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The ‘Assault Free’ Bodysuit: Nettie by ClosetCaseFiles

on_table

I made a version of this Nettie bodysuit by Closet Case Files when it came out over a year ago. I had just started to get into sewing with knits at the time, so every completed project felt like a success. And I was thrilled with the fact that such a great pattern existed in the face of the entity that is American Apparel. People always talk about the good things this company has done over the years, namely employing Americans/immigrants in US-based garment factories with liveable wages and benefits, and that is undeniably awesome. But I always felt like the good the company did in terms of it’s ethical labor practices was vastly overshadowed by the countless cases of abuse, harassment and assault that so many people who worked within and for the company had to face. I used to read JANE magazine religiously when it was still in print and I remember seeing this amazing/disturbing piece of journalism by JANE contributor Claudine Ko and reeling from anger and shock. That was the first I had ever heard of the awful antics of AA founder Dov Charney, but it would not be the last; since then there have been tons of think pieces and essays and anonymous accounts of the habitual sexual misconduct within the company, not to mention the fat-phobia and body shaming that American Apparel not-so-secretly promotes.

All of this is to say that Heather’s Nettie didn’t just feel like another awesome pattern to add to my stash- it felt like a warcry. I had been empowered with the tools to make a garment that seemed to belong almost exclusively to a company I hated (American Apparel is known for their knit tees, leotards and gold lamé leggings), effectively shooting a figurative bird at their poor business ethics and misogynistic practices. Currently, American Apparel seems to be threatened with financial ruin, and the rumor is that they will be closed by year’s end. I hate that it happened this way. I would much rather the company had shut down the bad behavior as soon as it was discovered so that it could focus on being a great example in the global fashion market. But, alas, that is not what happened. The good news is that AA showed the world that it was possible to create a successful international clothing brand made on American soil; hopefully other companies will follow (some of) their footsteps in the future. The other good news is that, thanks to Heather, I don’t have to rely on any of those future companies to provide me with a great fitting bodysuit!

full_frontal

Speaking of the bodysuit…I ran into a little problem with it when I made my first version. The pattern gives you the option to line the front with a shelf bra so that if you make the low back or scoop neck version, you don’t have to worry about wearing a regular bra with it, which would most likely peek out. But when I inserted my shelf bra in my bodysuit, it did this weird puckering thing at the point where the bottom of the “bra” met the side seams. Because the bottom of the shelf bra has a length of elastic sewn onto it, it was pulling the side seams taught, and it was very noticeable when I was wearing it. I realized too late that this was because I had graded the bodysuit to a smaller size in the waist, so the dimensions of my shelf bra were off and causing the elastic to make the sides pucker. I intended to immediately make another version to fix the issue, but I procrastinated, and it wasn’t til much later when the 2015 Sew Independent contest was announced that I found my opportunity.

posing

I made my most recent version of the Nettie bodysuit in a jeresy rayon fabric that was a mistaken online purchase (I thought I was buying supplex for activewear, but the fabric was too soft and pretty to return). This time I fixed my issue with the shelf bra by ommitting the elastic all together, which worked out beautifully- I have a small chest so I don’t need much (if any) support at all, and the fabric of the shelf bra lays down fine without the elastic. All other aspects of the construction were exactly the same as before, and I am SO pleased with it. Now that I have figured out my shelf bra issue, I just want to make this again and again and again cause this bodysuit goes with EVERYTHING.

back_view

In these photos I paired my Nettie bodysuit with a circle skirt I made with instructions from Gertie’s Book for Better Sewing and fabric from The Fabric Store. And right before the pics were taken I had just finished an appointment with my acupuncturist so I have cupping marks all over my back that look pretty weird and perhaps even unsightly. It usually takes several days or even weeks before these bruises fully disappear so I took my pictures sooner rather than later before they got darker; thankfully you can’t see the REALLY dark red ones on the sides of my neck. Apologies to any squeamish people out there, and in case you haven’t experienced the process before, the cupping doesn’t hurt at all- for me they are the equivalent of giant dry hickies 😉

 

Brumby Skirt in Ladybugs

ladybug skirt full view

Oh, nevermind the phone and record player cords piled up on the floor to the left of me, ok?

