This stunning, buttery, vivid leopard print silk was gifted to me from Elisalex of By Hand London many months ago after we decided to do a fabric exchange. I was working in Vancouver and oohing and ahhing on instagram over the beautiful slubby linen Blackbird Fabrics had recently stocked. Elisalex wanted to get her hands on some but was hesitating because of the shipping rates (Blackbird has great shipping for Canada and the US but shipping overseas is always a bit pricey), so I suggested I send her some of the color she wanted (a really beautiful, deep red) and she could send me something in return- anything she wanted, because I trust Elisalex’s taste in fabric, haha. Thankfully she was game and within a couple months I had received the most gorgeous bundle of fabric I could imagine. She included some beautifully bright summery lime silk in the package that I need to use up while the weather is still brilliant, but it didn’t take long to decide what to make with the deep spotted blue silk she sent me.
When the parcel arrived I knew I was heading to a wedding in Playa del Carmen in a few months and thought this would be the perfect fabric to make up something elegant and summery for the event.
I chose this vintage Vogue 7334 faux-wrap pattern that I bought on etsy specifically for this fabric. I had initially wanted a wrap dress that was a bit more A-line and flowy on the bottom but once I saw this pattern, I was happy to make a compromise, and it turned out to be a smart move- MEXICO IS VERY HOT IN THE SUMMER, lol. I mean honestly I expected it to be, but I didn’t think much about how the more fabric my garment had, the more there would be to cling to my sweaty skin, so this ended up being the perfect silhouette, especially since I have never been to a wedding at which I didn’t dance my ass off.
This pattern was pretty simple and straight-forward and I made it without adjusting the size at all, but I did make some aesthetic changes. I was on the fence about whether or not to forgo the elasticized waist and instead add waist ties so that it would be more of a standard wrap dress, but I got nervous that my silk would be too shifty and would move around all over the place, so I stuck with the elastic but added waist ties anyways- having worn this out in the world now, I can say it was a smart decision. I am currently debating whether or not to cut the ties off and put a black belt around the waist instead because the ties ended up feeling like they got in the way and they did NOT want to stay in place, lol. I also added a snap to the inside of dress at the neckline where the left and right wraps meet because you know how wrap dresses are- they love a good reveal!
Oh, and one more change I made to this dress was to line the bodice with self fabric to get extra coverage/stability in the bust area- I can’t stand a flimsy bodice when I am not wearing a bra, and although the fabric is completely opaque, I thought an additional layer would be nice and also make the insides look neater. I measured out where the waistline of the dress was, then cut out another front and back dress piece from my fabric at about an inch past the wasitline to make room for the seam allowance and the elastic channel (instead of cutting out a separate casing for the elastic and sewing it to the waistline as per the instructions, I created one by sewing a channel through my bodice lining).
This worked beautifully and makes the top of the dress feel a bit more structured. Surprisingly this dress has pockets which is a nice detail, but I would probably omit them if I made this pattern again. The pockets on this don’t splay out too much or add a lot of bulk but they don’t really like to stay in place very well either (might be an effect of the slippery silk) so I was constantly double checking to make sure they were laying flat.
My favorite design element of this pattern is the subtle curved edge of the wrap fronts. They are not super obvious and they were very tricky to navigate at my sewing machine since I had to use silk bias tape which didn’t want to stay in place around the curve, but the end result is so soft and romantic and I want to do it on all my front edges now!
Now for the shoes!
I AM IN LOVE with these shoes! This is one of the few pairs I have made without creative inspiration from Pinterest- for some reason I just had this idea of a big poof-ball detail on a high heeled shoe (very Zsa Zsa Gabor, sans the kitten heel) and they came out exactly as I wanted. I had no idea what I wanted for the design of the shoe underneath the poofball but I knew I should make something sturdy and simple since it would be almost entirely covered by my poof ball.
(FYI- I had not made insole socks yet when I took these photos (the “sock” is a piece of leather that covers the foam that covers the heel screws and adds extra cushion and comfort to a pair of heels), so if you glimpse a bit of white underneath the heel of my foot, that’s why- it’s just the uncovered foam!)
I taped up my lasts and drew out a strappy design that I could loop the poof ball’s hidden rubber band around, then I cut it out of black leather and went to work. This is probably the last pair of heels whose edges I will not sew to the lining, thanks to George’s input, but my back straps are properly sewn thanks to the shoe findings store I get all my materials from. They started selling pre-made skinny straps with buckles in a variety of colors and I picked up several pairs because they are brilliant- so easy to use and design around! I am so obsessed with the the look of the skinny strap on the back of these heels- they are hard to come by in RTW, maybe because they have to hit at just the right spot on a shoe or they wont be comfortable, but luckily I found the sweet spot with these.
These shoes toe the line of being almost over-the-top, but because they are in a neutral color and the design is so simple, they work really well for me and I cannot WAIT to wear these out and about (not just in pictures)! Thanks to Claire for snapping these cute shots and Elisalex for inspiring such a fun dress!