I’m sure many of you are familiar with the #sewfrosting hashtag that recently started trending on sewcial media. The #sewfrosting challenge is the brainchild of the creators behind True Bias and Closet Case Patterns. It is a call to arms for sewists across the globe to take a little break from sewing cake- cake being the sturdy workhorse portion of our garment sewing, like t-shirts and jeans and button downs- and spend a bit more time sewing frosting, the fancy, frilly, sweet, delightful garments that we perhaps have less opportunities to wear, like cocktail dresses, shiny pants, floral suits, etc. Although I wasn’t calling it by this name, I have been a big proponent of sewing frosting for a few years now. I always used the hashtag #redcarpetDIY because these were the garments I would have a chance to wear when going to work events and promoting tv/film projects, but I might need to go through all my old blog posts and add #sewfrosting to the hashtags now since it is so succinct. I like that the term “sewfrosting” represents something both specific and broad at the same time, encompassing so many in the community- sewing frosting will look very different to different people, depending on their style, gender identity, culture, habits, ability and even geographical location, but this hashtag allows us to celebrate it all together. Whether your frosting is a gown to wear to an awards ceremony, a fancy pair of pants for church, or a simple shawl made of beautiful lace, it feels like there is room for us all in there to celebrate the idea of challenging ourselves, with fabric, design, and trends. Kelli and Heather Lou turned the #sewfrosting hashtag, which has apparently been around for a while, into a bit of a contest with some prizes and deals to compete for if you create your garment before the end of November, but let’s be honest- the real prize here is adding something exciting, new and unique to your wardrobe!
My original idea of frosting was inspired (of course!) by this dress I found on Pinterest. I love love love the plunging neckline and armholes that manage to bare some skin but not look too revealing, and although my drafting skills are amatuer at best, I thought I could manage to recreate this look without too much trouble. Unfortunately I was wrong- I got all of the style lines right when I draped this on my dress form, but I couldn’t figure out how to get the sides of the bodice to not gape out around my bust. Initially I thought that perhaps my bust was fuller than the model’s in the photo and therefore this was not the perfect bodice for me, but then I realized that I might have been approaching the shape all wrong- maybe it wasn’t created from darts as I assumed, but created from panels, kind of like a strapless bodice. So I pulled out my trusty TnT strapless dress bodice from Gertie’s Ultimate Book of Dresses and I started the process of hacking the pieces to match the shape of the Pinterest inspo dress…but then I got impatient. I decided I wanted to spend more time on something that I knew was going to come out successfully rather than something that was going to require a lot of experimenting and testing to get right. And this made even more sense because I wanted my submission to get in before the deadline and I didn’t want to run out of time!
Before I aborted my original plan I knew exactly what fabric I wanted to make my #sewfrosting in and thankfully the fabric translated easily into my new plan. The fabric is a beautiful, geometric jacquard purchased from The Fabric Store in LA many months ago, and it’s been sitting in my stash just waiting for the perfect opportunity to be used. This fabric is medium weight with a lot of body, and I knew I wanted to show it off by sewing it into something with a big shape.
My first idea was a strapless bodice with a big wide poofy skirt, but because I am obsessed with jumpsuits right now, I kept coming back to the idea of trading the big skirt for some big pants. Immediately the Winslow Culottes by Helen’s Closet came to mind because of the pleating at the front and back and wide legs- that garment actually looks like a skirt when you’re standing still and it seemed like a really interesting pairing to match with my bodice, but I worried that the body of the fabric wouldn’t marry well with the style lines.
What if it gave out too much poof, or not enough poof, or just ended up looking dowdy? I tried to take my uncut fabric and fold it around my body to give me a good idea of how the end result would look but it was practically impossible to tell, so I took a leap of faith and just went for it- worst case scenario was that it wouldn’t look good at all and I would have to cut shapes out of the pants pieces to create a skirt (which wouldn’t be too hard to do since the pant legs are so wide). With a little urging from sewcial media I went forward with my plan and ultimately it came out beautifully! I wouldn’t change a single thing!