The Brumby Skirt is Megan Nielsen’s latest pattern, and um…it’s SO OBVIOUSLY my kind of skirt. It’s feminine and sweet, and Megan Nielsen’s version takes a pretty standard silhouette (dirndle skirt) and adds a couple of lovely details, like the wide, deep pocket option, and the double stitching on the front seam. Brumby was pinned on my “Patterns To Sew” board for a while, but it wasn’t until I stumbled across this FANTASTIC silk at The Fabric Store ladybug fabric that I actually bought the pattern and decided to make it. Funny thing, that silk- I had fallen in love with it the first time I saw it at the store, but I didn’t buy it since I didn’t have a plan for it (still trying to get out of the habit of making impulse fabric purchases, blah blah blah). I kept thinking about the fabric for the next several days (dreaming about it really), and then The Fabric Store had a big seasonal sale a week or so later, so my plan was to pick up a couple of yards of it when I went to buy other stuff. I arrived at the store the morning the sale began, and guess what- NO MORE LADYBUG SILK PRINT! I looked everywhere for it in between picking out my other pieces, but to no avail. I finally asked Brooke, who is manager of the LA store (who, by the way, is always incredibly helpful and thoughtful and an excellent ambassador for great customer service) what had happened to the ladybug print. She said it had all gotten snatched up pretty quickly…but then she reached under the cutting table and pulled out a folded pile of ladybug goodness. She said “it’s only a yard and a half, though- will it be enough?” and of course I, without a second thought, said “I will MAKE it be enough!”

Cut to a couple of weeks later, where I am literally squeezing all the pattern pieces onto the fabric to try and make it fit. One and half yards would have been plenty of fabric if it weren’t for the fact that the silk was paneled, so every yard or so it had this column of flowery design pasted across from top to bottom, separate from the ladybug print, which I had to work around. To make things even more difficult, it was a really slippery silk so I had to sandwich it between paper to be able to cut it out efficiently. The paper and silk trick works like a dream, but it can get really messy once you start cutting, with slivers of paper and silk just piling up all over the cutting table- it’s hard to tell what’s what, and I don’t know how I successfully got all my pieces cut, but I did (praise be to the sewing goddesses).

Because this is a delicate silk and I used a matching thread color, you can't really see the detail of the stitching on either side of the front seam, but I put it there anyways.

Because this is a delicate silk and I used a matching thread color, you can’t really see the detail of the stitching on either side of the front seam, but I put it there anyways.

Because the silk was see-through, I bought some bemberg rayon to line the skirt with, but in my haste to finish the project, I didn’t walk through the steps beforehand. As a result, I cut out the lining pieces weird- I should have put the pocket facing pattern piece onto the skirt front and cut it out as a whole, but instead I cut out the regular skirt front pieces with the pocket chunk missing, so I basically had a gaping hole on the inside of the lining. Does that make sense? But whatever, it was an easy fix- I just hand sewed the open pocket area of the lining to the actual pocket of the skirt to close the gap, and voila!

Can you see where the pocket of the lining was cut out (it has a pinked edge)? I had to handsew it to the pocket piece beneath it so there wouldn't be a huge hole.

Can you see where the pocket of the lining was cut out (it has a pinked edge)? I had to handsew it to the pocket piece beneath it so there wouldn’t be a huge hole.

