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Brumby Skirt in Ladybugs

ladybug skirt full view

Oh, nevermind the phone and record player cords piled up on the floor to the left of me, ok?

The Brumby Skirt is Megan Nielsen’s latest pattern, and um…it’s SO OBVIOUSLY my kind of skirt. It’s feminine and sweet, and Megan Nielsen’s version takes a pretty standard silhouette (dirndle skirt) and adds a couple of lovely details, like the wide, deep pocket option, and the double stitching on the front seam. Brumby was pinned on my “Patterns To Sew” board for a while, but it wasn’t until I stumbled across this FANTASTIC silk at The Fabric Store ladybug fabric that I actually bought the pattern and decided to make it. Funny thing, that silk- I had fallen in love with it the first time I saw it at the store, but I didn’t buy it since I didn’t have a plan for it (still trying to get out of the habit of making impulse fabric purchases, blah blah blah). I kept thinking about the fabric for the next several days (dreaming about it really), and then The Fabric Store had a big seasonal sale a week or so later, so my plan was to pick up a couple of yards of it when I went to buy other stuff. I arrived at the store the morning the sale began, and guess what- NO MORE LADYBUG SILK PRINT! I looked everywhere for it in between picking out my other pieces, but to no avail. I finally asked Brooke, who is manager of the LA store (who, by the way, is always incredibly helpful and thoughtful and an excellent ambassador for great customer service) what had happened to the ladybug print. She said it had all gotten snatched up pretty quickly…but then she reached under the cutting table and pulled out a folded pile of ladybug goodness. She said “it’s only a yard and a half, though- will it be enough?” and of course I, without a second thought, said “I will MAKE it be enough!”

Cut to a couple of weeks later, where I am literally squeezing all the pattern pieces onto the fabric to try and make it fit. One and half yards would have been plenty of fabric if it weren’t for the fact that the silk was paneled, so every yard or so it had this column of flowery design pasted across from top to bottom, separate from the ladybug print, which I had to work around. To make things even more difficult, it was a really slippery silk so I had to sandwich it between paper to be able to cut it out efficiently. The paper and silk trick works like a dream, but it can get really messy once you start cutting, with slivers of paper and silk just piling up all over the cutting table- it’s hard to tell what’s what, and I don’t know how I successfully got all my pieces cut, but I did (praise be to the sewing goddesses).

Because this is a delicate silk and I used a matching thread color, you can't really see the detail of the stitching on either side of the front seam, but I put it there anyways.

Because this is a delicate silk and I used a matching thread color, you can’t really see the detail of the stitching on either side of the front seam, but I put it there anyways.

Because the silk was see-through, I bought some bemberg rayon to line the skirt with, but in my haste to finish the project, I didn’t walk through the steps beforehand. As a result, I cut out the lining pieces weird- I should have put the pocket facing pattern piece onto the skirt front and cut it out as a whole, but instead I cut out the regular skirt front pieces with the pocket chunk missing, so I basically had a gaping hole on the inside of the lining. Does that make sense? But whatever, it was an easy fix- I just hand sewed the open pocket area of the lining to the actual pocket of the skirt to close the gap, and voila!

Can you see where the pocket of the lining was cut out (it has a pinked edge)? I had to handsew it to the pocket piece beneath it so there wouldn't be a huge hole.

Can you see where the pocket of the lining was cut out (it has a pinked edge)? I had to handsew it to the pocket piece beneath it so there wouldn’t be a huge hole.

And THEN guess what happened! I totally sewed the waistband onto the skirt upside down! Call it one of those brain glitches where you stop making logical decisions when you have been sewing for too many hours straight. Whatever it was, it was ridiculous and also hilarious. I remember staring at the waistband and then staring at the drawing in the instructions…and then staring at the waistband again…and then back to the instructions…I could not for the life of me figure out if the waistband curve should tilt up or down. I was ready to blame the instructions for not being clearer, but honestly, it’s something that I should have been able to figure out myself since I have made so many skirts in my lifetime. Once I realized my mistake, I pouted and cussed. Then I ripped out all my stitches and re-attached the waistband the right way; the longer I spend being annoyed at myself, the longer it takes to actually finish the skirt in the first place.

ladybug skirt back viewIn general, I hate sewing with silk, because I am not very competent at it. It’s so damn fickle- it snags easily, slides around when you’re trying to sew layers together, stretches out if your fingers tug at it the wrong way, puckers up all the time- it’s kind of a nightmare for me. But silks feel SO good against your skin, they are shiny and fancy and glamorous, and since I am trying to add more red carpet-ready items to my wardrobe, I know I need to get better at working with them. So! This was my third project in a row of working with silk, and I could definitely see my progress with each one. All in all I consider this pretty little skirt an absolute win! My plan is to make a Nettie Body Suit (ClosetCaseFiles pattern) in a nice soft navy knit to go with it. Stay tuned…

#MeMadeMay level= unlocked

At the beginning of #MeMadeMay2015 I had high hopes to post here on my blog every single day what I wore and where the pattern came from, but those hopes were crushed on Day 2 when my laziness got the better of me. I decided it would be a lot easier and more efficient on my end to just do a master post of everything I memade and mewore with a few details for each one (I posted everyday on tumblr but not everyone follows me there). Presenting, my first foray into the MeMade hashtag!!!

vintage jumper

Day 1: vintage jumper

I already posted about this little guy here, but to recap, this a 70’s (I think?)  vintage pattern for a romper made of knit fabric.

Day 2: Southport Maxi Dress by True Bias

Day 2: Southport Maxi Dress by True Bias

LOOOVE this Southport Maxi dress pattern, and just finished making another one in a peach polka dot cotton. Straightforward and simple, easy-to-understand directions, but the pattern is based off of a C CUP!!! My boobs are nowhere near a C cup, so when I sewed up the bodice and  tried it on for fit, it was so saggy and loose around my entire torso that I was afraid I was gonna have to take the whole thing apart and re-cut the pieces from my fabric. Thankfully I was able to make adjustments without altering the darts and the side seams- I just cut off the widths of the bodice center fronts and moved the button bands over to accommodate. I love the pockets in this dress, and I love the drape of the rayon challis I used in this version and would recommend that fabric over the 100% cotton I used for my second make, which is beautiful but more crisp looking and less flowy.

 

Day 3: Knit Sweetheart Top and A-line skirt from Gertie Sews Vintage Casual

Day 3: Knit Sweetheart Top and A-line skirt from Gertie Sews Vintage Casual

A lot of my favorite makes come from Gertie patterns, as seen in this post. This is the Sweetheart Top made of knit fabric from www.girlcharlee.com coupled with Gertie’s A-line skirt in a beautiful wool herringbone that you unfortunately can’t see very well in this picture. Both patterns are from the book Gertie Sews Vintage Casual. The skirt has an okay fit for me- her circle skirt is wonderful and fits my figure beautifully, but I think that because the A-line skirt has less material in the hip area, it causes wrinkles and gaps between my waist and hip area in the back. It’s probably not noticeable to anyone but me, but I don’t get as much wear out of the skirt for that reason. The Sweetheart top is a simple make on a serger (I once made three of these tops in one day) with a wide neckline that gathers in the middle front.

