a clearer set of instructions for the sleeves, or at least included some visual explanation for how the pieces should go together in the instructions.

Claire and I took a trip to the Huntington gardens today (it was my first time and her third) and it was so beautiful! I was hoping we could see some of Octavia Butler’s papers on display at the library, but they only bring them out of the archives when they are part of an exhibit, so instead we just wandered the grounds and took pics in the succulent garden (which is phenomenal, btw).

WE EAT WHAT WE LIKE!

WE EAT WHAT WE LIKE!

This fabric is a soft, medium weight cotton with different designs woven and stitched onto it- it is described as a native/ethnic cloth at Michael Levine’s, and I recognize the motif as such, but I am curious if there is an actual name for this type of fabric, and if so, what it is (pardon my ignorance!) Anyways, this dress, because it is so free flowing and not-constricting at all, is a really nice design for LA spring, or as I like to call it, “Summer Part 1” (Summer Part 2 starts in May). Its the kind of dress that can be dressed up or down cause it looks good with flats as well as casual heels- in these pics I am wearing my braided leather clogs- not good for walking around the gardens for any length of time, but perfect for a photoshoot.

so casz

so casz

 

I shortened the length of this dress considerably because there is so much material in the muumuu and I was afraid that making it knee length would look too overwhelming on my frame. This dress has no zipper and slips on over your head, so the neck hole is fairly wide to accommodate a noggin. Because of this, the neck sits a little wider on the collarbone/neck than I am used to, but I can live with it (and adjust it just a bit if I ever make this again, which I think I will). In general I am happy with this make, and I am thinking of making it in a nice chambray so that I don’t wear this one out too much- it’s the perfect house-dress-cum-grocery-store-run-cum-let’s-go-to-the-mall-for-fun garment and it’s gotten plenty of use so far.

red_back_2

knit crepe from McCall's 7212

knit crepe from McCall’s 7212

The second dress I made has been a bit of a revelation. It is McCalls pattern 7121 and not something I would normally buy. I tend to avoid most big company patterns because I think the sizing and fit is usually off on me, plus I like the idea of supporting indie pattern designers. But last week I actually took the time to sit down and look through the books at JoAnn’s with Claire while we searched for an outfit to make her for a wedding we are going to next month, and I was surprised to find myself bookmarking tons of patterns that I wanted to add to my collection. This maxi dress pattern caught my eye because it is designed for knits, and thanks to The Colette Guide To Sewing Knits book which came out last year, sewing with this fabric type is pretty much my new favorite thing. Knit garments just sew up SO quickly, and they are so versatile and wearable for year-round sunny LA weather. Also, after discovering the girlcharlee website, I have been inspired by a seemingly endless array of beautiful knit fabric for purchase. The fabric that I made this maxi out of was not purchased at girlcharlee, though- it’s a deep steel colored knit crepe that I bought online at fabric.com for another pattern I had planned to make (and opted out of). This fabric is kind of unreal. Against your skin it feels really fancy and chic, but it doesn’t appear to be precious at all- I pre-washed it in my machine and dried it in the dryer, and it came out feeling exactly the same without any pilling or dullness. One side is smooth and matte while the other side has the identifying crepe texture with a bit of shine while still feeling very soft and silky. This dress was meant to be nice and casual, but after I sewed it up in this fabric, it felt really decadent and much more fancy than I was anticipating- I would absolutely make this dress out of this fabric again and make it long enough to wear with heels- it could translate to evening-wear like a dream. The way it moves around your body when you walk is fantastic- it holds its shape without looking stiff, and sewing it was lovely- very easy to work with, it didn’t stretch out at the hems while I sewed double lines of stitching, and it has great recovery.grey_frontal_4
I like the design of this pattern, but the fabric is the real MVP here. After sewing it up, I learned that the bodice is drafted with no negative ease whatsoever, so it just kind of sat on top of me, puckering in weird places as opposed to hugging my curves the way that most knit fabric patterns are designed to do. It was an easy fix, though- I just re-serged my front seam about 2 inches in, and when I tried it on again, it was perfect- it looked like it was painted on without looking too tight or like I was busting out of it. I split the 2 inch difference on my front and back pattern pieces so that the decrease was shared between the two when I made this again, but for this dress, I didn’t think the difference was that big of a deal. I love the racer-back style of this bodice a lot, cause it works so well with my tattoos and is just a flattering look in general. grey_side_2I already have the fabric to make this again, and I am going to use the altered bodice pieces but cut out a short circle skirt for the bottom instead. I might decrease the allowances on the skirt pieces so that they match up perfectly with the new bodice pieces, but as it is, the skirt fits perfectly- not too tight, barely skimming across my hips and butt. The bodice and skirt are sewn together to create a channel for a narrow strip of elastic to be inserted, and that gives the dress just enough stretch at the waist to pull on over your torso but not so much that the waist looks gathered and has a lot of excess material. It’s one of my favorite things about this dress- the silhouette is so sleek and makes me look (relatively) long and tall. I sewed a very simple, quick belt to go with this dress out of the same material cause I don’t like the slight gathers at the waist on it’s own and I didn’t have a belt that went well with this look. I like it the fabric belt- I think it makes it look a bit more casual. I’ll try to share the replica I make of this dress in the new (much more playful) fabric I got from girlcharlee…til then, here are a couple of my favorite pictures that Claire took at the gardens…!

moss_bonsai

The above picture is from the bonsai exhibit that was on display, and the trees were breathtakingly beautiful, but it was this unexpected glimpse at the tiniest of sprouts growing up from the moss that I loved the most.

 

cypress_bonsai

BONSAAAAAAAAIIIIIIIIIIII!!!!!!!!

 

pink_flower_cacti

And this one is awesome just because it shows that nature knows how to throw in a pop of color in the most perfect amount. Style inspiration in the purest form!