And THEN guess what happened! I totally sewed the waistband onto the skirt upside down! Call it one of those brain glitches where you stop making logical decisions when you have been sewing for too many hours straight. Whatever it was, it was ridiculous and also hilarious. I remember staring at the waistband and then staring at the drawing in the instructions…and then staring at the waistband again…and then back to the instructions…I could not for the life of me figure out if the waistband curve should tilt up or down. I was ready to blame the instructions for not being clearer, but honestly, it’s something that I should have been able to figure out myself since I have made so many skirts in my lifetime. Once I realized my mistake, I pouted and cussed. Then I ripped out all my stitches and re-attached the waistband the right way; the longer I spend being annoyed at myself, the longer it takes to actually finish the skirt in the first place.

ladybug skirt back viewIn general, I hate sewing with silk, because I am not very competent at it. It’s so damn fickle- it snags easily, slides around when you’re trying to sew layers together, stretches out if your fingers tug at it the wrong way, puckers up all the time- it’s kind of a nightmare for me. But silks feel SO good against your skin, they are shiny and fancy and glamorous, and since I am trying to add more red carpet-ready items to my wardrobe, I know I need to get better at working with them. So! This was my third project in a row of working with silk, and I could definitely see my progress with each one. All in all I consider this pretty little skirt an absolute win! My plan is to make a Nettie Body Suit (ClosetCaseFiles pattern) in a nice soft navy knit to go with it. Stay tuned…

#MeMadeMay level= unlocked

At the beginning of #MeMadeMay2015 I had high hopes to post here on my blog every single day what I wore and where the pattern came from, but those hopes were crushed on Day 2 when my laziness got the better of me. I decided it would be a lot easier and more efficient on my end to just do a master post of everything I memade and mewore with a few details for each one (I posted everyday on tumblr but not everyone follows me there). Presenting, my first foray into the MeMade hashtag!!!

vintage jumper

Day 1: vintage jumper

I already posted about this little guy here, but to recap, this a 70’s (I think?)  vintage pattern for a romper made of knit fabric.

Day 2: Southport Maxi Dress by True Bias

Day 2: Southport Maxi Dress by True Bias

LOOOVE this Southport Maxi dress pattern, and just finished making another one in a peach polka dot cotton. Straightforward and simple, easy-to-understand directions, but the pattern is based off of a C CUP!!! My boobs are nowhere near a C cup, so when I sewed up the bodice and  tried it on for fit, it was so saggy and loose around my entire torso that I was afraid I was gonna have to take the whole thing apart and re-cut the pieces from my fabric. Thankfully I was able to make adjustments without altering the darts and the side seams- I just cut off the widths of the bodice center fronts and moved the button bands over to accommodate. I love the pockets in this dress, and I love the drape of the rayon challis I used in this version and would recommend that fabric over the 100% cotton I used for my second make, which is beautiful but more crisp looking and less flowy.

 

Day 3: Knit Sweetheart Top and A-line skirt from Gertie Sews Vintage Casual

Day 3: Knit Sweetheart Top and A-line skirt from Gertie Sews Vintage Casual

A lot of my favorite makes come from Gertie patterns, as seen in this post. This is the Sweetheart Top made of knit fabric from www.girlcharlee.com coupled with Gertie’s A-line skirt in a beautiful wool herringbone that you unfortunately can’t see very well in this picture. Both patterns are from the book Gertie Sews Vintage Casual. The skirt has an okay fit for me- her circle skirt is wonderful and fits my figure beautifully, but I think that because the A-line skirt has less material in the hip area, it causes wrinkles and gaps between my waist and hip area in the back. It’s probably not noticeable to anyone but me, but I don’t get as much wear out of the skirt for that reason. The Sweetheart top is a simple make on a serger (I once made three of these tops in one day) with a wide neckline that gathers in the middle front.

Day 4: knitted sweater- Portland Tweed Curved Front Cardigan by Pam Allen

Day 4: knitted sweater- Portland Tweed Curved Front Cardigan by Pam Allen

I called this my Unflappable Darling sweater, and details for this make are on my ravelry project page here. I fell in love with Pam Allen’s patterns after I began knitting sweaters, but before I was good at making alterations to fit my size (I usually have to size down and use smaller needles cause my guage is fairly loose). I love this sweater but it’s hard to pair it with many things in my closet. It’s got a tent-like shape to it, and has a tendency to swallow me up, so it doesn’t get as much wear as I would like. The yarn I used for it is a really bizarre-feeling cotton blend with a unique smell that reminds me of hay. If I made this again I would make it much smaller, and with a softer, fluffier (less barn-smelling) yarn.