Okay, that’s a lie- I totally would change the fabric of the lining that I used, lol. I cut out my pieces from my fashion fabric, then cut out the same pieces from hair canvas to give the bodice additional stability, and then I cut out another set of pieces from some black silk organza in my stash to make the lining (I opted to create channels for my boning by sewing them onto the lining and hair canvas instead of using separate channeling). I didn’t really have any other fabric in my stash to make the lining out of that would match the color scheme of the fabric and I thought the organza would provide yet another layer of stability for the bodice, so this seemed like a great idea at the time.
Unfortunately I didn’t take into account how scratchy the hair canvas in the middle of the bodice would end up being- it was so itchy that it poked through the organza and immediately started irritating my skin when I first tried the garment on. BIG FAIL! It was so bad that I knew I would have to make some sort of adjustment or the garment would be unwearable, but taking the whole thing apart was out of the question- the bodice was literally ENTIRELY complete: under stitched, hand stitched closed at the waistline and everything! I didn’t have the time or patience to dismantle the whole thing since I had a bunch of birthday gifts to sew for claire, and I also was just NOT FEELING DOING ALL THAT WORK.
So I had to come up with a quicker fix that would work almost as well as replacing the entire layer of organza lining. I opened the bodice back up from the waistline seam and I decided to fill in the spaces between the boning with another layer of silk (this time a white silk habotoi from my stash) to serve as a buffer between the hair canvas and organza lining. It was tricky, imprecise, and took some very delicate maneuvering- I cut out the rough shape of the space needed to be filled from my habotoi silk, carefully slid it into the area underneath the lining, then stitched around the edges of the organza and hair canvas to keep the silk in place. There was one triangular space at each of the top sides where the opening was simply too tiny to stuff the silk into, but I was able to effectively cover the hair canvas everywhere else in the bodice. I wasn’t sure how well it was going to work, but thankfully it did the trick, and the two spots that aren’t covered with the habotoi seem to be too small to be of major concern. I tried the garment on and my skin didn’t start turning red and getting itchy- success!
Other than that snafu with the bodice, everything else came together beautifully. The Winslow Culottes pattern is a STUNNING match for this fabric- I love how the pleats puff out from the waistline and how perfect the length is, and I did some very careful and successful pattern matching on the pieces, too. I changed the shape of the pockets on these pants as I wish I had done on my original pair. They are designed to have a teardrop pocket that hangs from the side seam, but I prefer my side seam pockets to be drafted to the waistline and sewn down into the waist seam which keeps them in place and makes sure they dont wiggle around, get bunched up, and bulk up the silhouette of my hips. I re-drafted this pocket by raising the height to match the waist of the front pants piece and it came out beautifully.
One thing I find hilarious about this make is the fact that used the same black organza for the pockets as I did for the lining- organza is strong and soft, so it seemed like a reasonable thing to do, but I didn’t take into account that this would give me transparent pockets, which you can get a tiny peekaboo at when I pull them open on the sides. This was a happy accident- I LOVE a little peek of skin in an unexpected place! I just need to make sure that my underwear match the fabric a little bit more, lol!
All in all I am thrilled at how this garment came out and I am so happy with the journey I went on to get here. I had such different ideas for how I wanted this piece to look at the beginning of the project, but I came out with something entirely unique and very me. This isn’t to say that I won’t give my original Pinterest dress another try at some point in the future, but I am really happy with where I ended up and I probably wouldn’t have created this strapless jumpsuit without starting from where I did. The marriage of fabric and pattern here are so exquisite and this is one of those garments that I haven’t really seen around before- it’s a dynamic shape in a bold print, and I feel so special in it… kind of like a dollop of frosting! Mission accomplished! Thanks for the inspiration, Kelli and Heather Lou!
P.S. Photos by Claire Savage (thanks, honey!)