Day 4: knitted sweater- Portland Tweed Curved Front Cardigan by Pam Allen

Day 4: knitted sweater- Portland Tweed Curved Front Cardigan by Pam Allen

I called this my Unflappable Darling sweater, and details for this make are on my ravelry project page here. I fell in love with Pam Allen’s patterns after I began knitting sweaters, but before I was good at making alterations to fit my size (I usually have to size down and use smaller needles cause my guage is fairly loose). I love this sweater but it’s hard to pair it with many things in my closet. It’s got a tent-like shape to it, and has a tendency to swallow me up, so it doesn’t get as much wear as I would like. The yarn I used for it is a really bizarre-feeling cotton blend with a unique smell that reminds me of hay. If I made this again I would make it much smaller, and with a softer, fluffier (less barn-smelling) yarn.

 

Day 5: Espresso Leggings by Cake Patterns

Day 5: Espresso Leggings by Cake Patterns

I was excited to learn about the Cake Patterns company when I started researching more indie designers, and I was intrigued by the unique way in which they have you put together the pattern pieces. There is a large page of numbered dots and symbols that represent different widths and lengths for your body, and you connect them all together to create an adjusted pattern for your specific size. I feel like this would be a great pattern for someone who was brand new to sewing, but for me it ended up being really confusing and frustrating, and at one point I just wished that it was less innovative and more familiar like other patterns I was used to- I would have been able to put it together much more quickly. The instructions were very different from any pattern I had made before, and not in a good way- they use a lot of symbols instead of words, so I had to keep going back and figuring out what each little drawing was supposed to mean. On top of that, this leggings pattern suggests that you use a 2-way stretch knit like ponte, but when I made them up in that fabric, they wouldn’t even stretch wide enough to go over my thighs (and yes, I cut the pattern out with the stretch going width-wise). Not sure if there was something off about the knit I chose or what, but it was a high quality fabric that I had used with great success before, so I was very disappointed that it didn’t work for this project. I eventually bought another knit with 4 way stretch (seen in the photo) and it worked fine.  I also bought one of their dress patterns to make for my sister-in-law for Christmas, but I was so confused by the bizarre, multi-step directions that I threw the entire thing (including the fabric!) in the trash halfway through construction. I would not buy one of their patterns again, but I have seen that a lot of people have had positive experience with their Cake Patterns, so maybe it’s just me.

Day 6: Tri-Cable Stitch Jumper by Susan Crawford

Day 6: Tri-Cable Stitch Jumper by Susan Crawford

This sweater pattern comes from Susan Crawford’s book A Stitch in Time Vol. 2 and is the kind of book that I would want to own and display even if I wasn’t an avid knitter. The photos and styling are remarkable and the patterns are beautiful, but the coolest thing about the book is that it includes a copy of the original vintage knitting pattern so you can compare the original styling and photos and instructions to the updated versions. I should have gone further down in my needle size for this pattern because it is just a little bit bigger than I would like, but all in all this came out beautifully and I love wearing it.

 

 

 

 

Day 7: Pencil Skirt in Stretch Knit from Gertie Sews Vintage Casual

Day 7: Pencil Skirt in Stretch Knit from Gertie Sews Vintage Casual

This Comfiest Pencil Skirt made of a stretch knit material comes from a pattern in one of Gertie’s books and has become a real winner in my closet. It gives that wonderful curvy silhouette without the usual confining quality that pencil skirts tend to have.  I ended up adding two darts to the back of my skirt to keep the excess fabric between my smallish waist and wide-ish hips from bunching up and it worked like a dream without taking away from the simple pattern of the skirt.

Day 8: Summer Dress pattern from Gertie Sews Vintage Casual

Day 8: Summer Dress pattern from Gertie Sews Vintage Casual

This is my Bitch You Guessed It Dress which you can read more about in this blog post.

Day 9: Ohhh Lulu Ginger Body Suit

Day 9: Ohhh Lulu Ginger Body Suit

OhhhLuluSews is a pattern company that operates from an etsy shop, and the designs are pretty, feminine and vintage inspired. The Ginger Body Suit doesn’t seem to be in the store anymore, but it is a one- piece pattern with a different adjustment marks to turn it into a two-piece and the option to use swimsuit lycra to turn it into a bathing suit, which I did here. Love the fit after I fiddled with the waist and bottoms for a while, and love the way the pieces are put together which gave me the freedom to make some unique design decisions.

Day 10: Vintage romper pattern

Day 10: Vintage romper pattern

This vintage romper comes from Simplicity Pattern 5503 which I bought a while ago on etsy. It’s kind of amazing- very comfortable and easy to make with an elasticized waist, although the front detail has never laid flat for me- not sure if that’s because of the material I used or what. The fabric was a gift from someone I used to date many years ago who went to Nigeria to visit family and brought me back this gorgeous African wax print. It accompanied me on moves to different apartments and different cities and eventually different states for over a decade til I was finally inspired to use it on this pattern. It was totally worth the wait.

Day 11: GInger Jeans pattern by Closet Case Files

Day 11: GInger Jeans pattern by Closet Case Files

These are my awesome and amazing skinny jeans from Closet Case Files’ Ginger Jeans Pattern. Can’t say enough good about the pattern (wasn’t prepared for my very first attempt at jeans to be so successful!). More details on the process here on my blog.

Day 12: Moneta dress by Colette Patterns

Day 12: Moneta dress by Colette Patterns

I am clearly a sucker for good design and good marketing, because no matter how many times I tell myself to stop buying Colette Patterns because the fit is always waaaay wrong for my body, I can’t seem to shake the habit. I thought that this Moneta dress and the Mabel skirt pattern (not shown) which I bought at the same time were gonna be big successes since they’re made for knit fabric, which is more forgiving in terms of fit issues. Not so. The skirt came out so poorly that I didn’t even make an attempt to try and re-draft it to work for myself, and the bodice of this dress was so awful that I had to re-cut it and make a lot of adjustments to make it smaller since it gaped like crazy at the armholes and was just generally gigantic (I already made the smallest size available). LOVE Colette designs and aesthetic, but I just have to learn to let them go.

 

Day 13: Ohhh Lulu Vintage style bra

Day 13: Ohhh Lulu Vintage style bra

Ohhh Lulu’s Lili Bra is a vintage bra pattern that uses wovens cut on the bias instead of stretch fabric, and it was a really fun make, as referenced here. It’s not the perfect bra pattern for me because it has this weird gapping effect in the nipple area (those puckers in the middle of the cups are filled with air, not actual boob) and I am sure I could adjust the pattern a bit to accommodate less space, but I haven’t yet. Still love this bra tho.

Day 14: Minimalist Cardigan

Day 14: Minimalist Cardigan

I call this my ‘Favorite Sweater’ Sweater because I wear it A LOT. It’s like my housecoat. Details for the Minimalist Cardigan are here and I am also in the middle of making one for Claire right now cause she has coveted it ever since I finished it in Vancouver. Moss stitch is so gorgeous, no matter how simple the pattern is.