 

Day 5: Espresso Leggings by Cake Patterns

Day 5: Espresso Leggings by Cake Patterns

I was excited to learn about the Cake Patterns company when I started researching more indie designers, and I was intrigued by the unique way in which they have you put together the pattern pieces. There is a large page of numbered dots and symbols that represent different widths and lengths for your body, and you connect them all together to create an adjusted pattern for your specific size. I feel like this would be a great pattern for someone who was brand new to sewing, but for me it ended up being really confusing and frustrating, and at one point I just wished that it was less innovative and more familiar like other patterns I was used to- I would have been able to put it together much more quickly. The instructions were very different from any pattern I had made before, and not in a good way- they use a lot of symbols instead of words, so I had to keep going back and figuring out what each little drawing was supposed to mean. On top of that, this leggings pattern suggests that you use a 2-way stretch knit like ponte, but when I made them up in that fabric, they wouldn’t even stretch wide enough to go over my thighs (and yes, I cut the pattern out with the stretch going width-wise). Not sure if there was something off about the knit I chose or what, but it was a high quality fabric that I had used with great success before, so I was very disappointed that it didn’t work for this project. I eventually bought another knit with 4 way stretch (seen in the photo) and it worked fine.  I also bought one of their dress patterns to make for my sister-in-law for Christmas, but I was so confused by the bizarre, multi-step directions that I threw the entire thing (including the fabric!) in the trash halfway through construction. I would not buy one of their patterns again, but I have seen that a lot of people have had positive experience with their Cake Patterns, so maybe it’s just me.

Day 6: Tri-Cable Stitch Jumper by Susan Crawford

Day 6: Tri-Cable Stitch Jumper by Susan Crawford

This sweater pattern comes from Susan Crawford’s book A Stitch in Time Vol. 2 and is the kind of book that I would want to own and display even if I wasn’t an avid knitter. The photos and styling are remarkable and the patterns are beautiful, but the coolest thing about the book is that it includes a copy of the original vintage knitting pattern so you can compare the original styling and photos and instructions to the updated versions. I should have gone further down in my needle size for this pattern because it is just a little bit bigger than I would like, but all in all this came out beautifully and I love wearing it.

 

 

 

 

Day 7: Pencil Skirt in Stretch Knit from Gertie Sews Vintage Casual

Day 7: Pencil Skirt in Stretch Knit from Gertie Sews Vintage Casual

This Comfiest Pencil Skirt made of a stretch knit material comes from a pattern in one of Gertie’s books and has become a real winner in my closet. It gives that wonderful curvy silhouette without the usual confining quality that pencil skirts tend to have.  I ended up adding two darts to the back of my skirt to keep the excess fabric between my smallish waist and wide-ish hips from bunching up and it worked like a dream without taking away from the simple pattern of the skirt.

Day 8: Summer Dress pattern from Gertie Sews Vintage Casual

Day 8: Summer Dress pattern from Gertie Sews Vintage Casual

This is my Bitch You Guessed It Dress which you can read more about in this blog post.

Day 9: Ohhh Lulu Ginger Body Suit

Day 9: Ohhh Lulu Ginger Body Suit

OhhhLuluSews is a pattern company that operates from an etsy shop, and the designs are pretty, feminine and vintage inspired. The Ginger Body Suit doesn’t seem to be in the store anymore, but it is a one- piece pattern with a different adjustment marks to turn it into a two-piece and the option to use swimsuit lycra to turn it into a bathing suit, which I did here. Love the fit after I fiddled with the waist and bottoms for a while, and love the way the pieces are put together which gave me the freedom to make some unique design decisions.