Day 15: Nettie dress by Closet Case Files and Therapi sweater by Stefanie Japel

Day 15: Nettie dress by Closet Case Files and Therapi sweater by Stefanie Japel

Two makes in one! The sweater is Therapi by Stefani Japel and the dress is the Nettie pattern by Closet Case Files. The sweater took me 1,000 years to make, because, unlike the Minimalist cardigan, it actually is the size of a house robe, and it’s almost completely in Waffle Stitch, which isn’t very complicated, but it takes way more time than say, stockinette stitch. The dress is a body con dress that took me a little time to get right, only because knits are all so different and some have more stretch and others have less. This dress was at the beginning of my foray into learning more about knits, and this was the second version I made after the first one came out beautifully but encased my torso like a sausage because it was too tight due to the ponte fabric I chose. This black knit with the elephants adorning it is a 4 way stretch with a bit more give than ponte and came out so great… except the fabric started fading immediately after I pre-washed it.

 

Day 16: Pin-up Sweater from Gertie Sews Vintage Casual

Day 16: Pin-up Sweater from Gertie Sews Vintage Casual

Another Pin-up sweater by Gertie, in this really terrific crocheted stretch fabric that reminds me of everything awesome about Grandmas, cause up close the fabric looks like a huge doily.

Day 17: 40's Style Sleevelss Blouse and Pencil Skirt from Gertie's Book for Better Sewing and Gertie Sews Vintage Casual and Gertie

Day 17: 40’s Style Sleevelss Blouse and Pencil Skirt from Gertie’s Book for Better Sewing and Gertie Sews Vintage Casual and Gertie

Another two-fer: Pencil skirt by Gertie (from her first book Gertie’s Book For Better Sewing) and 40’s Style Blouse from her second book, Gertie Sews Vintage Casual. Used a stretch woven for the skirt which was an excellent choice- gives hold and shape without feeling like I can’t breathe. I made this skirt years ago so I don’t remember the details but I am pretty sure it was a straight make that didn’t require any adjustments, which kind of blew my mind- it was the first time I wore a pencil skirt that actually fit my body and didn’t pucker, gape and wrinkle all over the hips.

Day 18: Watson Long-line Bra by Cloth Habit

Day 18: Watson Long-line Bra by Cloth Habit

Cloth Habit’s long line Watson bra which I have given so much praise in this blog post.

Day 19: Harem Jumper (pattern by me)

Day 19: Harem Jumper (pattern by me)

I made this pattern which I based off of a Rachel Roy jumpsuit that I own and love to wear. The jumpsuit is made of a silky rayon material and is clearly meant for fancy occasions- I’ve worn it to a red carpet event and a couple of performances. I love the shape so much that I wanted to recreate it using a more wearable material. I bought some ponte knit fabric and, with some rough eyeballing and rougher measuring, I drew out a pattern for it and cut it out. It’s got a slightly different bodice than the original, and I added straps to this one to make sure it was more secure. My biggest obstacle was inserting the zipper onto a stretchy fabric, which I had never done before (with good reason). When closed, the zipper bunched and zigzagged, but I read online that using a stabilizer underneath the zipper tape would help, and it worked like a charm. I am dying to make this again in a 4 way stretch knit.

 

Day 20: Vintage High Waist Shorts

Day 20: Vintage High Waist Shorts

These shorts are the second pair I have made from  vintage shorts pattern Simplicity 7688. The first pair, which I am actually wearing as I type this, are made of a mint green linen and they are on the verge of falling apart because I didn’t know that I needed to finish the edges of this type of fabric  with either a serger or bias tape. As a result, the edges have frayed to the stitched seam lines in some places. I have tried repeatedly to save them with patches places on the inside of the shorts, bias tape to encase the raw edges, and double lines of stitching. They aren’t long for this world but I can’t bear to let them go because they are my favorite! This paisley pair is a close second, but the brushed cotton bags out a bit after wearing them too many times between washings.

Day 21: Vintage romper pattern

Day 21: Vintage romper pattern

This is a second version of the 80’s romper in the African Wax Print fabric, but I used a different type of material for this project and I hacked the strap and neckline-edging from a different pattern, so the end result looks (and feels) super different. I made a belt for this one, too, and the look just seems little more pulled together and fancy than the other one, which I wear more casually. You can’t tell, but the fabric is printed with flocks of birds all over it.

Day 22: Hannah dress by Schnittchen

Day 22: Hannah dress by Schnittchen

Hannah dress by Schnittchen, seen here!

Day 23: Vogue Vintage re-issue

Day 23: Vogue Vintage re-issue

Ohhh, how I absolutely LOVE wearing this dress! It’s stunning! Simplicity 1777, 1940’s Retro reprint, and truly unique in it’s bib detailing coupled with this amazing rayon challis I found on fabric.com. It’s one of my favorite pieces to dress up in.

Day 24: Vogue Maxi dress

Day 24: Vogue Maxi dress

Vogue 8827, as blogged about here.

Day 25: Vogue culottes jumper

Day 25: Vogue culottes jumper

I have been meaning to finish my post on this garment for so long-it’s  queued up and written and everything, just waiting to take some nice pics to accompany it. Anyways, I call it my JNCO’s Birthday Jumpsuit, but in actuality it’s a culottes romper, which required a fair amount of adjusting to make work for me. It’s made out of a double gauze by a company called Cotton & Steele, who has really gorgeous fabrics drawn by a team of super talented women artists, and I love love love this outfit and I need to make it again (and probably again). When I redrafted everything, I forgot to fix the pockets and make them longer to meet the new higher waistline, so they are SUPER short and everytime I put my hands in them I want to laugh and cry at the same time.

Day 26: Ginger Jeans (again) and Knit Sweetheart Top

Day 26: Ginger Jeans (again) and Knit Sweetheart Top

Ginger Jeans again! This time paired with a Knit Sweetheart Top by Gertie, adorned with a million mustaches. (This is a faux action shot, btw, which I feel like I must declare before I start getting comments from people warning me that I am using my power tools incorrectly).

Day 27: Carolyn Pajama bottoms by Closet Case Files

Day 27: Carolyn Pajama bottoms by Closet Case Files

Carolyn Pajamas (sans top) by Closet Case Files.  Easy make with lovely little details. I made mine out of rayon challis and after a few washings they started to look like worn bedsheets, in a GOOD way.

Day 28: Cap Sleeve Lattice Top by Purl Soho

Day 28: Cap Sleev Lattice Top by Purl Soho

This is the first sweater I ever knitted in California territory. Details here!

Day 29: Vogue dress

Day 29: Vogue dress

And this is the first dress that I ever made for myself after I learned how to sew in my Costume Design class in college. I have no idea what the pattern was (I think it might have been Vogue?), but it was such a success that it inspired me to keep going, even though I took a significant break from sewing after I moved to NYC. It fit great (still does) and was made out of a linen from JoAnn’s Fabrics which has held up surprisingly well over the past 14 years.

 

Day 30: Marianne Dress by Christine Haynes

Day 30: Marianne Dress by Christine Haynes

I hurried to finish this dress up in time to attend Autostraddle camp this year. It’s the Marianne Dress by Christine Haynes and it’s a very simple make made with knit fabric that includes a really cute sleeve detail on the cuff of the sleeve.

Day 31: fingerknitted necklace (no pattern, just fingerknitted!)

Day 31: fingerknitted necklace (no pattern, just fingerknitted!)