Day 10: Vintage romper pattern

Day 10: Vintage romper pattern

This vintage romper comes from Simplicity Pattern 5503 which I bought a while ago on etsy. It’s kind of amazing- very comfortable and easy to make with an elasticized waist, although the front detail has never laid flat for me- not sure if that’s because of the material I used or what. The fabric was a gift from someone I used to date many years ago who went to Nigeria to visit family and brought me back this gorgeous African wax print. It accompanied me on moves to different apartments and different cities and eventually different states for over a decade til I was finally inspired to use it on this pattern. It was totally worth the wait.

Day 11: GInger Jeans pattern by Closet Case Files

Day 11: GInger Jeans pattern by Closet Case Files

These are my awesome and amazing skinny jeans from Closet Case Files’ Ginger Jeans Pattern. Can’t say enough good about the pattern (wasn’t prepared for my very first attempt at jeans to be so successful!). More details on the process here on my blog.

Day 12: Moneta dress by Colette Patterns

Day 12: Moneta dress by Colette Patterns

I am clearly a sucker for good design and good marketing, because no matter how many times I tell myself to stop buying Colette Patterns because the fit is always waaaay wrong for my body, I can’t seem to shake the habit. I thought that this Moneta dress and the Mabel skirt pattern (not shown) which I bought at the same time were gonna be big successes since they’re made for knit fabric, which is more forgiving in terms of fit issues. Not so. The skirt came out so poorly that I didn’t even make an attempt to try and re-draft it to work for myself, and the bodice of this dress was so awful that I had to re-cut it and make a lot of adjustments to make it smaller since it gaped like crazy at the armholes and was just generally gigantic (I already made the smallest size available). LOVE Colette designs and aesthetic, but I just have to learn to let them go.

 

Day 13: Ohhh Lulu Vintage style bra

Day 13: Ohhh Lulu Vintage style bra

Ohhh Lulu’s Lili Bra is a vintage bra pattern that uses wovens cut on the bias instead of stretch fabric, and it was a really fun make, as referenced here. It’s not the perfect bra pattern for me because it has this weird gapping effect in the nipple area (those puckers in the middle of the cups are filled with air, not actual boob) and I am sure I could adjust the pattern a bit to accommodate less space, but I haven’t yet. Still love this bra tho.

Day 14: Minimalist Cardigan

Day 14: Minimalist Cardigan

I call this my ‘Favorite Sweater’ Sweater because I wear it A LOT. It’s like my housecoat. Details for the Minimalist Cardigan are here and I am also in the middle of making one for Claire right now cause she has coveted it ever since I finished it in Vancouver. Moss stitch is so gorgeous, no matter how simple the pattern is.

Day 15: Nettie dress by Closet Case Files and Therapi sweater by Stefanie Japel

Day 15: Nettie dress by Closet Case Files and Therapi sweater by Stefanie Japel

Two makes in one! The sweater is Therapi by Stefani Japel and the dress is the Nettie pattern by Closet Case Files. The sweater took me 1,000 years to make, because, unlike the Minimalist cardigan, it actually is the size of a house robe, and it’s almost completely in Waffle Stitch, which isn’t very complicated, but it takes way more time than say, stockinette stitch. The dress is a body con dress that took me a little time to get right, only because knits are all so different and some have more stretch and others have less. This dress was at the beginning of my foray into learning more about knits, and this was the second version I made after the first one came out beautifully but encased my torso like a sausage because it was too tight due to the ponte fabric I chose. This black knit with the elephants adorning it is a 4 way stretch with a bit more give than ponte and came out so great… except the fabric started fading immediately after I pre-washed it.

 

Day 16: Pin-up Sweater from Gertie Sews Vintage Casual

Day 16: Pin-up Sweater from Gertie Sews Vintage Casual

Another Pin-up sweater by Gertie, in this really terrific crocheted stretch fabric that reminds me of everything awesome about Grandmas, cause up close the fabric looks like a huge doily.