I MA(Y)DE IT! 31 Days!!!! Here I am wearing my vintage shorts pattern again from a previous day with the addition of my fingerknitted neck accoutrement! Fingerknittin’ Good is one of the craft classes I taught at camp and it was a big success! It’s easy to learn and easy to do if you have fairly good use of the fingers on your hands. It doesn’t require any materials or tools other than the yarn, and when you use a bulky skein, you can create something beautiful in a short amount of time. Fingerknitting doesn’t require a pattern or anything, just the actual activity of repeating the steps over and over again, and there are plenty of tutorials on the internet that can show you how to do it in no time. This ended up being a fantastic camp activity because even the campers who insisted they were absolutely terrible with their hands were able to create a gorgeous length of fingerknitted rope by the end of the hour.

 

And that’s it- my first memademay is complete! I have to admit that when it was all over I felt equal parts relieved and sad. Halfway through the month it had become exhausting to dress up in something memade every day, only because I don’t have a regular job to go to every morning. So unless I have an event or an audition or am meeting up with friends, I just putter around my craft room all day making stuff til Claire gets home from work, and hanging out in my craft room doesn’t require me to wear anything special. My wardrobe for most days (after I run or do yoga) is whatever is clean and at the top of my drawer, which usually ends up being a pair of shorts and a t shirt, or a breezy house dress if it’s hot outside, and I usually wear that for a few days in a row til it’s time to put it in the laundry bin. For much of May, I missed the ease of throwing on whatever clothes were laying around. But on June 1st, I realized I had become so accustomed to being thoughtful about what I was going to wear that I felt like something was missing. No more “Hey Claire- will you take my MeMade picture?” No more triple-sharing photos to instagram and tumblr and facebook. No more recalling little details about what I was doing and how I was feeling when I made the garment. Of course I will still share my new makes when they are finished, but the exciting part of committing myself to a month-long project will be absent…til next year at least. Thanks to everyone who offered encouraging words of support during the month, and thanks to all the other bloggers and sewers who participated by sharing their own makes. Y’all are so inspiring and I look forward to every single new project you create!

#MeMadeMay Pledge- Day 1

Day1_pattern#MeMadeMay is a pledge by sewing/crocheting/knitting enthusiasts to wear something handmade for each day of the month of May. I have never participated in this event before, maybe because I wasn’t sure if I had enough handmade items to don, or maybe because I wasn’t sure if my makes were worthy enough. But I have since poo-poo’ed  my past doubts and decided to take the plunge and join the hashtag. If nothing else, it will remind me to get better use out of some of the things I have made that I rarely wear, and remind me of the makes I have enjoyed so much that I want to make them again. I am going to try and blog for each outfit, but I may have to combine a few posts into one when I am not around my computer to do a one-a-day.

Day1_view2 Here is one of my favorite-est simple garments I have ever made- I like that it was super quick to sew up, but it doesn’t give that frumpy silhouette that a lot of “easy-to-make” garments tend to offer. It’s made of a lightweight knit material and it has an elasticized waist, so you just pull it up or down to get it and out of it. The con to this is having to be all the way naked when you sit down to use the bathroom; the pro is that it’s loose and non-fussy, since you don’t have a zipper.What I don’t like about this jumper is the bias tape used to make the neckline and the straps. When I make this again (and I plan on doing it sooner than later cause it’s the most perfect for this hot weather we are about to be bombarded with), I will nix the bias tape and just cut the bodice pattern with extra seam allowance so that I can turn the edges under and make straps from the self fabric. The bias tape tends to pucker a bit and hang down under the arms, and it’s just not as sophisticated looking as this jumper has the potential to be. That said, this garment is so easy to wear- it works for hanging out around the house or wearing as a beach cover-up or dressing up a little with sandals.

Maxi to Midi

photo 1After the success of the maxi I made from McCalls 7121 (as blogged about in this post), I knew I needed to make this again in a print that was a little more summery and more casual looking, and with a few alterations that would make this a perfect summer dress. WHOA DOGGIE, this make did NOT disappoint! I made this dress, start to finish, in 3 hours and 15 minutes last Sunday afternoon. I feel like I have been unwittingly training for a speed sewing competition (where I am the only competitor), getting faster and faster at simple projects. I love it because, unlike when I am intentionally trying to sew something up quickly, I am not rushing and making silly mistakes. Instead, I am getting more proficient at tasks through lots of practice, and therefore completing things more quickly. THIS IS AN AWESOME THING TO ME.

photo 4

Anyways, here are the changes I made from the first version of this make:

  • altered the bodice pattern to trim the extra room off the original fit
  • gave it a curved neckline instead of angled
  • cut the front bodice on the fold instead of in two separate pieces
  • made a lining out of the same material so that I could wear the dress without a bra (the double material in the bodice gives it a bit more support and a lot more opaque-ness)
  • cut the skirt pieces with more flare and a few more inches of width at the bottom of the skirt, and I also cut it out for midi-length. I NEVER wear midi-length skirts or dresses cause I have always been convinced that they were unflattering on my short frame, so I am trying to get over it. And so far I am loving the length!
  • lastly, I made a little tie-belt to go with this dress like I did for the last one, cause I just love belts that are made out of the garment material.photo 2

I saw the fabric on girlcharlee.com and was immediately in love- I love the mint green in it (it’s my favorite color to wear) and I love the summery flowers and that it has a kind of faded, gray look to it. But mostly I love the drape of the fabric- it’s lightweight and perfect for hot summers, and it doesn’t feel too heavy or full at the midi-length. I am already imagining whipping this dress up again in another summery knit fabric, because, like the Schnittchen Hannah, I am nervous I am going to wear it out before long. But isn’t that the sign of a great garment, one that you wear so much it comes apart at the seams and you keep fixing it over and over again to keep it wearable? If even HALF of my makes get this kind of wear, I will be way ahead of the curve.

(Please forgive the dark photos- I took pics with my phone instead of making Claire put on her photographer pants!)

To Pimp A Butterfly in Knit Crepe

To Pimp A Butterfly

Kendrick’s new album came out in the middle of me making a dress and was on repeat long enough to finish that project and complete an entirely new dress. The album is called, as you can probably gather, To Pimp A Butterfly. If I am being honest, I wanted to call the first dress my “This. Dick. Ain’t. Free!” Muumuu and my second one the “Every N*gga Is A Star” Maxi, but I was afraid it would alienate my already barely existent readership, so I made what feels like a pretty decent compromise.

 

 

The Hannah Pattern

The first dress, here on out referred to as the muumuu, is from a German indie designer company called Schnittchen. When the pattern arrived, I opened it up to find a large sheet of pattern pieces and one page of instructions written only in German. FYI I don’t read or speak German. After tooling around on their site, I found that they provide an online version of their instructions written in English, which was great. And they were fine until it was time to construct the sleeves. The dress pattern and design are very simple and could probably be put together without step-by-step instructions, but the sleeve construction is unique (very pretty, but not as straight forward as set-in sleeves), and without thorough details or pictures to go off of (no line drawings or photos accompany the instructions), I was stumped for about 10 minutes trying to figure it out. There was a sew-along posted for this dress (which is called Hannah, by the way), but it was all in German, too. Fortunately there were pictures included, so I just stared at them until it started to make sense to me.

three piece sleeve construction

three piece sleeve construction

It took, like, 15 additional minutes. But it was cool cause Kendrick was in the background. The most confusing part of the sleeve is that there are two pattern pieces for the same thing (piece number 5, referred to as the “ruffle”). One pattern piece says “uncreased” and the other doesn’t; both pieces are of very similar (though not exact) shapes, but printed out on the paper in opposite directions. I still can’t figure out which one I was supposed to use or in what important way they were different from one another, so I just kind of eenie-meenie-miny-moed it, chose one, put the sleeve’s three pieces together and figured out how they should be attached to the dress. Pretty sure I did it the right way cause they ended up looking great, and all the edges and notches met and hit at the right places. But I definitely think they should have included a clearer set of instructions for the sleeves, or at least included some visual explanation for how the pieces should go together in the instructions.

Claire and I took a trip to the Huntington gardens today (it was my first time and her third) and it was so beautiful! I was hoping we could see some of Octavia Butler’s papers on display at the library, but they only bring them out of the archives when they are part of an exhibit, so instead we just wandered the grounds and took pics in the succulent garden (which is phenomenal, btw).

WE EAT WHAT WE LIKE!

WE EAT WHAT WE LIKE!

This fabric is a soft, medium weight cotton with different designs woven and stitched onto it- it is described as a native/ethnic cloth at Michael Levine’s, and I recognize the motif as such, but I am curious if there is an actual name for this type of fabric, and if so, what it is (pardon my ignorance!) Anyways, this dress, because it is so free flowing and not-constricting at all, is a really nice design for LA spring, or as I like to call it, “Summer Part 1” (Summer Part 2 starts in May). Its the kind of dress that can be dressed up or down cause it looks good with flats as well as casual heels- in these pics I am wearing my braided leather clogs- not good for walking around the gardens for any length of time, but perfect for a photoshoot.

so casz

so casz

 

I shortened the length of this dress considerably because there is so much material in the muumuu and I was afraid that making it knee length would look too overwhelming on my frame. This dress has no zipper and slips on over your head, so the neck hole is fairly wide to accommodate a noggin. Because of this, the neck sits a little wider on the collarbone/neck than I am used to, but I can live with it (and adjust it just a bit if I ever make this again, which I think I will). In general I am happy with this make, and I am thinking of making it in a nice chambray so that I don’t wear this one out too much- it’s the perfect house-dress-cum-grocery-store-run-cum-let’s-go-to-the-mall-for-fun garment and it’s gotten plenty of use so far.

red_back_2

knit crepe from McCall's 7212

knit crepe from McCall’s 7212

The second dress I made has been a bit of a revelation. It is McCalls pattern 7121 and not something I would normally buy. I tend to avoid most big company patterns because I think the sizing and fit is usually off on me, plus I like the idea of supporting indie pattern designers. But last week I actually took the time to sit down and look through the books at JoAnn’s with Claire while we searched for an outfit to make her for a wedding we are going to next month, and I was surprised to find myself bookmarking tons of patterns that I wanted to add to my collection. This maxi dress pattern caught my eye because it is designed for knits, and thanks to The Colette Guide To Sewing Knits book which came out last year, sewing with this fabric type is pretty much my new favorite thing. Knit garments just sew up SO quickly, and they are so versatile and wearable for year-round sunny LA weather. Also, after discovering the girlcharlee website, I have been inspired by a seemingly endless array of beautiful knit fabric for purchase. The fabric that I made this maxi out of was not purchased at girlcharlee, though- it’s a deep steel colored knit crepe that I bought online at fabric.com for another pattern I had planned to make (and opted out of). This fabric is kind of unreal. Against your skin it feels really fancy and chic, but it doesn’t appear to be precious at all- I pre-washed it in my machine and dried it in the dryer, and it came out feeling exactly the same without any pilling or dullness. One side is smooth and matte while the other side has the identifying crepe texture with a bit of shine while still feeling very soft and silky. This dress was meant to be nice and casual, but after I sewed it up in this fabric, it felt really decadent and much more fancy than I was anticipating- I would absolutely make this dress out of this fabric again and make it long enough to wear with heels- it could translate to evening-wear like a dream. The way it moves around your body when you walk is fantastic- it holds its shape without looking stiff, and sewing it was lovely- very easy to work with, it didn’t stretch out at the hems while I sewed double lines of stitching, and it has great recovery.grey_frontal_4
I like the design of this pattern, but the fabric is the real MVP here. After sewing it up, I learned that the bodice is drafted with no negative ease whatsoever, so it just kind of sat on top of me, puckering in weird places as opposed to hugging my curves the way that most knit fabric patterns are designed to do. It was an easy fix, though- I just re-serged my front seam about 2 inches in, and when I tried it on again, it was perfect- it looked like it was painted on without looking too tight or like I was busting out of it. I split the 2 inch difference on my front and back pattern pieces so that the decrease was shared between the two when I made this again, but for this dress, I didn’t think the difference was that big of a deal. I love the racer-back style of this bodice a lot, cause it works so well with my tattoos and is just a flattering look in general. grey_side_2I already have the fabric to make this again, and I am going to use the altered bodice pieces but cut out a short circle skirt for the bottom instead. I might decrease the allowances on the skirt pieces so that they match up perfectly with the new bodice pieces, but as it is, the skirt fits perfectly- not too tight, barely skimming across my hips and butt. The bodice and skirt are sewn together to create a channel for a narrow strip of elastic to be inserted, and that gives the dress just enough stretch at the waist to pull on over your torso but not so much that the waist looks gathered and has a lot of excess material. It’s one of my favorite things about this dress- the silhouette is so sleek and makes me look (relatively) long and tall. I sewed a very simple, quick belt to go with this dress out of the same material cause I don’t like the slight gathers at the waist on it’s own and I didn’t have a belt that went well with this look. I like it the fabric belt- I think it makes it look a bit more casual. I’ll try to share the replica I make of this dress in the new (much more playful) fabric I got from girlcharlee…til then, here are a couple of my favorite pictures that Claire took at the gardens…!

moss_bonsai

The above picture is from the bonsai exhibit that was on display, and the trees were breathtakingly beautiful, but it was this unexpected glimpse at the tiniest of sprouts growing up from the moss that I loved the most.

 

cypress_bonsai

BONSAAAAAAAAIIIIIIIIIIII!!!!!!!!

 

pink_flower_cacti

And this one is awesome just because it shows that nature knows how to throw in a pop of color in the most perfect amount. Style inspiration in the purest form!

The “Bitch You Guessed It” Dress + Getting Read

As someone who is rarely if ever caught up on pop culture and media hype, Crissle and Kid Fury’s podcast The Read has allowed me to become someone who might be able to possibly participate in water cooler conversation at the office…if I had a regular job, of course. I am often painfully unaware of what the general American public is doing and talking about at any given time, and this wouldn’t be so embarrassing if my career wasn’t in entertainment. I don’t watch many shows, I am averse to reality television unless it’s airing on HGTV/hosted by Tim Gunn, I never listen to the radio on purpose, and the only movies I usually pay to see in theatres are independent films with limited runs. For a professional entertainer, I can be pretty clueless about what is happening in my field. So initially, listening to The Read felt like due diligence.