Day 17: 40's Style Sleevelss Blouse and Pencil Skirt from Gertie's Book for Better Sewing and Gertie Sews Vintage Casual and Gertie

Day 17: 40’s Style Sleevelss Blouse and Pencil Skirt from Gertie’s Book for Better Sewing and Gertie Sews Vintage Casual and Gertie

Another two-fer: Pencil skirt by Gertie (from her first book Gertie’s Book For Better Sewing) and 40’s Style Blouse from her second book, Gertie Sews Vintage Casual. Used a stretch woven for the skirt which was an excellent choice- gives hold and shape without feeling like I can’t breathe. I made this skirt years ago so I don’t remember the details but I am pretty sure it was a straight make that didn’t require any adjustments, which kind of blew my mind- it was the first time I wore a pencil skirt that actually fit my body and didn’t pucker, gape and wrinkle all over the hips.

Day 18: Watson Long-line Bra by Cloth Habit

Day 18: Watson Long-line Bra by Cloth Habit

Cloth Habit’s long line Watson bra which I have given so much praise in this blog post.

Day 19: Harem Jumper (pattern by me)

Day 19: Harem Jumper (pattern by me)

I made this pattern which I based off of a Rachel Roy jumpsuit that I own and love to wear. The jumpsuit is made of a silky rayon material and is clearly meant for fancy occasions- I’ve worn it to a red carpet event and a couple of performances. I love the shape so much that I wanted to recreate it using a more wearable material. I bought some ponte knit fabric and, with some rough eyeballing and rougher measuring, I drew out a pattern for it and cut it out. It’s got a slightly different bodice than the original, and I added straps to this one to make sure it was more secure. My biggest obstacle was inserting the zipper onto a stretchy fabric, which I had never done before (with good reason). When closed, the zipper bunched and zigzagged, but I read online that using a stabilizer underneath the zipper tape would help, and it worked like a charm. I am dying to make this again in a 4 way stretch knit.

 

Day 20: Vintage High Waist Shorts

Day 20: Vintage High Waist Shorts

These shorts are the second pair I have made from  vintage shorts pattern Simplicity 7688. The first pair, which I am actually wearing as I type this, are made of a mint green linen and they are on the verge of falling apart because I didn’t know that I needed to finish the edges of this type of fabric  with either a serger or bias tape. As a result, the edges have frayed to the stitched seam lines in some places. I have tried repeatedly to save them with patches places on the inside of the shorts, bias tape to encase the raw edges, and double lines of stitching. They aren’t long for this world but I can’t bear to let them go because they are my favorite! This paisley pair is a close second, but the brushed cotton bags out a bit after wearing them too many times between washings.

Day 21: Vintage romper pattern

Day 21: Vintage romper pattern

This is a second version of the 80’s romper in the African Wax Print fabric, but I used a different type of material for this project and I hacked the strap and neckline-edging from a different pattern, so the end result looks (and feels) super different. I made a belt for this one, too, and the look just seems little more pulled together and fancy than the other one, which I wear more casually. You can’t tell, but the fabric is printed with flocks of birds all over it.

Day 22: Hannah dress by Schnittchen

Day 22: Hannah dress by Schnittchen

Hannah dress by Schnittchen, seen here!

Day 23: Vogue Vintage re-issue

Day 23: Vogue Vintage re-issue

Ohhh, how I absolutely LOVE wearing this dress! It’s stunning! Simplicity 1777, 1940’s Retro reprint, and truly unique in it’s bib detailing coupled with this amazing rayon challis I found on fabric.com. It’s one of my favorite pieces to dress up in.

Day 24: Vogue Maxi dress

Day 24: Vogue Maxi dress

Vogue 8827, as blogged about here.

Day 25: Vogue culottes jumper

Day 25: Vogue culottes jumper

I have been meaning to finish my post on this garment for so long-it’s  queued up and written and everything, just waiting to take some nice pics to accompany it. Anyways, I call it my JNCO’s Birthday Jumpsuit, but in actuality it’s a culottes romper, which required a fair amount of adjusting to make work for me. It’s made out of a double gauze by a company called Cotton & Steele, who has really gorgeous fabrics drawn by a team of super talented women artists, and I love love love this outfit and I need to make it again (and probably again). When I redrafted everything, I forgot to fix the pockets and make them longer to meet the new higher waistline, so they are SUPER short and everytime I put my hands in them I want to laugh and cry at the same time.