Crissles and Kid Fury are two friends who discuss all things pop culture related- the good, the bad, and a LOT of the ugly- with the perspective of being people of color, queer, socially aware, and feminist. There is no dearth of humor in their hour+ long episodes, which is why I imagine they have garnered such a massive following so quickly, but for me, the most enchanting thing about Crissles and Fury is that they have created a podcast that is LISTENABLE. Normally I HATE this genre of podcast. I can listen to stories being told and I can listen to information being given. I can listen to news coverage and music discussions and readings of fictional work. But listening to people just talk to each other for an hour? It makes my skin crawl. There is something so uncomfortable to me about listening to people with big personalities talk all over each other and tell jokes that fall flat and conduct asinine interviews and attempt to be hilarious for an audience that isn’t responding to them in real time (see: almost every comedy podcast in existence). It’s nails on a chalkboard for me. So I listened to my first The Read podcast with considerable trepidation. You can imagine my surprise when I discovered that not only do Crissles and Fury have an easy and honest repoire with each other that doesn’t feel rehearsed or too polished, but that their coverage of hot topics is often tied in with their views on social justice and observations of the harmful effects of the patriarchy and capitalism. They are progressive, outspoken and silly, but also capable of recognizing their complicated relationship with pop culture; they allow themselves permission to ridicule the machine of the entertainment industry while acknowledging that they care enough about it to devote a couple hours discussing it each week. What’s more, Fury and Crissles don’t claim to have it all figured out, and they seem to be in the process of learning just like the rest of us. I can recall an episode where the term “spirit animal” was mentioned for some reason or another, and Kid Fury somberly responded “I don’t think we’re supposed to say that anymore…”, which made me more than a little overjoyed- he wasn’t admonishing or judgmental, rather, he was trying to be sensitive and mindful of an experience outside of his own. I personally didn’t understand how harmful the term “spirit animal” was til I read a post about it on tumblr a couple years ago, and I like to imagine that same post coming across Fury’s dash and enlightening both of us in the same way. Crissles and Kid Fury are an example of our generation’s ability to maintain humility while still being unapologetic of ourselves and our histories. They demonstrate brazenness and their show is provocative, but they also give their listeners examples of how to be flexible and open to new ideas. They they talk about loving themselves, they make us laugh out loud, and they also offer sharp commentary on the injustices of the world without mincing words or trying to appeal to any specific demographic. Together, Kid Fury and Crissles are a force to be reckoned with.

Listening to The Read is one of my favorite things to do while sewing, and when I first learned of the podcast, I had tons of episodes to catch up on, so there were projects I started and completed that seemed energetically tied to certain The Read episodes and themes (like my “Caught Up In My Light-Skinned Feelings Carry-On” bag). If you are already a fan of the show, you will understand the significance of “Bitch You Guessed It!”, and me and Claire laughed so hard at Fury screaming this lyric as the new title for one of the segments of The Read that it was impossible to not to use it as the name for the dress I was working on at the time. This garment is Frankensteined together from two different dresses in Gertie’s Vintage Casual book, resulting in the Summer Dress With Flared Skirt pattern (seen below, an image from Gertie’s book).

Summer Dress With Flared Skirt pattern by Gretchen Hirsch

In the past I have had limited success at pattern hacking, so I was nervous about how this would turn out. I was so in love with the gorgeous fabric I got from The Fabric Store that I didn’t want to screw it up (as I have with so many other beautiful yards of fabric), but I also didn’t want to spend the time making a muslin of this dress BECAUSE I AM VERY VERY LAZY. Fortunately for me this dress came out about as perfect as I could have hoped for.

the "Bitch You Guessed It" summer dress

the “Bitch You Guessed It” summer dress

I prefer full circle skirts on my frame more than the flared skirt called for with this pattern- I think they look better with my waist to hip ratio- but I didn’t have enough fabric to do a full circle skirt (fyi I bought this fabric before I resolved to only purchase material that I had specific plans for, so I had no project in mind when I chose it and therefore only bought a couple yards). But even with the flared skirt, I am pleased with how it falls on my frame, and I think the shape of the skirt works well with the fitted bodice. I didn’t make a conscious decision with how the pattern pieces would get cut from the fabric, so the fabric design that falls across the front at the waist seam was an entirely happy accident. With a little tweaking and adjusting, this was a simple and fairly quick make, and it was perfect for this fabric, which seems to be a cotton linen with a wax print inspired design- very breathable and with a little bit of give.

blowout_crop_back_look2

Thanks to Claire for taking these awesome photos (trying to get better at planning nice, intentional photoshoots instead of snapshots of me in a mirror from instagram). On the way down our uneven concrete stairs in our backyard to take these photos, I scraped a sizable sliver of skin off my foot, so the pained, pitiful faces in all of these photos can be attributed to my clumsiness.

I love that you can see my blood in this photo!

I love that you can see my blood in this photo!

Here's an outtake that I couldn't bear to leave out of the post; Rosie the pit bull threatening to upstage me as soon as I turn my back...

Here’s an outtake that I couldn’t bear to leave out of the post; Rosie the pit bull threatening to upstage me as soon as I turn my back…

 

More, more, more

A few days after this last new year I came up with some goals with which I wanted to challenge myself. I am not a big proponent of inventing New Year’s Resolutions just for the hell of it, but after a busy holiday season spent creating elaborate homemade gifts for every single person on our Christmas list, I was left feeling overwhelmed and depleted when the new year rolled around. I had to ask myself why I had done so much. Why was I investing so much of my time and effort when no one expected that much of me? I had come up with a simple, manageable idea for homemade presents, but at some point I kept adding more, more, more to the packages til plastic tubs and tins and cardboard boxes covered the floor of our office and required an assembly line to get everything ready to mail out.

I recognized that this “more more more” mentality had seeped into my life in other ways, too, and I wasn’t proud of it, so I decided to challenge myself to stop spending money on what I referred to as “non-essential items” in an attempt to dissect this weird shopping habit I had acquired over the past several years. My wife joined me in the challenge, and for the month of January, we limited our spending only to necessary items like food, toiletries, bills and gas. I was interested to see how much I actually needed in my life, and interested to see when the urge would hit me to start my daily perusal of searching on amazon prime for…any and everything. I had a feeling that my spending, though unconscious, was probably an attempt to occupy my time and brain space; it was filler. It was buying into the notion that things could make me happy and satisfy me, even though that “satisfaction” was temporary and not very fulfilling. January’s goal was achieved successfully, so we set another, more long term goal: to give our personal spending a budget that would allow us the space to purchase the things we wanted, while also giving us the opportunity to be more mindful of how and why we spent.

And it was at this point that I realized how big a presence fabric was in my life.
FAAAAAABRIIIIC!
It’s weird- in all my years of knitting, I have never been a yarn hoarder. I only go to yarn stores when I have a specific project in mind to make. I don’t fall in love with a skein of yarn and then buy it to keep in my stash just to have it, and I never buy several skeins of yarn in the hopes that it will be perfect for some future project I have yet to choose. If I don’t know exactly how many skeins I am gonna be needing for a project, then I wont spend my money on it. In fact, my yarn stash is only comprised of leftovers from projects I have already completed, or single skeins I have gotten as gifts (which I have never used because there aren’t any one-skein projects I am interested in knitting up). I would have expected this yarn-purchasing mentality to carry over into my sewing with fabric, but somehow it didn’t. And I blame it all on sewing blogs!
Okay, not really, but I think that in my excitement to become a part of the online sewing community, I started taking on some of the habits that everyone would write about in their blogs; visiting their favorite fabric stores a few times a month to see what new items had been stocked, falling in love with a beautiful fabric and buying a few yards of it just in case they found the perfect project for it later on, purchasing the last few yards of a textile that they new they would never come across again, even though they had no idea what they would use it for. There is something so romantic about this relationship between sewers and fabric, and reading about it in blogger’s posts, it seemed like a love affair. People would be drawn to a particular textile, and whether or not they knew if the fabric was going to work out, they would succumb to it anyways, in the hopes that love would prevail and they would create something beautiful. In all honesty I think the majority of these bloggers do find love with the fabric they store in their stash, keeping a mental count of all the fabric they have purchased and cross referencing it with every new (or old) pattern they come across. For many, this is a very efficient way to sew. But I don’t think it works for me. I followed the lead of all these amazing sewing bloggers and found myself waist-deep in so much fabric that I didn’t know which way was up. I would go to my favorite local fabric store frequently, sometimes twice in one week if they announced a last minute sale, and I would buy a couple of yards of everything that caught my eye, with only a hazy strategy of how I would use the fabric. Maybe this might make a cute blouse for that perfect pattern I have yet to find? Or, this would be great for that dream skirt I want to learn to drape! And my favorite, surely two yards of this will be enough for something beautiful, which it almost never is. My intentions are good, and occasionally I have created a successful garment with a fabric that I bought on a whim, but generally my sewing projects come out best when I know exactly what I am shopping for and I have a pattern in my hand of precisely the thing I want to make. I wish I was more flexible like the bloggers I admire so much who make gorgeous garments with fabric they bought five years ago and patterns they stumbled across at flea markets. But I can’t make myself into the kind of seamster I want to be, I can only embrace the kind of seamster I actually am, which is the kind who is tired of being wasteful on merchandise that meets only some of her criteria.

  • JASIKA’S FABRIC CRITERIA:
  1. The fabric must be beautiful.
  2. The fabric must feel good/comfortable to the touch.
  3. I must know how to sew with the material.
  4. I must know what I am going to sew with the material.
  5. The material must be at a price point worthy of the finished garment.

Which brings me to my other goal for 2015: no purchasing of any fabric that doesn’t meet all 5 points of criteria! I have discarded too many beautiful yards of fabric by not adhering to these 5 rules, and although one can’t expand their knowledge in sewing without pushing themselves out of their comfort zone, I still think I can find a balance in the middle, somewhere between more, more, more fabric and the  strict scrutinization of every last detail of my sewing process. And to get me prepped for this goal, my current challenge to myself is to not buy any more fabric until all the fabric I have purchased in the past several months is utilized, ensuring that I forge all the way through my sewing queue. When I pulled out all the yards of fabric I had accumulated over the past many months, I was surprisingly enthusiastic about the task. I hadn’t put all that fabric on the back burner because I wasn’t excited to make things with it- I had put it on the back burner because I kept buying new fabric that made me forget about the stuff I had already bought. And I am happy to report that in the short time I have dedicated myself to this challenge, I have gotten SO MUCH ACCOMPLISHED!

creamarcherI finished an Archer shirt for Claire that was meant to be a Christmas present last year.

clairepinuppinupsweaters

 

 

 

 

 

 

 

I fixed the too-tight sleeves and bottom hems on a Pin-up sweater that I also made her for Christmas, and I sewed two more knit Pin-up Sweaters that were in my queue, one for Claire and one for myself, although her wool sweater (the one in the middle in the right side picture, made of 100% New Zealand wool) accidentally got washed with the rest of the laundry over the weekend and has now morphed into a very wide and unwearable crop top 🙁

fullgolddress cropgolddress

I transformed a problematic, frustrating dress I made that weirdly came out too short into a blouse that I will probably never wear…but at least I can make an attempt at it! I also let out the zipper in a pink wool crepe skirt I made that was a teensy bit too tight (not pictured).

polkadots4I (correctly) made another pair of cigarette pants after I accidentally cut my Jaquard Print fabric on the wrong grain and couldn’t pull them up over my booty cause the stretch was length-wise instead of width-wise.

 

valerievonsobel2

I sewed a snap into a long silk dress I made last year so that I could wear it for the first time to an art exhibit. It’s not really my normal style preference- I think it’s a little too full and overwhelming for my frame, which tends to get dwarfed by long dresses that aren’t fitted, but it’s nice to step outside your comfort zone sometimes and shake it up a bit. The fabric is breezy and lightweight, and kind of perfect for beach weather.

pajamapants

I can’t believe I bothered to take a picture of these old rinky dink pajama pants.

I fixed the elastic waist band in a pair of pajama pants I made for Claire.

waxprinthackAnd I made a successful pattern hack of Gertie’s (flared skirt + fitted bodice) out of a gorgeous wax-print-inspired cotton I found at The Fabric Store (one of my only successful impulsive fabric purchases in recent memory). And I have completed these projects all in the last two weeks! And I guess this is the real goal of my attempt to buy less fabric and add less stuff to my queue; without so much piled up fabric to work with, I am forced to deal with the stuff I already have- the piles of projects that were mostly complete but still needed a little altering. The fabric that I loved but hadn’t taken the time to work out what I could actually make with it. The pieces that needed re-working to be wearable. The garments that sat on hangers in my craft room feeling unloved and uncared for til I spent the 30 minutes necessary to bring them to life again. Without taking time out from buying more stuff, who knows when I would have sat down to tie up all these loose ends. And that’s the crux of it, I guess- by buying less, I bought myself time to add more to my wardrobe (and Claire’s, too).

fabricpile1
And with the remainder of my pile of unused fabric, I have selected patterns/plans  for everything else in my project queue, as seen above. Not pictured is the stretch denim I have on deck to make another pair of Ginger Jeans, but I can’t make those til I replace my broken heavy-duty sewing machine, and in the spirit of no more more more, more, I am making myself wait til my birthday in April for that purchase.

The only fault I have in my stash is a pile of fabrics I bought online that I intended to make yoga pants out of, but the material ended up being more suitable for swimsuits.

swimsuitpile

 

I have a swimsuit pattern to use for this fabric, but making swimwear is not really a priority right now since it’s February. Once I get through the pile above, I might consider that to be the end of my queue and will be able to start buying more, more, more fabric again. As thrilled as I am to be whittling away at my current line-up of projects, I have to admit that I cannot WAIT to start planning for new stuff with new fabric again…adhering to my budget and criteria of course 😉

 

New year, new rack.