Day 26: Ginger Jeans (again) and Knit Sweetheart Top

Day 26: Ginger Jeans (again) and Knit Sweetheart Top

Ginger Jeans again! This time paired with a Knit Sweetheart Top by Gertie, adorned with a million mustaches. (This is a faux action shot, btw, which I feel like I must declare before I start getting comments from people warning me that I am using my power tools incorrectly).

Day 27: Carolyn Pajama bottoms by Closet Case Files

Day 27: Carolyn Pajama bottoms by Closet Case Files

Carolyn Pajamas (sans top) by Closet Case Files.  Easy make with lovely little details. I made mine out of rayon challis and after a few washings they started to look like worn bedsheets, in a GOOD way.

Day 28: Cap Sleeve Lattice Top by Purl Soho

Day 28: Cap Sleev Lattice Top by Purl Soho

This is the first sweater I ever knitted in California territory. Details here!

Day 29: Vogue dress

Day 29: Vogue dress

And this is the first dress that I ever made for myself after I learned how to sew in my Costume Design class in college. I have no idea what the pattern was (I think it might have been Vogue?), but it was such a success that it inspired me to keep going, even though I took a significant break from sewing after I moved to NYC. It fit great (still does) and was made out of a linen from JoAnn’s Fabrics which has held up surprisingly well over the past 14 years.

 

Day 30: Marianne Dress by Christine Haynes

Day 30: Marianne Dress by Christine Haynes

I hurried to finish this dress up in time to attend Autostraddle camp this year. It’s the Marianne Dress by Christine Haynes and it’s a very simple make made with knit fabric that includes a really cute sleeve detail on the cuff of the sleeve.

Day 31: fingerknitted necklace (no pattern, just fingerknitted!)

Day 31: fingerknitted necklace (no pattern, just fingerknitted!)

I MA(Y)DE IT! 31 Days!!!! Here I am wearing my vintage shorts pattern again from a previous day with the addition of my fingerknitted neck accoutrement! Fingerknittin’ Good is one of the craft classes I taught at camp and it was a big success! It’s easy to learn and easy to do if you have fairly good use of the fingers on your hands. It doesn’t require any materials or tools other than the yarn, and when you use a bulky skein, you can create something beautiful in a short amount of time. Fingerknitting doesn’t require a pattern or anything, just the actual activity of repeating the steps over and over again, and there are plenty of tutorials on the internet that can show you how to do it in no time. This ended up being a fantastic camp activity because even the campers who insisted they were absolutely terrible with their hands were able to create a gorgeous length of fingerknitted rope by the end of the hour.

 

And that’s it- my first memademay is complete! I have to admit that when it was all over I felt equal parts relieved and sad. Halfway through the month it had become exhausting to dress up in something memade every day, only because I don’t have a regular job to go to every morning. So unless I have an event or an audition or am meeting up with friends, I just putter around my craft room all day making stuff til Claire gets home from work, and hanging out in my craft room doesn’t require me to wear anything special. My wardrobe for most days (after I run or do yoga) is whatever is clean and at the top of my drawer, which usually ends up being a pair of shorts and a t shirt, or a breezy house dress if it’s hot outside, and I usually wear that for a few days in a row til it’s time to put it in the laundry bin. For much of May, I missed the ease of throwing on whatever clothes were laying around. But on June 1st, I realized I had become so accustomed to being thoughtful about what I was going to wear that I felt like something was missing. No more “Hey Claire- will you take my MeMade picture?” No more triple-sharing photos to instagram and tumblr and facebook. No more recalling little details about what I was doing and how I was feeling when I made the garment. Of course I will still share my new makes when they are finished, but the exciting part of committing myself to a month-long project will be absent…til next year at least. Thanks to everyone who offered encouraging words of support during the month, and thanks to all the other bloggers and sewers who participated by sharing their own makes. Y’all are so inspiring and I look forward to every single new project you create!