COAT rack, that is! (ba dum ching)

When we first moved to LA, my wife and I rented a really cute house across from a beautiful, hilly cemetery and started to try and build up our pitiful collection of furniture. We had lived in furnished spaces for our previous four years in Vancouver, and everything we had kept in storage in NYC was cheap and ugly and falling apart. It was the need for a nice, big, solid dining room table and my disgust at how expensive furniture can be that inspired me to try and learn how to build it in the first place. Anyways, as you can imagine, in our first few weeks in Los Angeles making our new home, there were tons of trips to Home Depot, and just as many to the Rose Bowl flea and Ikea and World Market and Target and vintage home goods stores, where we could fill in all the holes of what we needed but could not make for ourselves. Our unfurnished rental had a large living room with a fireplace and a tall, arched ceiling, but no foyer or entryway space, so on a whim, I purchased a ridiculously (and unsurprisingly) overpriced iron coat rack from World Market. expensive ass coat rack

Full disclosure, I love/hate World Market. Their aesthetic is awesome, but their quality is shitty. Sometimes I just go in there for a little inspiration and a root beer, but I complain the whole time about how we shouldn’t buy anything cause it’s just gonna break unexpectedly.
So anyways, a few months after moving to LA, we bought a house and had to move again, with all the furniture we had made work for our rental space. Most everything translated well in our new home, including the the cute antiqued coat rack, which has provided an excellent space for us to put all our leaving-the-house shit for the past couple of years. However, this year when we got our Christmas tree, we had to move the coat rack out of the way and into the office to make room for it. And holy shit, what a difference the absence of a coat rack made! Our house is bigger in square feet than our old rental, but the living room/dining room is much smaller, and the ceilings are normal height. It was only through living a few weeks without the coat rack that we realized how awkward it had been in the room and how much space it took up.

photo 1The above photo doesn’t really do it justice, so you will just have to take my word for it- it crowded the area and ruined sight lines to the big window we have in front. So we got rid of the thing, kept it in the office for the holidays, where it continued to be in the way and take up too much space, but was less obvious. I needed a solution, something to house our bags and scarves and jackets, but something that didn’t involve having to use that bulky (expensive) coat rack. You see behind the rack to the wall next to the chalkboard? All the empty space on the left side? I hated that about as much as our huge rack (!). It was only apparent when you closed the door, but that space was usable and felt weirdly empty with nothing there. So, problem solved: get rid of the coat rack in the house and make a wooden something-or-other to hang on the wall in that empty space.

The next part was pretty easy; assembling some hooks and proper screws and finding a nice old piece of wood to reuse (this was from a shelf that had mostly fallen apart in the backyard when it flooded/ rained for the first time in a year). photo 2Claire sanded the board down but kept most of it as is cause the color and distress in it looked nice, and I screwed in some hooks on the front, and a few smaller ones on the bottom side of the board). photo 3

Positioned her on the wall, screwed her into the stud (!!)) and voila! Bye, bye, iron coat rack. The hooks used don’t all match each other, cause I couldn’t find four of the same ones, but I kind of like the mishmash look of them all together- plus, you can’t really see the hooks when they are covered in chilly weather accoutrement.

Final look: photo 5

Cleaner, opens the space and makes it much brighter, and provides a better spot for our armchair (not seen in the pic) which used to be shoved up next to the coat rack. The room looks so much bigger and less cramped, and I love being reminded of how important it is to rearrange furniture every once in while. Sometimes it just takes new eyes to recognize old problems. And speaking of old problems, I have a bulky expensive coat rack to give away if anyone wants it.

Popover Poncho

Being a better blogger (BBB) has been on my list of priorities for months now, and it’s probably not a coincidence that I am trying to do it right after the new year. I’m not that big into resolutions (or maybe I am? but I just think of them as goals? and I do them throughout the year?). But I do know that I appreciate the energy and motivation that a new year brings- my favorite part about the holidays is taking all the decorations down and cleaning up and having a clean slate. I’m the (relatively annoying) kind of person who refuses to start a new project til the last one is cleaned up and everything is neatly put away- I don’t like starting new ideas with old mess in the way. Anyways,  I can’t complain about my 2014, but there is *always* room for improvement, right? So I am jumping on the LET’S DO THINGS BETTER IN 2015 bandwagon and hoping that I get better pictures of my projects so that I can post them here and talk about them and…you know…do whatever else one is supposed to do on their blog.

So here goes.

Today, Claire and myself, accompanied by my in-laws, finally made it to the Arboretum. I figured it would be the perfect opportunity to wear the Popover Poncho by April Rhodes that I made over Christmas break, so I layered it over my Snowbunny Sweater (which you can’t see) for extra warmth, due to the recent *cold snap* that we got here in Los Angeles a few days ago (east coasters, hush that laughing).

poncho pullover_yellowleaves

This is the first pattern I have made from this indie brand, and it was really great- straightforward directions, and a quick sew. The photos with the instructions sometimes didn’t translate well to the written directions, but it wasn’t hard to figure out. It would be a little tricky for a super beginning sewer, but certainly not impossible. The only unfortunate thing (for me) is that the pattern is only available as an at-home print-out, as opposed to having files for at-home printing AND print-shop printing. I hate printing patterns out at home. I always re-use paper from the backs of old scripts/sides to print the patterns on, and my printer is great and efficient, but inevitably there is always some sort of mismatching with lining up all the lines from the patterns and I end up having to fudge the edges to ensure a smooth fit, either clipping off or adding to the pattern allowance (and before you ask, no it’s not my printer or the fact that I re-use paper- this mismatch has happened on every printer I have used, regardless of whether I use brand new or old paper). Printing patterns out at a shop costs more money, but it saves times and ensures that the pattern is perfectly adjusted, and it doesn’t waste any of my precious (and expensive) printer ink. Anyways, at-home vs printer shop is a personal preference, but I like when both options are available (thank you Heather @ closetcasefiles for showing me the light)!

I made this cape out of a medium to heavy weight herringbone wool and lined it with a soft grey knit from my favorite fabric store in Los Angeles called- what else? The Fabric Store! They have the tidiest, most perfectly curated fabric shop I have ever been to, and their selection hits all price points, but the quality of even their lowest priced fabric is excellent. I am so thrilled to have discovered this gem of a store since I refuse to shop at Mood and Michael Levine’s, though a great source, can be a little overwhelming and time consuming. photo 5

So, since this is the first time I have tried to purposefully blog about a handmade garment, as opposed to just posting a picture of it on instagram accompanied by a few emojis and linking it to tumblr (the plural of emoji is emoji, right? Like fish? Anyone know? Or care? Besides me?), I realize that my blogging skills are WAY lacking in the photo department. I should have gotten pictures from different angles and sides instead of posing for the same series of head-on shots in different locations. SORRY, I’M NEW AT THIS. STOP YELLING! I kind of hate taking picture in public spaces. I feel so embarrassed, cause it makes me feel vain, which is silly, because I don’t think there is much wrong with being vain when you can still acknowledge and appreciate the beauty in others, but we live in a culture that doesn’t have a lot of experience allowing women to relish in beauty that isn’t meant explicitly for the male gaze, and also, documenting oneself in photo form has a bad rap which is a shame, and also, WHO CARES what anyone else at the Arboretum has to say about me posing with my cape?? (queue Big Sean’s “I Don’t Fuck With You”, my official 2015 anthem).

Okay, so, I guess that’s it! First DIY blog post of the year? DONE! And I have so many on the back burner just WAITING to be photo documented so I can bore anyone who stumbles across this site with details about my adventures in DIY-ness. I am so excited! Let’s see how long this blogging enthusiasm lasts! Anyone care to place a wager?